peoplepill id: patrick-montgomery
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The basics

Quick Facts

Gender
Male
Place of birth
Cincinnati, Hamilton County, Ohio, USA
Age
75 years
Education
University of Notre Dame
The details (from wikipedia)

Biography

Patrick Montgomery is an American documentary producer/director and film and photo archivist. He has specialized in making films using archival materials, most notably The Man You Loved to Hate (1979) about the legendary actor/director Erich Von Stroheim and The Compleat Beatles (1982) a two-hour documentary about the rise and fall of the world's most famous rock group. He also founded and ran Archive Films/Archive Photos, the largest independent commercial film and photo archive in the U.S. until its acquisition by The Image Bank, a division of Eastman Kodak, in 1997.

Early life and education

Patrick Montgomery was born in Cincinnati, Ohio on September 13, 1949. He graduated from St. Xavier High School in 1967 and received a Bachelor of Finance degree from the University of Notre Dame in 1971.

Career

Cincinnati

Montgomery began his career in 1972 as a marketing executive at Audio Visual Enterprises, Inc, a firm founded by former Cincinnati Symphony General Manager Lloyd Haldeman to distribute opera and ballet films for home viewing on videodisc.

New York – Killiam Shows and Film Production

Montgomery moved to New York in 1974 and landed a job with Killiam Shows, Inc., a company founded in the early 1950s by Paul Killiam to acquire, restore and distribute American silent films and produce television programs about them. While with Killiam he was involved in the restoration and distribution of many classic films, including F.W. Murnau’s Sunrise (1927) and It (1927) starring Clara Bow. He was also a founding member of the Non-Theatrical Film Distributors Association in 1974. His first film as a producer/director (with Luciano Martenengo) was George Melies: Cinema Magician (1978), produced for Blackhawk Films, followed by The Man You Loved To Hate (1979), a co-production with the BBC and Norddeutscher Rundfunk. In his New York Times review, Vincent Canby called The Man You Loved To Hate “cinema history of both entertaining and high order.”

In 1979, Montgomery formed Archive Film Productions, Inc. In 1980 he produced the documentary John Schelsinger Directs the Tales of Hoffmann for the newly formed Bravo Channel and in 1981 served as the line producer for an independent feature film called New York Beat, starring a then unknown Jean Michel Basquiat, which was eventually released in 2000 as Downtown 81. In 1982, he directed and produced The Compleat Beatles with Delilah Films, which was distributed by MGM/UA Home Video. and released theatrically by Teleculture, Inc in 1984. The Compleat Beatles was one of the first original productions to be awarded Platinum status by the RIAA for sales of over $2 million in the nascent home video market. This was followed by Rock and Roll: The Early Days (1984) and British Rock: The First Wave (1985), both released by RCA/Columbia Home Video. In 1985 he served as Archival Consultant on eighteen documentaries produced for Pepsi’s A Walk Thru Rock touring show, andin the same capacity on the NBC Network tribute Looney Tunes 50th Anniversary (1986). In 1987 he produced the TV special We’ll Be Right Back about classic television commercials for Nickelodeon, and in 1989 produced Creepy Classics, an original video release for Hallmark Cards about classic horror films. From 1993 to 1995 he served as Executive Producer on a number of programs for A & E's Biography series, including films about Bing Crosby, Sid Caesar, Sammy Davis Jr, Humphrey Bogart, and Milton Berle.

Archive Films & Archive Photos

In the mid 1980s, Montgomery turned his focus from making documentaries to building an archival stock footage library called Archive Films. By the early 1990s the company had become the largest in the U.S. with its headquarters in New York City and satellite offices in London, Paris, Stockholm, Cologne, Amsterdam,Milan and Tokyo. He then began to branch out into archival stock photos and acquired the photo agencies Frederick Lewis, Inc and Pictorial Parade, Inc and several other photo collections to form Archive Photos. In addition to its own collections, Archive Photos also represented Reuters, The New York Times, The George Eastman House and others for archival photo licensing.

In 1997 he sold his company, Archive Holdings, Inc, which by then had grown to 120 employees in the New York office, to The Image Bank, then a division of Eastman Kodak, and continued to run the company until 1999, also serving on The Image Bank’s executive committee.

Archive Farms Inc

In 2007, Montgomery formed Archive Farms Inc, to manage the archival film and photo collections he had acquired or assembled since selling to The Image Bank, most notably, The Travel Film Archive, which owns the collections of several important travelogue film makers including Burton Holmes, Andre de la Varre, and James Fitzpatrick, and The Bert Morgan Archive, which he acquired from the heirs of high society photographer Bert Morgan in 2009. The company also represents The Caribbean Photo Archive and The History of Photography Archive, two private collections of 19th century photography assembled by Montgomery over a ten-year period. Working from these collections Montgomery has curated several museum exhibitions including Southampton Blue Book, 1930 to 1960: Photographs by Bert Morgan (2014) at the Southampton Historical Museum, and Awakening Jamaica, Photographs by Valentine and Sons, 1891 (2015)] at HistoryMiami., Palm Beach Society Photography of Bert Morgan (2016) at The Preservation Foundation of Palm Beach, and Historic Nassau (2016) at the Spady Cultural History Museum in Delray Beach, Florida.

Other activities

Since 2001 Montgomery has served as a member of the Board of Trustees of The George Eastman House Museum in Rochester, NY. He was named Vice Chairman of the Board in 2004 and has served as Chairman of both the Photography Acquisition Committee and the Conservation Committee. He was also on the Board of Trustees of The Film Forum in New York City from the early 2000s until 2013 and has served on the Advisory Board of Witness from 2001 to 2006.

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