Alison Smith (curator)

Alison Smith is lead curator, British art to 1900, at the Tate Gallery, London.

• With Tim Barringer and Jason Rosenfeld, Pre-Raphaelites: Victorian Avant-Garde, exhibition catalogue, Tate Britain, London 2012, 256pp.
• Watercolour, exhibition catalogue, Tate Britain, London 2011, 192pp.
• Symbolism in Poland and Britain, exhibition catalogue, Tate Britain, London 2009, 40pp.
• With Jason Rosenfeld, Millais, exhibition catalogue, Tate Britain, London 2007, 272pp.
• ‘The Enfranchised Eye’, in Alison Smith, Allen Staley and Christopher Newall (eds.), Pre-Raphaelite Landscape: Truth to Nature, exhibition catalogue, Tate Britain, London 2004, pp.11–24.
• ‘G.F. Watts and the National Gallery of British Art’, in Colin Trodd and Stephanie Brown (eds.), Representations of G.F. Watts: Art Making in Victorian Culture, Farnham 2004, pp.153–68.
• Exposed: The Victorian Nude, exhibition catalogue, Tate Britain, London 2002, 288pp.
• ‘A "State" Gallery? The Management of British Art During the Early Years of the Tate’, in Colin Trodd and Paul Barlow (eds.), Governing Cultures: Institutions of Art in Victorian London, Farnham 2000, pp.187–98.
• John Petts and the Caseg Press, Farnham 2000, 128pp.
• The Victorian Nude: Sexuality, Morality and Art, Manchester 1996, 256pp.