Wendy Sue Lamm

Wendy Sue Lamm (born in Los Angeles, California) is an American photographer and photojournalist.

Lamm earned her BA in Humanities from the University of California at Berkeley in 1988 and had her first photojournalism experience with the Agence France-Presse, where she stayed until 1997. From 1988 to 1996 she works in the most various places of the United States, from El Paso, Texas to New York City and San Francisco. In 1994 she is member of the team of the Los Angeles Times that reports on the Northridge earthquake, and some pictures shot by Lamm are part of the collection that, a year later, was awarded Pulitzer Prize for the staff of the newspaper.

Between 1996 and 2005, Lamm is posted in Jerusalem, in Paris and in Stockholm. Since 1998 she works for the Italianagency Contrasto. In 1997 she receives the first World Press Photo Prize in the category Spot news for a picture published with the Agence France-Presse. That twin picture represents, face to face, Israeli soldiers and a Palestinian, with a thick line separating them. In 1998 she won third prize in the World Press Photo in the category Art for a picture published with the Contrasto agency.

In 1999, she received, for her photo Holy Water, still published with the Italian agency, the Award of Excellence given by the National Press Photographers Association (NPPA) during the 56th Annual Pictures of the Year Contest.

In 2005, as the 'Agenzia Contrasto opens a distribution channel in the United States, Lamm returns living and working to her native Los Angeles.

What earned Wendy Sue Lamm her biggest success is a collection of photographs shot in Israel and the Palestinian Territories which was exhibited in various countries and was compiled in the book From the Land of Miracles, published 2005. The book was translated into Italian and Swedish. It is probably the metaphorical dimension of Lamm's photographs that constitute their main feature. There are pictures in which the care for artistic quality is linked with a human message and a contextualization in current political events, as described in the quotations reproduced below.

The photo that won the first World Press Photo Award was analyzed in the same perspective by Søren Kolstrup:

Wendy Sue Lamm's picture of the clash between Israeli soldiers and Palestinians took first prize in the category Spot News, singles, in 1998. The photo is divided by a pillar in the middle, (...). Both groups are inscribed in a triangular shape; both shapes express movement, but in different ways.

Thus the photo depicts two subjects, which are placed side by side from a spatial point of view, but are moving in different directions from the point of view of their action.

Commenting an exhibits of the collection From The Land of Miracle held in Italy Giancarlo Pauletto, curator of the Museum of Modern Arts, has exemplified with two pictures the messages contained in Lamm's works, again basing himself on the metaphorical dimension:

In the first of these, some children are bathing in the Mediterranean, in the Gaza Strip area. One of them is playing - or so it seems - with a plastic bottle that has two small fish inside. This is a surreal image, almost like a magic trick, and is a fitting introduction to the situations and “miracles” that we can see in this series of photographs that bear extraordinary witness to a historic tragedy, but also to an unstoppable will to live, to a land destined to be a testing ground for the sincerity of so many cultural and political positions. In the last photograph, a figure struggles its way through the mud on the banks of the Dead Sea. This figure necessarily attracts our attention because it is a human figure, but most of the photographic space is taken up by the dark, dense mud that seems eternally to imprison whatever falls into it. It is hard not to see these truly intense images as a powerful metaphor for the negative forces that tenaciously block the road to peace - a peace that would be a great sign not only for the Middle East, but for the whole world.

Commenting on the book, David Schonauer, from American Photo, wrote:

In essence, this book documents the impact of the peace process on daily life in Israel and the Palestinian territories. But Lamm's scope is much larger. Her complex compositions and use of color make this less a documentary project than a personal journey.

Before becoming a photojournalist, Ms. Lamm got her early professional start as a food photographer with the influence of her mother, a pioneering Los Angeles foodie. Her photographs are featured in the cookbook, "Flavor Bombs, the Ingredients and Techniques that make Taste Explode" published 2018 by Houghton Mifflin Harcourt.

Solo exhibits (selection)

• 2005: Dalla Terra Dei Miracoli, FORMA, International Center for Photography, Milan, Italy
• 2007: Dalla Terra Dei Miracoli, Dedica Festival, Pordenone, Italy
• 2007: Maroon 5 – It Won’t Be Soon Before Long, Virtual exhibit
• 2008: From the Land of Miracles, Dortort Center, UCLA, Los Angeles, California, USA
• 2008: Between War and Peace - From the Land of Miracles, Hillel's Rubin-Frankel Gallery, Boston University, Boston, Massachusetts, USA
• 2009: From the Land of Miracles, The Perfect Exposure Gallery, Los Angeles, California, USA
• 2010: A-wop-bop-a-loo-bop a-lop-bam-boo, Six Decades of Rock ’n’ Roll, Amerika Haus, Munich, Germany
• 2010: DRAWING THE LINE, Beverly Arts Center, Chicago, Illinois, USA

Collective exhibits (selection)

• 2000: A Century of Love and War, Asahi Museum, Asahi Japan
• 2001: Maison de la culture Frontenac, Montréal, Canada
• 2001: South Africa National Gallery, South Africa
• 2001: Bild Museet, Umea, Sweden
• 2001: Inferno and Paradiso, cur: Alfredo Jaar, Riksutstallningar
• 2002: Nativité dans les rues de Barr, Strasbourg, France
• 2002: Holy Land, 6th Encuentro internacional de Fotoperiodismo, Ciudad de Gijon, Spain
• 2002: Le Photojournalisme, cur: De Maigret, Hôtel-de-Ville de Paris 16, Paris, France
• 2003: Granser (Boundaries), Riksutstallningar, Stockholm Stadsmuseet, Stockholm, Sweden
• 2004: Eurogeneration, Palazzo Reale – Royal Palace of Milan, Milan, Italy
• 2005: Eurogeneration, Museo di Roma in Trastevere, Rome, Italy
• 2005: Best Books of the Year, Scandinavian Book Fair, Gothenborg, Sweden
• 2007: Aesthetics, The Perfect Exposure Gallery, Los Angeles
• 2009: Aesthetics, The Perfect Exposure Gallery, Los Angeles
• 2009: The Finegood Art Gallery, West Hills, California

Monographies

• (in English) From the Land of Miracles, Contrasto 2005
• (in Italian) Dalla Terra Dei Miracoli, Contrasto, Italy 2005
• (in Swedish) Fran Undrens Land, Journal, Sweden 2005

Collections

• World Press Photo 1997, World Press Photo Foundation, Netherlands, 1998
• World Press Photo 1998, World Press Photo Foundation, Netherlands, 1999
• Inferno and Paradiso, Alfredo Jaar; BildMuseet, Riksutallningar and ACTAR, Sweden 1999
• Photojournalism: The Professionals’ Approach, Kenneth Kobre; Focal Press, USA 2000
• Facing the World, Great Moments in Photojournalism, Agence France-Presse; France, USA, Abrams 2001
• Eurogeneration, Contrasto, Italy 2004
• Aesthetics, 4 Stop Press, USA 2007
• It Won’t be Soon Before Long, Maroon 5, CD booklet; A&M Records, USA 2007
• Drommen om verkligheten (A Dream of Reality), Marie Lundquist; Journal, Sweden 2007
• Aesthetics, Tango, USA 2009

Collaborations

• Flavor Bombs -The Umami Ingredients That Make Taste Explode; Adam Fleischman; Photographs by Wendy Sue Lamm; Houghton Mifflin Harcourt Publishing Company 2018

• 1995: Pulitzer Prize as a staff member of the Los Angeles Times
• 1997: World Press Photo, 1st prize
• 1997: World Press Photo, 3rd prize
• 1999: Picture of the Year Contest, Award of Excellence