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William de Leftwich Dodge
Australian artist

William de Leftwich Dodge

William de Leftwich Dodge
The basics

Quick Facts

Intro Australian artist
A.K.A. W. de Leftwich Dodge, William De Leftwich Dodge, William Dodge
Was Painter
From United States of America
Field Arts
Gender male
Birth 9 March 1867
Death 25 March 1935, New York City, USA (aged 68 years)
Star sign Pisces
Académie Colarossi
The details (from wikipedia)


"The Death of Minnehaha" by William de Leftwich Dodge

William de Leftwich Dodge (1867–1935) was an American artist best known for his murals, which were commissioned for both public and private buildings.

Early life and education

Dodge was born at Liberty, Virginia in the Piedmont near Lynchburg. In 1879, his mother, Mary de Leftwich Dodge, an aspiring artist, moved her family to Europe. After living initially in Munich they moved to Paris, where she worked on art. Dodge later followed her example and became an artist. He spent most of his childhood years in France, where his mother was working on art. He studied at the École des Beaux Arts and took first place in the examinations in 1881. He also studied under Jean-Léon Gérôme and with Raphaël Collin at the Académie Colarossi, and traveled to Munich for studies there.

Marriage and family

Dodge received early commissions that gained him attention in the United States, first at the Columbian Exposition of 1893 in Chicago where his mural "Glorification of the Arts and Sciences" adorned the interior dome of the Administration Building. He was living in Paris when he applied for commissions for mural works for the Library of Congress, which he completed in 1895. This work enabled him to marry Francesca (Fanny) Theodora Bland Pryor, daughter of Sara Agnes Rice Pryor and Roger Atkinson Pryor of Virginia and New York. Her mother was a civic activist and author who published several books in the early 1900s; her father was an attorney and became a justice of the New York State Supreme Court.

He died at his New York City home at 52 West 9th Street in Manhattan. He is buried in Woodlawn Cemetery in The Bronx, New York City.

Artistic career

After he and his family settled in New York, Dodge taught at the Art Students League of New York and at Cooper Union.

He became known as a muralist when the genre was at a peak of popularity, commissioned for major public buildings as well as hotels and mansions. Murals were seen as a kind of art that could reach directly to the people. Dodge drew on a variety of styles for his murals, settling on a heroic, neoclassical look. Achieving success with commissions for his murals, in 1906 Dodge designed the classical Villa Francesca, named after his wife, as their family home in Setauket, Long Island.

In his private work, Dodge's paintings show the influence of Impressionism and Fauvism. Toward the end of his career, Dodge became interested in Mayan art. His work is held in the permanent collections of the Metropolitan Museum of Art and the National Academy of Design.


Dodge's important mural work includes:

  • murals for the Administration Building dome, designed by Richard Morris Hunt, at the 1893 World's Columbian Exposition in Chicago
  • murals for the Thomas Jefferson Building, Library of Congress, Washington, D.C., circa 1895
  • History of Canada murals for the King Edward Hotel, Toronto, Ontario, the subject of a landmark artists' rights lawsuit, 1903
  • murals for the Onondaga County Court House, Syracuse, New York, 1904
  • four lobby murals for the Astor Hotel, depicting Ancient and Modern New York, 1904
  • zodiac ceiling mosaic and other work, at the Surrogate's Courthouse (aka Hall of Records), New York City, circa 1905
  • mural for the Algonquin Hotel, New York, 1906
  • works for a number of New York hotels and theaters, including three murals and the color scheme for the Fulton Theatre/Helen Hayes Theatre, architects Herts & Tallant, 1911 (razed)
  • "Atlantic and Pacific", one of several murals he made for the Panama Pacific International Exposition, San Francisco, 1915
  • six murals for Buffalo City Hall, Buffalo, New York. Two large murals in the main entrance hall represent the city's role as a border city, while four murals at the end of hallways show the city's work in "Charity," "Protection," "Education," and "Construction." Completed 1931.
  • ceiling murals of battle scenes, Governor's Reception Room, New York State Capitol, Albany, New York
  • three murals in the Great Reading Room, Seerley Hall at the University of Northern Iowa. The first is called In Memoriam, the second Education, and the third is a combination of three paintings, called The Glory and Grandeur of Iowa. The three sections of the third are known as Agriculture, The Council of Indians, and The Commonwealth.
The contents of this page are sourced from Wikipedia article on 14 Jun 2020. The contents are available under the CC BY-SA 4.0 license.
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