Alexander Maximilian Seitz

Alexander Maximilian Seitz (1811 in Munich, Germany – 1888 in Rome, Italy) was a German painter.
Seitz studied under Peter von Cornelius, and two early pictures, Joseph sold by his Brethren and the Seven Sleepers, received speedy recognition. Heinrich Maria Hess employed him on the frescoes in the Church of All Saints. After he had painted compositions depicting four of the sacraments, Cornelius took him to Rome. Here Seitz found in Overbeck a man of the same religious opinions, with a style which he at once sought to make his own. He aided Overbeck in carrying out the frescoes of the Evangelists and Apostles at Castel Gandolfo, and at a later date, when Overbeck's strength was no longer equal to the task, Seitz, with the aid of his son, Ludwig Seitz, completed Overbeck's frescoes in the cathedral at Diakovar by filling the gaps with compositions of his own.
With the help of his son, Seitz painted a cycle of pictures of saints for Herder of Freiburg. Besides some secular compositions, as the genre pictures of the life of the common people at Rome, he treated pre-eminently scenes and persons of the Old and New Testaments. His pictures of the Adoration of the Shepherds, Christ as the Friend of Children, Awakening of the Young Man of Naim, Tribute Money, Jacob and Esau, and The Finding of Moses, are in the spirit of Overbeck. The St. Anthony, and St. Benedict, as engraved by the Capuchin Bernardo da Monaco, and his Mater Amabilis aroused admiration; an enthroned Madonna went to England. Among his other works are: Translation of St. Catherine to Sinai by angels, and a round picture of Rest during the Flight to Egypt. In this three angels worship Christ, who lies with outstretched arms on the lap of the mother, while at some distance is Joseph with the beast of burden. In the Trinità dei Monti in Rome he painted in fresco the return of the Prodigal son and Christ with heart aflame.