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Cedric Gibbons
American art director, set decorator

Cedric Gibbons

The basics

Quick Facts

Intro
American art director, set decorator
A.K.A.
Austin Cedric Gibbons
Gender
Male
Place of birth
Dublin, Ireland
Place of death
Hollywood, USA
Age
67 years
Education
Art Students League of New York,
Awards
Academy Award for Best Production Design
 
Academy Award for Best Production Design
 
Academy Award for Best Art Direction, Black and White
 
Academy Award for Best Art Direction, Color
 
Academy Award for Best Art Direction, Black and White
 
Academy Award for Best Art Direction, Color
 
Academy Award for Best Art Direction, Color
 
Academy Award for Best Art Direction, Color
 
Academy Award for Best Art Direction, Black and White
 
Academy Award for Best Art Direction, Black and White
 
Academy Award for Best Art Direction, Black and White
 
The details (from wikipedia)

Biography

Austin Cedric Gibbons (March 23, 1890 – July 26, 1960) was an Irish-American art director and production designer for the film industry. He also made a significant contribution to motion picture theater architecture from the 1930s to 1950s. Gibbons designed the Oscar statuette in 1928, but tasked the sculpting to George Stanley, a Los Angeles artist. He was nominated 39 times for the Academy Award for Best Production Design and won the Oscar 11 times, both of which are records.

Early life and career

In addition to his credits as set decorator and art director, Cedric Gibbons is credited for directing one feature film, Tarzan and His Mate (1934)

Cedric Gibbons was born in New York City in 1890 or 1893 (although conflicting reports have him born in Dublin, Ireland) to architect Austin P. Gibbons and Veronica Fitzpatrick Simmons. The couple raised him in the Brooklyn borough moving to New York City after the birth of their third child. Cedric studied at the Art Students League of New York in 1911. He began working in his father's office as a junior draftsman, then in the art department at Edison Studios under Hugo Ballin in New Jersey in 1915.He served in the US Navy during World War I. He then joined Goldwyn Studios, and began a long career with Metro-Goldwyn-Mayer in 1924, when the studio was founded.

In 1925, when he was first working in the art department at MGM, he was in competition with another talent, Romain De Tirtoff, for a more substantial position, while working with Joseph Wright, Merrill Pye and Richard Day on some 20 films. Tirtoff is better known as Erte. When studio executive Irving Thalberg summoned Gibbons to work on Ben Hur (1925), he used knowledge of the up-and-coming art moderne (that was to become known as art deco) to advance in the MGM art department.

Gibbons was one of the original 36 founding members of The Academy of Motion Picture Arts and Sciences and designed the Academy Awards statuette in 1928. A trophy for which he himself would be nominated 39 times, winning 11. The last time for Best Art Direction for Somebody Up There Likes Me (1956).

He retired from MGM as art director and the head of the art department on April 26, 1956 due to ill health with over 1,500 films credited to him; however, other designers did major work on these films, some credited, some were not, during Gibbons tenure as head of the art department. Even so, his actual hands-on art direction is considerable and his contributions lasting.

Personal life and death

In 1930, Gibbons married actress Dolores del Río and co-designed their house with Douglas Honnold in Santa Monica, an intricate Art Deco residence influenced by Rudolf Schindler.They divorced in 1941; three years later he married actress Hazel Brooks, with whom he remained until his death.

Gibbons niece Veronica "Rocky" Balfe was Gary Cooper's wife and briefly an actress known as Sandra Shaw.

Gibbons' second cousin Frederick "Royal" Gibbons—a musician, orchestra conductor, and entertainer who worked with him at MGM—was the father of Billy Gibbons of the rock band ZZ Top.

On July 26, 1960, after a long illness, Gibbons died in Los Angeles at age 70, and was buried under a modest marker, at the Calvary Cemetery, East Los Angeles. Dorothy Kilgallen, journalist and gossip columnist, also friend of his second wife, reported his age as 65 at the time of his death.

Legacy

Gibbons' set designs, particularly those in such films as Born to Dance (1936) and Rosalie (1937), heavily inspired motion picture theater architecture in the late 1930s through 1950s. The style is also found in the theaters that were managed by the Skouras brothers, whose designer Carl G. Moeller used the sweeping scroll-like details in his creations.

Among the more classic examples are the Loma Theater in San Diego, The Crest theaters in Long Beach and Fresno, and the Culver Theater in Culver City, all of which are in California and some extant. The style is sometimes referred to as Art Deco and Art Moderne.

The iconic Oscar statuettes that Gibbons designed, which were first awarded in 1929, are still being presented to winners at Academy Awards ceremonies each year.

In February 2005 Gibbons was inducted into the Art Directors Hall of Fame.

Academy Awards

Awards for Art Direction

  • The Bridge of San Luis Rey (1929)
  • The Merry Widow (1934)
  • Pride and Prejudice (1940)
  • Blossoms in the Dust (1941)
  • Gaslight (1944)
  • The Yearling (1946)
  • Little Women (1949)
  • An American in Paris (1951)
  • The Bad and the Beautiful (1952)
  • Julius Caesar (1953)
  • Somebody Up There Likes Me (1957)

Nominations for Art Direction

  • When Ladies Meet (1933)
  • Romeo and Juliet (1936)
  • The Great Ziegfeld (1936)
  • Conquest (1937)
  • Marie Antoinette (1938)
  • The Wizard of Oz (1939)
  • Bitter Sweet (1940)
  • When Ladies Meet (1941)
  • Random Harvest (1942)
  • Madame Curie (1943)
  • Thousands Cheer (1943)
  • Kismet (1944)
  • National Velvet (1944)
  • The Picture of Dorian Gray (1945)
  • Madame Bovary (1949)
  • The Red Danube (1949)
  • Annie Get Your Gun (1950)
  • Too Young to Kiss (1951)
  • Quo Vadis (1951)
  • The Merry Widow (1952)
  • Lili (1953)
  • The Story of Three Loves (1953)
  • Young Bess (1953)
  • Brigadoon (1954)
  • Executive Suite (1954)
  • I'll Cry Tomorrow (1955)
  • Blackboard Jungle (1955)
  • Lust for Life (1956)
The contents of this page are sourced from Wikipedia article on 05 Apr 2020. The contents are available under the CC BY-SA 4.0 license.
Frequently Asked Questions
FAQ
Who is Cedric Gibbons?
Cedric Gibbons was an Irish-American art director and production designer for the film industry. He is best known for his work at MGM Studios, where he was the head of the art department and responsible for designing the sets and overall visual look of the films.
What were Cedric Gibbons' contributions to the film industry?
Cedric Gibbons made numerous contributions to the film industry during his career. He was known for his innovative and artistic set designs, which helped create the distinctive look of MGM films. He also played a key role in the development of the Academy Awards, designing the iconic Oscar statuette.
How long did Cedric Gibbons work at MGM Studios?
Cedric Gibbons worked at MGM Studios for over 30 years, from 1924 until his retirement in 1956. During this time, he was instrumental in shaping the visual style of the studio and contributed to more than 1,500 films.
Did Cedric Gibbons receive any recognition for his work?
Yes, Cedric Gibbons received significant recognition for his work in the film industry. He was nominated for a total of 38 Academy Awards for Best Art Direction, winning 11 times. Additionally, he received the first-ever Academy honorary award in 1950 for his overall contributions to the art of filmmaking.
What was Cedric Gibbons' artistic style?
Cedric Gibbons' artistic style was characterized by a sense of elegance and grandeur. He was known for his attention to detail and his ability to create immersive and visually stunning sets. His designs often incorporated lavish interiors, intricate period details, and a sense of opulence that became synonymous with the golden age of Hollywood.
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