|A.K.A.||Rosemarie Magdalena Albach, Romy Albach-Retty, Rosemarie Magdelena Alb...|
|Was||Actor Film actor Stage actor|
|Type||Film, TV, Stage & Radio|
|Birth||23 September 1938, Vienna, Austria|
|Death||29 May 1982, 7th arrondissement of Paris, Paris, Seine, France (aged 43 years)|
|Residence||quai Malaquais, 6th arrondissement of Paris, Paris, France; avenue de Messine, 8th arrondissement of Paris, Paris, France; rue Barbet-de-Jouy, 7th arrondissement of Paris, Paris, France; Grunewald, Charlottenburg-Wilmersdorf, Berlin, Germany; Ramatuelle, canton of Saint-Tropez, arrondissement of Draguignan, France; Schönau am Königsee, Berchtesgadener Land, Upper Bavaria, Germany; Schloss Goldenstein, Elsbethen, Salzburg-Umgebung District, Austria; Cologne, Cologne Government Region, North Rhine-Westphalia, Germany; rue Berlioz, 16th arrondissement of Paris, Paris, France; Hamburg, Germany; avenue Foch, 16th arrondissement of Paris, Paris, France; rue Bonaparte, Saint-Germain-des-Prés, 6th arrondissement of Paris, France|
Romy Schneider ([ˈʁoː.mi ˈʃnaɪ̯.dɐ] (); born Rosemarie Magdalena Albach; 23 September 1938 – 29 May 1982) was a German-French actress. She began her career in the German Heimatfilm genre in the early 1950s when she was 15. From 1955 to 1957, she played the central character of Empress Elisabeth of Austria in the Austrian Sissi trilogy, and later reprised the role in a more mature version in Luchino Visconti's Ludwig (1973). Schneider moved to France, where she made successful and critically acclaimed films with some of the most notable film directors of that era.
Schneider was born Rosemarie Magdalena Albach in Vienna, six months after the Anschluss of Austria into Nazi Germany, to actors Magda Schneider and Wolf Albach-Retty. Her paternal grandmother, Rosa Albach-Retty, was also an actress. Schneider's mother was German while her father was Austrian.
Four weeks after Romy's birth, the parents brought her to Schönau am Königssee in Germany where she and later her brother Wolf-Dieter (born 1941) grew up with their grandparents Franz Xaver and Maria Schneider on the estate named Mariengrund. In her first year, Romy was given into the hands of a governess. Her parents were very rarely present due to their acting engagements. In 1943, they separated and were divorced in 1945.
In September 1944, Schneider was enrolled in the elementary school of Schönau and from July 1949 she attended the girls' boarding school at Castle Goldenstein, a private secondary school of the Augustinian Canonesses of the Congregation of Notre Dame in Elsbethen near Salzburg. Already during her schooldays, she discovered her passion for acting which is why she was often on stage at theatrical performances at the residential school. In her diary entry of June 10, 1952, she wrote: "If it were up to me, I would immediately become an actress. ... Every time I see a nice movie, my first thoughts are about the idea: I definitely have to become an actress. Yes! I have to!" On July 12, 1953, she left the residential school Goldenstein with the degree of Mittlere Reife.
After the summer holidays, it was intended she would study at the Kölner Werkschulen in Cologne as she had shown a talent for painting and drawing during art classes at school. Further, Magda Schneider was already in Cologne with the restaurateur and entrepreneur Hans Herbert Blatzheim. However, she abandoned this plan in favour of her first film role.
After her parents' divorce in 1945, Magda took charge of Romy and her brother Wolf-Dieter, eventually supervising the young girl's career, often appearing alongside her daughter. Her career was also overseen by her stepfather Blatzheim who, Schneider indicated, had an unhealthy interest in her.
Romy Schneider's first film, made when she was 15, was When the White Lilacs Bloom Again (1953), credited as Romy Schneider-Albach. In 1954, Schneider, for the first time, portrayed a royal, playing a young Queen Victoria in the Austrian film Mädchenjahre einer Königin (known in the U.S. as The Story of Vickie and in Britain as Victoria in Dover).
Schneider's breakthrough came with her portrayal of Empress Elisabeth of Austria in the romantic biopic Sissi (1955) and its two sequels, Sissi – The Young Empress (1956) and Sissi – Fateful Years of an Empress (1957), all with Karlheinz Böhm, who became a close friend. Less stereotypical films during this busy period include The Girl and the Legend (1957), working with a young Horst Buchholz, and Monpti (1957), directed by Helmut Käutner, again with Buchholz.
Schneider soon starred in Christine (1958), a remake of Max Ophüls's 1933 film Liebelei (in which her mother Magda Schneider had played the same role). It was during the filming of Christine that Schneider fell in love with French actor Alain Delon who co-starred in the movie. She left Germany to join him in Paris, and they announced their engagement in 1959.
Schneider decided to live and to work in France, slowly gaining the interest of film directors such as Orson Welles for The Trial (1962), based on Franz Kafka's The Trial. She was also introduced to Luchino Visconti. Under Visconti's direction, she gave performances in the Théâtre Moderne as Annabella (and Delon as Giovanni) in John Ford's stage play 'Tis Pity She's a Whore (1961), and in the film Boccaccio '70 (segment: "The Job"). In 1962, Schneider played Anna in Sacha Pitoëff's production of Chekhov's play The Seagull, also at the Théâtre Moderne.
A brief stint in Hollywood included a starring role in Good Neighbor Sam (1964), a comedy with Jack Lemmon, and What's New Pussycat? (1965), in which Schneider co-starred with Peter O'Toole, Peter Sellers, and Woody Allen.
Schneider and Delon decided to separate in December 1963, although they remained close life-long friends. They continued to work together in such films as La Piscine (The Swimming Pool, 1968) and The Assassination of Trotsky (1972).
Schneider continued to work in France during the 1970s, most notably with director Claude Sautet on five films. Their first collaboration, The Things of Life (Les choses de la vie, 1970) featuring Michel Piccoli, made Schneider an icon in France. The three collaborated again for the noir thriller Max et les ferrailleurs (Max and the Junkmen, 1971), and she appeared with Yves Montand in Sautet's César et Rosalie (1972).
Schneider portrayed a more mature and realistic Elisabeth of Austria in Ludwig (1973), Visconti's film about the life of King Ludwig II of Bavaria. "Sissi sticks to me just like oatmeal", Schneider once said.
Other successes from this period included Le Train (1973), where she played a German-Jewish refugee in World War II, Claude Chabrol's thriller Innocents with Dirty Hands (Les innocents aux mains sales, 1975) with Rod Steiger, and Le vieux fusil (1975). The gritty That Most Important Thing: Love (L'important c'est d'aimer, 1974) garnered her first César Award (France's equivalent of the Oscar), a feat she repeated five years later, in her last collaboration with Sautet, for A Simple Story (Une histoire simple, 1978).
On 30 October 1974, Schneider created one of the most memorable moments on German television. She was the second guest on Dietmar Schönherr's talk show Je später der AbendBurkhard Driest: "Sie gefallen mir. Sie gefallen mir sehr." (I like you. I like you a lot.)(The Later the Evening) when she, after a rather terse interview, remarked passionately to the last guest, bank robber and author
She also acted in Le Trio infernal (1974) with Michel Piccoli, and in Garde à vue (1981) with Michel Serrault and Lino Ventura. An unpleasant incident occurred during this period with leading German film director Rainer Werner Fassbinder, who wanted to cast her as the lead in his film The Marriage of Maria Braun (1979). Negotiations broke down when he called Schneider a "dumb cow", to which she responded by declaring she would never work with such a "beast". Fassbinder cast Hanna Schygulla instead, reviving his professional association with an actress to whom he had also been offensive.
Schneider starred in Bertrand Tavernier's Death Watch (La mort en direct, 1980), playing a dying woman whose last days are watched on national television via a camera implanted in the brain of a journalist (Harvey Keitel). It is based on David G. Compton's novel. Schneider's last film was La Passante du Sans-Souci (The Passerby, 1982).
Following the end of her relationship with Delon, Schneider married German director and actor Harry Meyen in July 1966; they later divorced. The couple had a son, David Christopher (1966–1981). In July 1981, David died at the age of 14 after attempting to climb the spiked fence at his stepfather's parents' home and puncturing his femoral artery in the process. She had love affairs with Oswalt Kolle (1964) and actor Bruno Ganz (early 1970s).
Schneider appeared as one of 28 women under the banner "We've had abortions!" (German: Wir haben abgetrieben!) on the cover page of the West German magazine Stern on 6 June 1971. In that issue, 374 women publicly stated that they had had pregnancies terminated which at that time was illegal.
In 1975, Schneider married Daniel BiasiniSarah Magdalena, is an actress. Her last life partner was film producer Laurent Pétin (born 1949)., her private secretary; they divorced in 1981. Their daughter,
Schneider began drinking alcohol excessively after her son's death. However, Schneider's friend and sister of Laurent Pétin, Claude Pétin, said that she no longer drank at the time of her death and that she is convinced it was a natural death.
Schneider was found dead in her Paris apartment on 29 May 1982. The examining magistrate Laurent Davenasdeclared that she died from cardiac arrest. Claude Pétin said that Schneider's cardiac arrest was due to a weakened heart caused by a kidney operation she had months before.
Her tombstone at Boissy-sans-Avoir, Yvelines, bears her birth name, Rosemarie Albach. Funeral guests were Jean-Claude Brialy, Michel Piccoli, Jean-Loup Dabadie, Jean Rochefort, Claude Sautet, Claude Lelouch, Gérard Depardieu, her brother Wolf-Dieter, former husband Daniel Biasini and Laurent Pétin. Shortly afterwards, Delon arranged for David to be buried in the same grave.
The French journalist Eugène Moineau initiated in 1984 the Prix Romy Schneider. It is one of the most prestigious awards for upcoming actresses in the French film industry, and is given by a jury each year in Paris in conjunction with the Prix Patrick Dewaere (formerly the Prix Jean Gabin). In 1990, the Austrian newspaper Kurier created the Romy TV Award in honour of Schneider. In 2003, she was voted 78th on the list of the greatest Germans in the German TV program Unsere Besten (the German version of 100 Greatest Britons)—the second-highest ranked actress (Marlene Dietrich was 50th) on that list. Until 2002, the Austrian Federal Railways InterCity service IC 535 from Wien Südbahnhof to Graz was named "Romy Schneider".
A movie about Schneider's life, titled Eine Frau wie Romy/Une femme comme Romy (A Woman Like Romy), was planned by Warner Bros. for 2009; Schneider's role was going to be played by Yvonne Catterfeld. The project was cancelled in July 2009. A musical about Schneider, Romy – Die Welt aus Gold (Romy – The Golden World) was premiered in 2009 at the Theater Heilbronn. In November 2009, the ARD broadcast the feature film Romy with Jessica Schwarz in the title role. The film 3 Days in Quiberon (2018) by Emily Atef describes a 1981 episode in Schneider's life in the French town of Quiberon.
On 23 September 2020, Google celebrated her 82nd birthday with a Google Doodle in Germany, France, Austria, Iceland and Ukraine.
|When the White Lilacs Bloom Again||1953||Evchen Förster||Hans Deppe|
|Fireworks||1954||Anna Oberholzer||Paul Burkhard, Erik Charell, and Kurt Hoffmann|
|Victoria in Dover (Mädchenjahre einer Königin)||1954||Princess Victoria / Queen Victoria||Ernst Marischka|
|Die Deutschmeister||1955||Stanzi Hübner||Ernst Marischka|
|The Last Man||1955||Niddy Hoevelmann||Harald Braun|
|Kitty and the Great Big World||1956||Kitty Dupont||Alfred Weidenmann|
|Sissi – Die junge Kaiserin||1956||Sissi||Ernst Marischka|
|The Girl and the Legend||1957||Maud||Josef von Báky|
|Love from Paris (Monpti)||1957||Anne-Claire Jouvain||Helmut Käutner|
|Sissi – Schicksalsjahre einer Kaiserin||1957||Sissi||Ernst Marischka|
|Mädchen in Uniform||1958||Manuela von Meinhardis||Géza von Radványi|
|Christine||1958||Christine Weiring||Pierre Gaspard-Huit|
|Eva (Die Halbzarte)||1959||Nicole||Rolf Thiele|
|Mademoiselle Ange (Ein Engel auf Erden)||1959||Stewardess / Angel||Géza von Radványi|
|Die schöne Lügnerin||1959||Fanny Emmetsrieder||Axel von Ambesser|
|Magnificent Sinner (Katia)||1959||Katia||Robert Siodmak|
|Purple Noon (Plein soleil)||1960||Freddie's companion||René Clément||Cameo, Uncredited|
|Die Sendung der Lysistrata||1961||Myrrhine / Uschi||Fritz Kortner||TV movie|
|Boccaccio '70||1961||Pupe||Luchino Visconti||(segment "Il lavoro")|
|Le Combat dans l'île||1962||Anne||Alain Cavalier|
|The Trial||1962||Leni||Orson Welles|
|The Victors||1962||Regine||Carl Foreman|
|The Cardinal||1963||Annemarie von Hartman||Otto Preminger|
|Good Neighbor Sam||1964||Janet Lagerlof||David Swift|
|L'Amour à la mer||1964||The star||Guy Gilles|
|What's New Pussycat?||1965||Carole Werner||Clive Donner|
|La Voleuse||1966||Julia Kreuz||Jean Chapot|
|10:30 P.M. Summer||1966||Claire||Jules Dassin|
|Triple Cross||1966||Countess||Terence Young|
|Is Paris Burning? (Paris brûle-t-il ?)||1966||René Clément||(scenes deleted)|
|Romy: Anatomy of a Face (Romy. Porträt eines Gesichts)||1967||Herself||Hans-Jürgen Syberberg|
|The Swimming Pool||1969||Marianne||Jacques Deray|
|The Things of Life||1970||Hélène||Claude Sautet|
|My Lover My Son||1970||Francesca Anderson||John Newland|
|Qui ?||1970||Marina||Léonard Keigel|
|La califfa||1970||Irene Corsini||Alberto Bevilacqua|
|Max et les ferrailleurs||1971||Lily||Claude Sautet|
|The Assassination of Trotsky||1972||Gita Samuels||Joseph Losey|
|César and Rosalie||1972||Rosalie||Claude Sautet|
|Ludwig||1972||Elisabeth of Austria||Luchino Visconti|
|The Train||1973||Anna Kupfer||Pierre Granier-Deferre|
|Le Mouton enragé||1974||Roberte Groult||Michel Deville|
|Un amour de pluie||1974||Elizabeth||Jean-Claude Brialy|
|Le Trio infernal||1974||Philomena Schmidt||Francis Girod|
|L'important c'est d'aimer||1974||Nadine Chevalier||Andrzej Żuławski|
|Innocents with Dirty Hands||1975||Julie Wormser||Claude Chabrol|
|Le vieux fusil||1975||Clara Dandieu||Robert Enrico|
|A Woman at Her Window (Une femme à sa fenêtre)||1976||Margot Santorini||Pierre Granier-Deferre|
|Group Portrait with a Lady||1977||Leni Gruyten||Aleksandar Petrović|
|A Simple Story||1978||Marie||Claude Sautet|
|Bloodline||1979||Hélène Martin||Terence Young|
|Clair de femme||1979||Lydia Tovalski||Costa-Gavras|
|Death Watch||1979||Katherine Mortenhoe||Bertrand Tavernier|
|The Lady Banker||1980||Emma Eckhert||Francis Girod|
|Fantasma d'amore||1981||Anna Brigatti Zighi||Dino Risi|
|Garde à vue||1981||Chantal Martinaud||Claude Miller|
|The Passerby||1982||Elsa Wiener / Lina Baumstein||Jacques Rouffio||(final film role)|
- Bambi: 1957 nominated for Sissi
- Bravo Otto
- 1957: Bronze
- 1958: Gold
- 1959: Silver
- 1971: Silver
- 1972: Bronze
- 1977: Bronze
- Étoile de Cristal : 1963 as Best Foreign Actress for The Trial
- Golden Globe Award for Best Actress – Motion Picture Drama: 1963 nominated for The Cardinal
- César Award for Best Actress
- 1975: won for L'important c'est d'aimer
- 1976: nominated for Une femme à sa fenêtre
- 1978: won for Une histoire simple
- 1979: nominated for Clair de femme
- 1982: nominated for La Passante du Sans-Souci
- Deutscher Filmpreis Best Actress: 1977 for Group Portrait with a Lady
- Premio David di Donatello: 1979 Lifetime Achievement
- 2008: Honorary César
Awards named after Romy Schneider
- Prix Romy Schneider, French film award established in 1984
- Romy, Austrian award established in 1990