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Ödön Lechner
Hungarian architect

Ödön Lechner

Ödön Lechner
The basics

Quick Facts

Intro Hungarian architect
Known for Museum of Applied Arts
A.K.A. Odon Lechner, Odoen Lechner, Ödön Edmund Lechner, Oedoen Lechner
Was Architect
From Austria-Hungary Hungary
Field Engineering
Gender male
Birth 27 August 1845, Buda, Hungary
Death 10 June 1914, Budapest, Hungary (aged 68 years)
Star sign Virgo
Siblings: Károly LechnerGyula Lechner
Children: János Ödön Lechner
The details (from wikipedia)


Ödön Lechner (born as Eugen Lechner, 27 August 1845 – 10 June 1914) was a Hungarian architect, one of the early representatives of the Hungarian Secession movement, called szecesszió in Hungarian, which was related to Art Nouveau in the rest of Europe. He decorated his buildings with Zsolnay tile patterns inspired by old Magyar and Turkic folk art. The Magyars were a people that came from the east, which explains the eastern-like appearance of Lechner's buildings. He combines this with the use of materials modern for his time, such as iron.

His work was submitted in 2008 for inclusion on the World Heritage List.

Early career

Lechner was born and studied architecture in Pest and later, from 1866, under Karl Bötticher at Berlin's Schinkel Academy. After finishing his studies in Berlin, Lechner departed on a one-year tour and study in Italy. In 1869 he went into a partnership with Gyula Pártos and the architecture firm received a steady flow of commissions during the boom years of the 1870s, when the construction of buildings lining the ring roads on the Pest side of the Danube occurred. The commissions the partners received were primarily apartment houses in which Lechner worked in the prevailing historicist style, drawing on neo-classical influences from Berlin and the Italian renaissance.


In 1875 Lechner's wife died, not long after their marriage. He ceased his activities with the partnership and went to Paris, where between 1875 and 1878 he worked under Clement Parent. At this time he was able to familiarise himself with the emerging art nouveau style. He took part in the design and renewal of seven castles. From 1879 he returned to work as before in Hungary and after a trip to London between 1889 and 1890 his style moved away from historicism to embrace the more modern trends of the day. Lechner ended the partnership in 1896 and received fewer commissions as an independent architect. In 1906 he published a summary of his views in the journal Művészet. Lechner's final commission was for the Gyula Vermes house in the fifth district of Budapest in 1910–11.

Hungarian secessionist style

Lechner aimed to form a national style, using motifs from Hungarian folk art in the decoration of his buildings as well as incorporating architectural elements from eastern cultures like Persia. Changing directions and curved shapes also distinguish this from the Vienna Secession style. A significant turning point in his career came with a connection to the Vilmos Zsolnay's company, and Lechner began to use terracotta tiling in his designs. This new use of modern materials is exemplified in the Thonet business house in Budapest, Váci utca (1889) with its steel structure and the façade covered with Zsolnay terracotta. The pinnacle of Lechner's work is represented in the Postal Savings Bank (the headquarters of the National Bank of Hungary at present) which was completed in 1901. The building's orgy of colours and forms build off art nouveau influences and the emerging European style at the turn of the century, marrying these ideas with Hungarian motifs and eastern forms to create a unique style. The style had many adherents as well as critics. It was to be seen by later generations of architects as a touchstone.


  • 1882 Szeged City Hall, together with Gyula Pártos
  • 1882–84 Hungarian Railway Pensioners Building (Palais Drechsler), Budapest, together with Gyula Pártos
  • 1885–86 Nagybecskerek City Hall, Kingdom of Hungary (today's Serbia), together with Pártos.
  • 1891–97 Saint Ladislaus Church (Szent László-plébániatemplom), Kőbánya, Budapest
  • 1893 Kecskemét City Hall, together with Pártos.
  • 1896 Budapest Museum of Applied Arts
  • 1896–99 Geological Institute, Budapest
  • 1899–1901 The Postal Savings Bank building (Postatakarékpénztár), Budapest
  • 1903 Tomb of Schmidl family, Kozma Street Cemetery, Budapest, together with Béla Lajta
  • 1906–08 Royal Catholic Gymnasium in Pozsony (Pressburg), Kingdom of Hungary (Kráľovské katolícke gymnázium in today's Bratislava, Slovakia)
  • 1907–13 The Church of St. Elizabeth (Blue Church) in Pozsony (Pressburg) (today's Bratislava)
  • 1909–12 Saint Ladislaus Church in South Norwalk, Connecticut, USA
  • 1914–1915 Szent László Gimnázium, Budapest


The contents of this page are sourced from Wikipedia article on 21 Mar 2020. The contents are available under the CC BY-SA 4.0 license.
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