|A.K.A.||John Richard Briley|
|Was||Screenwriter Military officer Film producer Writer Playwright Librettist Novelist Soldier Officer|
|From||United States of America|
|Type||Film, TV, Stage & Radio Literature Military Music|
|Birth||25 June 1925, Kalamazoo, Kalamazoo County, Michigan, USA|
|Death||14 December 2019, New York City, New York, USA (aged 94 years)|
Bank John Briley (June 25, 1925 – December 14, 2019) was an American writer best known for screenplays of biographical films. He won the Best Original Screenplay at the 55th Academy Awards for Gandhi (1982). As well as film scripts, he wrote for television and theatre, and published several novels.
Briley was born in Kalamazoo, Michigan, and served in the United States Army Air Forces, 1943–46, reaching the rank of captain. At the University of Michigan, he gained a BA in 1950 and an MA in English 1951. He married Dorothy Louise Reichart in 1950, and they had four children. He worked in public relations for General Motors before rejoining the air force in 1955. He was posted to RAF Northolt airbase at South Ruislip near London, where he was director of orientation activities and started writing.
In 1960, he earned a PhD in Elizabethan drama from the University of Birmingham, left the air force and became a staff writer with MGM-British in Borehamwood. While with the studio, he wrote the script for Children of the Damned (1964), effectively a sequel of Village of the Damned (1960), but objected to the changes made for the finished film. He left MGM in 1964. He also had an uncredited part in the comedy Situation Hopeless... But Not Serious (1965).
Briley's script for Pope Joan (1972) attracted the interest of Richard Attenborough, although Attenborough was ultimately not involved in that project, and the film was critically panned. Several scripts for Attenborough's Gandhi project had been rejected, and Robert Bolt was scheduled to rewrite his own earlier draft when he suffered a stroke. Attenborough then turned to Briley. Briley shifted the focus of the narrative away from the point of view of the British colonists to that of the Indian independence movement. He originally opposed Ben Kingsley in the title role, favouring John Hurt, but was later glad that Attenborough had cast Kingsley. Briley envisaged more emphasis on the relationship between Gandhi and Jawaharlal Nehru, but Kingsley's towering performance came to dominate the finished film. Briley claims he and Attenborough were personally satisfied with the movie and unconcerned about any critical and commercial success. In the event, Briley's original screenplay won the Oscar and the Golden Globe. Attenborough later said of Briley, "He's a difficult bugger, a bit of a prima-donna, but the bastard's brilliant".
In 1985, Briley began developing a musical about Martin Luther King, writing the book and lyrics and acting as co-producer, originally for American Playhouse. He left the project in February 1989 after contract negotiations broke down. A different version opened in London in 1990. Briley attempted to obtain an injunction, claiming he had paid the King family $200,000 in personality rights.
In 1987, Briley again teamed up with Attenborough for Cry Freedom, about the South African anti-apartheid activist Steve Biko. Briley had disagreements with Donald Woods, the journalist whose books formed the basis of the script. Briley viewed the nonviolence of the Black Consciousness Movement as principled, whereas Woods felt it was a tactical decision. Although Woods feared Briley lacked an awareness of the complexities of political debate among black South Africans, those shown a preview of the film felt it was realistic.
In 1993, Briley switched agents from International Creative Management to the William Morris Agency. In 1998, he was a founding partner of "the Film Makers Company", a venture intended to encourage film production in Bridgeport, Connecticut, and was planning to relocate to there. He was given a Lifetime Achievement Award at the Big Bear Lake International Film Festival in 2000. He died on December 14, 2019, aged 94.
Unproduced scripts on which Briley worked include: adaptations of Henderson the Rain King, Mister God, This Is Anna, White Fang, and his own novel How Sleep the Brave; biopics of Franz Kafka, Genghis Khan – to have been directed by Shin Sang-ok, Tina Modotti (A Fragile Life), Beryl Markham (West with the Night), and Pope John Paul II; The Cross and the Crescent, about Francis of Assisi and the Crusades; and a miniseries about the Italian Renaissance. Briley's adaptation of Arthur Miller's play The Crucible was dropped when Miller's son Robert secured production rights; Arthur Miller himself wrote the screenplay for the 1996 film.
|The Populist||1999||about Ernst Hanfstaengl; based on his memoirs Hitler: the missing years|
|Molokai: The Story of Father Damien||1999||about Father Damien and the leper colony at Kalaupapa; also associate producer. Nominated for the AFI Award.|
|Christopher Columbus: The Discovery||1992||about Christopher Columbus; written with Cary Bates and Mario Puzo. Nominated for the Golden Raspberry.|
|The Warriors of the Rainbow||1992||about Greenpeace; based on Warriors of the Rainbow: A Chronicle of the Greenpeace Movement by Robert Hunter.|
|Sandino||1990||about Augusto César Sandino, inspiration for the Sandinistas|
|Cry Freedom||1987||about Steve Biko, from the books Asking for Trouble and Biko by Donald Woods. Briley was also co-producer|
|Tai-Pan||1986||with Stanley Mann; based on the novel Tai-Pan by James Clavell|
|Marie||1985||about Marie Ragghianti; based on the book by Peter Maas|
|Enigma||1982||based on the novel by Michael Barak|
|Gandhi||1982||about Mohandas K. Gandhi; won the Oscar and Golden Globe; nominated for the BAFTA.|
|Eagle's Wing||1979||Western; story by Michael Syson|
|The Medusa Touch||1978||based on the novel The Medusa Touch by Peter Van Greenaway|
|That Lucky Touch||1975||comedy; written with Monja Danischewsky and Moss Hart|
|Pope Joan||1972||about Pope Joan; also associate producer.|
|Hammerhead||1968||story by James Mayo; adaptation by Briley; screenplay by William Bast and Herbert Baker|
|Children of the Damned||1963||horror sequel to Village of the Damned|
|Postman's Knock||1962||comedy; written with Jack Trevor Story|
|Invasion Quartet||1961||based on the novel by Norman Collins; written with Jack Trevor Story|
|The History of Sex||1999||television||History Channel documentary|
|The First Stone||1997||novel||A Jewish American woman is recruited by Mossad to marry a rich Saudi Arabian.|
|Mary Sidney – a 20th Century Reappraisal||1985||book chapter||In a festschrift for Willem Schrickx|
|The Last Dance||1978||novel||A rogue scientist tries to force global disarmament by threatening a nuclear holocaust.|
|So Who Needs Men!||1976||theatre||bedroom farce set in university lodgings; Briley also directed.|
|The Traitors||1969||novel||In the Vietnam War, six US soldiers are captured by the Viet Cong and indoctrinated by a renegade GI. Richard Rhodes reviewed the novel in the New York Times as, "Bitter reality... it all might have happened... the terrible thing is that it ever had to." The Chicago Sun-Times called it, "A magnificent blockbuster of a book. If you can find the time to read only one book this year, let The Traitors be that book." David Schoenbrun of CBS said, "It captures the tragedy and comedy, in the classic sense, of that absurd aberration of American history." Shirley K. Sullivan of KTIB Radio called it, "Unsettling, haunting... a proper shocker," and the Saturday Review of Literature urged, "Read it for his explosive accounts of jungle warfare and his moral passion." Described by Peter S. Prescott as "a sermon masquerading as a novel". UK edition (1971) titled How Sleep the Brave|
|The Airbase||1965||television||BBC sitcom ; based on his own experiences|
|Seven Bob a Buck, subtitled
How to Survive as a Tourist in the USA
|1964||theatre||"a short-lived, intimate revue which satirised American values and attitudes"; Briley also acted in it. Televised on BBC2 as See America First on November 28, 1964.|
|Hits and Misses||1962||television||BBC teleplay|
|A biography of William Herbert, third earl of Pembroke, 1580–1630||1961||dissertation||PhD dissertation|
|Edward Alleyn and Henslowe's Will||1958||journal article||in Shakespeare Quarterly|
|Of Stake and Stage||1955||book chapter||in Shakespeare Survey|