Gurudas Banerjee

Gurudas Banerjee had his stage debut in 1948 at Calcutta's Kalika Theatre in the role of Sri Ramakrishna in Yugadevata. He continued acting in theatre and cinema until the 1980s. Banerjee married Molina Devi (1917-1977), who has been characterized as "one of the finest actresses of Indian theatre and cinema." Together, they operated their own touring theatre, M. G. Enterprises, which "specialized in commercial productions of devotional drama"

in which Banerjee played the role of Sri Ramakrishna and other holy men.

Gurudas Banerjee acted in a variety of roles, very commonly as Sri Ramakrishna, which he played on both stage and in film. Other roles that Banerjee played in film included Sadhak Bamakhyapa (Sadhak Bamakshyapa, 1958; Joy Maa Tara, 1978), Gobinda, Husband Of Chandi (Swayamsiddha, 1947), Ramola's Father (Sare Chuattar, 1953), Jitu, Anita's Father (Ekti Raat, 1956), Pishemashai (Indranath, Srikanta O Annadadidi, 1959), Neepa's Father (Mouchak, 1975), and Agniswar's Father-in-law (Agniswar, 1975).

From the 1950s through the 1970s, Gurudas Banerjee commonly portrayed Ramakrishna in the Bengali Theatre and films. Beginning in the late 1940s, "he almost monopolized this role [of Ramakrishna] as a specialist, both on the stage and on the screen," and was still portraying Ramakrishna in the late-1970s. Sushil Mukherjee explains that the drama Jugadevata, which debuted on the Calcutta stage on 19 November 1948,

was a devotional drama... on the life of the Saint of Dakshineswar [Ramakrishna] [that] became immensely popular and established two artistes who became wholly identified with the two characters they represented. These were Gurudas Banerjee who was seen as Sri Ramkrishna and Molina Debi who appeared as Rani Rasmoni, the founder of the famous Bhabatarini (Kali) temple at Dakshineswar. Since their appearance in Jugadevata at Kalika in 1948 Gurudas and Molina have appeared in the characters of these two persons in a number of other plays, both on the stage and on the screen....

Films in which Banerjee played the role of Ramakrishna included Rani Rashmoni (1955), Mahakavi Girish Chandra (1956), Bireswar Vivekananda (1964), and Jata Mat Tata Path (1979).

Theatrical plays in which Banerjee played Ramakrishna included Jugadebata (1948), Thakur Sri Ramakrishna (1955), and Nata Nati (1975).

According to Sushil Mukherjee, in the many screen and stage appearances since 1948 in which Banerjee and Molina Devi have played Ramakrishna and Rani Rashmoni together, they "have carried the audience with them in every performance."

In 1966, the The Illustrated Weekly of India mentioned Banerjee's troupe's performance in a review of the 1965-66 theatre season in Delhi. The Weekly stated that

Milan Samity of Delhi sponsored the M. G. Enterprise of Calcutta, who brought two plays, Thakur Shri Ramakrishna and Baskunther Will, and an able company of actors. The credit for composing Thakur Shri Ramakrishna, round the story of Rani Rashmoni, and for bringing this legendary figure to life on the stage, goes to Molina Devi and Gurudas, who headed the company.... It is not easy to put across a religious theme, but Molina and Gurudas did so convincingly, helped greatly by the telling effects of light and music.

Gurudas Banerjee acted in more than 80 films, mostly in Bengali, as listed here (including year released, and role if available; all films in Bengali unless otherwise noted):

• Banglar Meye (1941)
• Swayamsiddha (1947) (Gobinda, Husband Of Chandi)
• Kalo Chhaya (1948)
• Ultorath (1949)
• Paribartan (1949)
• Mayajaal (1949)
• Kuasha (1949)
• Cartoon (1949)
• Vidyasagar (1950)
• Sree Tulsidas (1950)
• Sanchali (1950)
• Sahodar (1950)
• Kankantala Light Railway (1950)
• Jugadebata (1950)
• Gypsy Meye (1950)
• Apabad (1950)
• Ganyer Meye (1951)
• Bhakta Raghunath (1951)
• Bhairab Mantra (1951)
• Anandamath (1951)
• Vidyasagar (1952, Hindi)
• Sabitri Satyaban (1952)
• Nildarpan (1952)
• Mahishasur Badh (1952)
• Sanjibani (1952)
• Sarala (1953)
• Rami Chandidas (1953)
• Maharaja Nandakumar (1953)
• Bhagaban Srikrishna Chaitanya (1953)
• Sare Chuattar (1953) (Ramola's Father)
• Makarsar Jaal (1953)
• Shibashakti (1954)
• Sada Kalo (1954)
• Naa (1954)
• Rani Rashmoni (1955) (Sri Ramakrishna)
• Katha Kao (1955)
• Joy Maa Kali Boarding (1955)
• Chatujye Banrujye (1955)
• Atmadarshan (1955)
• Aparadhi (1955)
• Sajher Pradip (1955)
• Debatra (1955)
• Subholagna (1956)
• Sadhak Ramprasad (1956)
• Rajpath (1956)
• Mahakabi Girishchandra (1956) (Sri Ramakrishna)
• Bhola Master (1956)
• Asamapta (1956)
• Abhagir Swarga (1956)
• Ekti Raat (1956) (Jitu, Anita's Father)
• Tamasa (1957)
• Nilachale Mahaprabhu (1957)
• Ami Baro Habo (1957)
• Sree Sree Maa (1958)
• Sadhak Bamakshyapa (1958) (Sadhak Bamakhyapa)
• Purir Mandir (1958)
• Mejo Jamai (1958)
• Kangsa (1958)
• Jonakir Alo (1958)
• Indranath, Srikanta O Annadadidi (1959) (Pishemashai)
• Abhishap (1959)
• Tailangaswami (1960)
• Nader Nimai (1960)
• Kono Ek Din (1960)
• Sadhak Kamalakanta (1961)
• Carey Saheber Munsi (1961)
• Taranisen Badh (1962)
• Bireswar Viveknanda (1964) (Sri Ramakrishna)
• Rup Sanatan (1965)
• Bharater Sadhak (1965)
• Debitirtha Kamrup Kamakshya (1967)
• Adyashakti Mahamayay (1968)
• Trinayani Maa (1971)
• Umno O Jhumno (1975)
• Swayamsiddha (1975)
• Mouchak (1975) (Neepa's Father)
• Agniswar (1975) (Agniswar's Father-in-law)
• Nagar Darpane (1975)
• Sree Sree Maa Lakshmi (1977)
• Baba Taraknath (1977)
• Jaal Sanyasi (1977)
• Joy Maa Tara (1978) (Sadhak Bamakhyapa)
• Balak Saratchandra (1978)
• Aguner Phulki (1978)
• Jato Mat Tato Path (1979) (Sri Ramakrishna)
• Dub De Mon Kali Bole (1979)
• Matribhakta Ramprasad (1980)
• Abhi (1980)
• Maa Bhabani Maa Amar (1982)
• Kshyapa Thakur (1987) (Mohanto baba)
• Bile Naren (1988)

Film table with references

Further details on selected films appear in the table below. Films known to be dubbed versions of other films have not been listed. Any films known to be multilinguals (separately filmed in multiple languages) are explicitly noted as multilinguals.

The following table chronicles Gurudas Banerjee's stage career. It is not complete.