Seamus McGarvey
Quick Facts
Biography
Seamus McGarvey, ASC, BSC (born 29 June 1967) is a cinematographer from Armagh, Northern Ireland. He lives between London, Tuscany and Sweden.
He has received two Academy Award nominations for his cinematography, on Joe Wright's 2007 drama Atonement and his 2012 adaptation of Leo Tolstoy's novel Anna Karenina.
In addition to the Oscar nominations, McGarvey won the British Society of Cinematographers (B.S.C.) award for Anna Karenina, as well as a nomination for Atonement, and earned BAFTA and A.S.C. nods for both projects. Atonement earned him nominations for the British Independent Film Award, the Chicago Film Critics Association and the Online Film Critics Society, and he received the top honor from the Phoenix Film Critics Society.
McGarvey has won three Evening Standard British Film Awards for Atonement, Anna Karenina and Stephen Daldry's The Hours and Irish Film & Television Awards for Atonement, Anna Karenina, Sahara and We Need to Talk About Kevin. In 2004, he was awarded the Royal Photographic Society's prestigious Lumiere Medal, with Jack Cardiff, Freddie Francis, Roger Deakins andRidley Scott, for contributions to the art of cinematography.
Life and career
McGarvey was born in Armagh,Northern Ireland. He began his career as a still photographer, before attending film school at the University of Westminster in London.
Upon graduating in 1988, he began shooting short films and documentaries, including Skin, which was nominated for a Royal Television Society Cinematography Award, and Atlantic, directed by Sam Taylor-Wood. The latter project, an experimental, three-screen projected film created in 1997, earned Taylor-Wood a nomination for the 1998 Turner Prize and led to an ongoing collaboration between McGarvey and the director.
His four dozen credits as director of photography include Joss Whedon's superhero film The Avengers; Lynne Ramsay's We Need to Talk About Kevin; Oliver Stone's World Trade Center; Gary Winick's Charlotte's Web; John Hamburg's Along Came Polly; Stephen Frears' High Fidelity; Mike Nichols' Wit; Michael Apted's Enigma; Michael Winterbottom's Butterfly Kiss; and two projects marking actors' directorial debuts: Tim Roth's The War Zone and Alan Rickman's The Winter Guest. He served as cinematographer on the pilot for the TV series The No. 1 Ladies Detective Agency, directed by Anthony Minghella.
He reunited with director Wright for his 2009 drama The Soloist, and filmmaker Sam Taylor-Wood (now Sam Taylor-Johnson) on her acclaimed 2008 drama Nowhere Boy, her 2011 short, James Bond Supports International Women's Dayand the Death Valley segment of the 2006 erotic drama Destricted. Following his work on Godzilla, he teamed with Taylor-Johnson on her big screen adaptation, and Hollywood directorial debut, of the bestselling novel Fifty Shades of Grey. He has photographed Pan, The Accountant, Nocturnal Animals, Life, The Greatest Showman, Greta, and Bad Times at the El Royale, and The Nevers.
His documentary work includes Lost Angels: Skid Row Is My Home, which followed his work on Wright's The Soloist, and filmed in the same locales; Harry Dean Stanton: Partly Fiction; Rolling Stones: Tip of the Tongue; and The Name of This Film Is Dogme95.
Supplementing his work on features and telefilms, McGarvey has photographed and directed over 100 music videos for various artists, including Coldplay, Paul McCartney, Dusty Springfield, The Rolling Stones, U2, and Robbie Williams.
In 2015, he was awarded an Honorary Doctor of Laws from Dundee University and an Honorary Doctor of Fine Arts from the University of Ulster. He is an Honorary Fellow of Edinburgh College of Art. He is featured in the book In Conversation with Cinematographers by David A. Ellis and in the book Ballinger, Alexander; New Cinematographers (2004) ISBNÂ 978-1-85669-334-9.
His children are Stella McGarvey, Samuel McGarvey, and Ossian McGarvey Arenlind.
Awards & Nominations
Year | Award | Category | Result | Ref. |
---|---|---|---|---|
2007 | Academy Award | Best Cinematography | Atonement | Nominated |
2007 | British Academy Film Awards | Best Cinematography | Nominated | |
2007 | American Society of Cinematographers | Outstanding Cinematography - Film | Nominated | |
2007 | Chicago Film Critics Association | Best Cinematography | Nominated | |
2007 | Houston Film Critics Society | Best Cinematography | Nominated | |
2007 | Online Film Critics Society | Best Cinematography | Nominated | |
2007 | St. Louis Gateway Film Critics Association | Best Cinematography | Nominated | |
2012 | Academy Award | Best Cinematography | Anna Karenina | Nominated |
2012 | British Academy Film Awards | Best Cinematography | Nominated | |
2012 | American Society of Cinematographers | Outstanding Cinematography - Film | Nominated | |
2012 | Satellite Award | Best Cinematography | Nominated | |
2016 | British Academy Film Awards | Best Cinematography | Nocturnal Animals | Nominated |
2016 | Critics' Choice Movie Award | Best Cinematography | Nominated | |
2016 | Houston Film Critics Society | Best Cinematography | Nominated | |
2016 | San Diego Film Critics Society | Best Cinematography | Nominated | |
2016 | Washington D.C. Film Critics Association | Best Cinematography | Nominated |