Chuck Berghofer

Charles Curtis "Chuck" Berghofer (born June 14, 1937 in Denver, Colorado ) is an American jazz and studio musician double bassist with a distinguished career as both a house musician and for his work in the film industry. His music is distinguished by his huge, rich tone and the sense of relaxed power he brings his music.

With a lineage of musicians in the family (his grandfather had played with John Philip Sousa, and his uncle played tuba with the Saint Louis Symphony), Berghofer took interest in music at an early age, playing trumpet at the age of eight. As a child he played the trumpet and tuba in grade school until moving to the double bass at the age of 18. As a young adult, as he began venturing out to jazz night clubs, he gained an admiration to Ralph Peña and was able to convince Pena to take him on as a student.

Berghofer played in high school trumpet and tuba and moved at eighteen to the double bass.

According to Berghofer he always felt as though his music was heavily influenced by Leroy Vinnegar, Paul Chambers and Ray Brown. He also admired the work of Scott LaFaro and told Jack that, ‘The best soloist on the instrument was Red Mitchell ... I loved to hear him solo.’

Two years after he took up the bass, Berghofer, joined an orchestra, led by Skinnay Ennis for a tour of the midwest and then joined with Bobby Troup. As his career progressed he eventually replaced his former tutor, Pena, in a duo with Pete Jolly which later expanded into a trio with the addition of drummer Nick Martinis. In the 1960s he became a member of Shelly Manne's band, taking on a drummer position at a night club called the Manne Hole and had the opportunity to play alongside numerous leading jazz musicians of the era including Jack Sheldon, Conte Candoli, Frank Rosolino, Rahsaan Roland Kirk and Philly Joe Jones.

He was a member of the Abnuceals Emuukha Electric Symphony Orchestra around 1967 when Frank Zappa recorded the orchestral parts for Lumpy Gravy.

Despite a lengthy career in film, Berghofer, was also quite accomplished as a house jazz musician. He formed a semi-regular house band at Donte's in Los Angeles with pianist Frank Strazzeri and drummer Nick Ceroli and was videotaped having played with Roger Kellaway and drummer Larry Bunker as they backed Zoot Sims. Among others he accompanied were Ray Charles, Bob Cooper, Ella Fitzgerald, Stan Getz, Peggy Lee, Shelly Manne, Gerry Mulligan, Art Pepper, Frank Rosolino, Seth MacFarlane, and Frank Sinatra.

Film

Having moved to Arcadia, California at the age of 8, as Berghofer made his career as a jazz musician he landed a prominent role recording with Nancy Sinatra in "These Boots Are Made For Walkin". He also worked on television with Glen Campbell, recorded with Frank Sinatra, and played with Barbra Streisand, in which they did a recording of Funny Lady. His film work extends to 400 appearances leading to his being awarded in the mid-1980s the National Academy of Recording Arts and Sciences Award as the most valuable bass player for four consecutive years. In that decade he recorded with Mel Tormé and later recorded again with Sinatra on Duets. Just a few of the films he worked on include Rocky I & II, On Golden Pond, Matrix, Majestic, Clint Eastwood’s Bird, and True Crime. He also worked on such television shows as Barney Miller on which he played the opening bass line, Charlie’s Angels, The Carol Burnett Show, The Simpsons and Star Trek Enterprise.

With Irene Kral

• Wonderful Life (Mainstream, 1965)

With Carmen McRae

• Can't Hide Love (Blue Note, 1976)

With Ruth Price and Shelly Manne

• Ruth Price with Shelly Manne & His Men at the Manne-Hole (Contemporary, 1961)
• Live! Shelly Manne & His Men at the Manne-Hole (Contemporary, 1961)
• Shelly Manne & His Men Play Checkmate (Contemporary, 1961)

With Zoot Sims

• Quietly There: Zoot Sims Plays Johnny Mandel (Pablo, 1984)