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Bud Brisbois
American trumpeter

Bud Brisbois

The basics

Quick Facts

Intro
American trumpeter
Work field
Gender
Male
Star sign
AriesAries
Birth
11 April 1937, Edina, USA
Death
1978, Scottsdale, USA (aged 40 years)
Age
40 years
Education
University of Minnesota,
Genre(s):
Instruments:
The details (from wikipedia)

Biography

Austin Dean "Bud" Brisbois (April 11, 1937 – June 1978) was a jazz and studio trumpeter. He playedjazz, pop, rock, country, Motown, and classical music.

Career

Brisbois was born in Edina, Minnesota and began studying the trumpet at age 12. He was mainly self-taught, and reportedly had most of his range before leaving high school. He briefly attended University of Minnesota before moving to Los Angeles, where he would live most of his life, when not touring. In September 1958 he joined Stan Kenton's orchestra, where he took over the "scream" parts written for Maynard Ferguson, in addition to playing much of the lead trumpet. Brisbois toured with Kenton's band until the early 60's, recording over 30 albums. Around 1963 he left Kenton to work in the Los Angeles recording studios.

Brisbois worked as a studio musician in Los Angeles from around 1963 to 1975, recording over a hundred albums. He worked with Herb Alpert, Tony Bennett, Chicago Symphony Orchestra, Rosemary Clooney, Nat King Cole, Bobby Darin, Neil Diamond, Duke Ellington, The 5th Dimension, The Four Freshmen, Lionel Hampton, Herbie Hancock, Harry James, Henry Mancini, Dean Martin, Onzy Matthews, Billy May, The Monkees, Bonnie Raitt, Lou Rawls, Lalo Schifrin, Bud Shank, Frank Sinatra, Nancy Sinatra, and Nancy Wilson. He played lead trumpet on the theme songs to Hawaii Five-O and The Jetsons.

In early 1973 Brisbois formed the rock group Butane, featuring himself as singer and trumpeter. They recorded a demo and played regular gigs over the next two years, at one point performing on the hit television show The Midnight Special but never secured a record contract and eventually disbanded.

In 1975, after the breakup of his second marriage, Brisbois had problems withmanic depression from which he had suffered all his life. He quit the music business and moved to Beverly Hills, where for a time he worked as a Porsche salesman. In 1976 or 1977, he moved to Scottsdale, Arizona to be near his sister. Eventually he began playing again. When asked what inspired him, he replied, "I was driving down a freeway in LA and heard Claus Ogerman's Gate of Dreams album." Brisbois began teaching privately and worked with Grant Wolf and the Mesa Community College Jazz Band. In addition, he taught the trumpeters of the Musicians Union sponsored Young Sounds band. He performed in bands inPhoenix. In late May or early June 1978, he appeared as a guest with the jazz-rock group "Matrix" and commented, "I played as well as I have ever played." Less than a week later he committed suicide.

Discography

With Willie Hutch

  • The Mack (Motown, 1973)
  • The Mark of the Beast (Motown, 1974)
  • Foxy Brown (Motown, 1974)

With Stan Kenton

  • Cuban Fire! (Capitol, 1956)
  • Road Show (Capitol, 1959)
  • The Stage Door Swings (Capitol, 1959)
  • Viva Kenton! (Capitol, 1960)
  • Standards in Silhouette (Capitol, 1960)
  • Two Much! (Capitol, 1960)
  • Kenton Live from the Las Vegas Tropicana (Capitol, 1961)
  • Kenton's West Side Story (Capitol, 1961)
  • A Merry Christmas! (Capitol, 1961)
  • Sophisticated Approach (Capitol, 1962)
  • Artistry in Bossa Nova (Capitol, 1963)
  • Kenton / Wagner (Capitol, 1964)
  • Stan Kenton Plays for Today (Capitol, 1966)
  • Hair (Capitol, 1969)
  • Kenton's Christmas (Creative World, 1970)

With Henry Mancini

  • Encore! More of the Concert Sound of Henry Mancini (RCA Victor, 1967)
  • Mancini '67 (RCA Victor, 1967)
  • The Big Latin Band of Henry Mancini (RCA Victor, 1968)
  • Mancini Concert (RCA Victor, 1971)
  • Music from the TV Series The Mancini Generation (RCA Victor, 1972)
  • Symphonic Soul (RCA Victor, 1975)

With The Monkees

  • Pisces, Aquarius, Capricorn & Jones Ltd. (Colgems, 1967)
  • Instant Replay (Colgems, 1969)
  • The Monkees Present (Colgems, 1969)

With others

  • The 5th Dimension, Love's Lines, Angles and Rhymes (Bell, 1971)
  • The 5th Dimension, Living Together, Growing Together (Bell, 1973)
  • Herb Alpert, Casino Royale (Colgems, 1967)
  • James Brown, Get On the Good Foot (Polydor, 1993)
  • Captain & Tennille, Song of Joy (A&M, 1976)
  • Harry Chapin, Portrait Gallery (Elektra, 1975)
  • Albert Collins, There's Gotta Be a Change (Tumbleweed, 1971)
  • Sonny Criss, Warm & Sonny (ABC Impulse!, 1976)
  • Bobby Darin, From Hello Dolly to Goodbye Charlie (Capitol, 1964)
  • Neil Diamond, Tap Root Manuscript (UNI, 1970)
  • Neil Diamond, Serenade (Columbia, 1974)
  • Lamont Dozier, Out Here On My Own (ABC 1973)
  • Duke Ellington, The Popular Duke Ellington (RCA Victor, 1966)
  • Jerry Fielding, Near East Brass (Command, 1967)
  • Clare Fischer, Manteca! (Pacific Jazz, 1965)
  • Aretha Franklin, You (Atlantic, 1975)
  • The Friends of Distinction, Grazin' (RCA Victor, 1969)
  • James William Guercio, Electra Glide in Blue (United Artists, 1973)
  • Herbie Hancock, Man-Child (Columbia, 1975)
  • Richard Harris, The Yard Went On Forever (Dunhill, 1968)
  • The Hues Corporation, Freedom for the Stallion (RCA Victor, 1973)
  • Milt Jackson, Memphis Jackson (ABC Impulse!, 1970)
  • James Last, Well Kept Secret (Polydor, 1975)
  • Love, Forever Changes (Elektra, 1967)
  • Gloria Lynne, A Very Gentle Sound (Mercury, 1972)
  • Onzy Matthews, Blues with a Touch of Elegance (Capitol, 1964)
  • Onzy Matthews, Sounds for the 60's! (Capitol, 1966)
  • Maureen McGovern, Academy Award Performance (20th Century, 1975)
  • Michael Nesmith, The Wichita Train Whistle Sings (Dot, 1968)
  • Pacific Gas & Electric, Pacific Gas and Electric (Columbia, 1969)
  • Dory Previn, Mythical Kings and Iguanas (United Artists, 1971)
  • Quicksilver Messenger Service, Comin' Thru (Capitol, 1972)
  • Bonnie Raitt, Takin' My Time (Warner Bros., 1973)
  • Don Randi, 3 in the Cellar (American International) 1970)
  • Freddy Robinson, The Coming Atlantis (World Pacific, 1969)
  • Pete Rugolo, Ten Trumpets and 2 Guitars (Mercury, 1961)
  • Evie Sands, Estate of Mind (Capitol, 1974)
  • Lalo Schifrin, Bullitt (soundtrack) (Warner Bros., 1968)
  • Lalo Schifrin, Rock Requiem (Verve, 1971)
  • Bud Shank, Windmills of Your Mind (World Pacific, 1969)
  • Frank Sinatra, My Kind of Broadway (Reprise, 1965)
  • Nancy Sinatra, Sugar (Reprise, 1966)
  • James Lee Stanley, Three's the Charm (Wooden Nickel, 1974)
  • Bob Thiele & Gabor Szabo, Light My Fire (Impulse! 1967)
  • Mason Williams, The Mason Williams Ear Show (Warner Bros., 1968)
  • Nancy Wilson, Come Get to This (Capitol, 1975)
  • Tommy Vig, Encounter with Time (Discovery, 1977)
The contents of this page are sourced from Wikipedia article on 26 Apr 2020. The contents are available under the CC BY-SA 4.0 license.
Frequently Asked Questions
FAQ
Who is Bud Brisbois?
Bud Brisbois (September 11, 1937 – June 1978) was an American jazz trumpeter and studio musician. He was known for his virtuosic range on the trumpet and his ability to play in a variety of styles, including jazz, classical, and pop music. Brisbois was highly regarded for his technical skill and his innovative use of the trumpet's upper register.
What was Bud Brisbois' musical background?
Brisbois began playing the trumpet at a young age and quickly developed a passion for music. He studied at the Juilliard School of Music in New York City and later attended North Texas State University. During this time, he honed his skills as a trumpeter and gained experience performing with various groups and ensembles.
Did Bud Brisbois perform with any famous musicians or bands?
Yes, Bud Brisbois performed with many famous musicians and bands throughout his career. He was a member of the Stan Kenton Orchestra in the 1960s, where he gained recognition for his incredible trumpet playing. He also performed with notable musicians such as Frank Sinatra, Elvis Presley, and Henry Mancini. Additionally, Brisbois was a sought-after studio musician in Los Angeles, where he recorded with numerous artists and contributed to many popular recordings.
What was Bud Brisbois' style of trumpet playing?
Bud Brisbois was known for his powerful and energetic trumpet playing. He had an incredibly high range on the instrument and was skilled at playing complex and fast-paced melodies. Brisbois had a unique tone and style that set him apart from other trumpeters of his time. He was able to effortlessly transition between genres and was highly adaptable to different musical styles.
What is Bud Brisbois' legacy?
Bud Brisbois left behind a lasting legacy in the world of music. His virtuosic trumpet playing continues to inspire and influence trumpeters today. He played an important role in shaping the sound of big band jazz and his contributions as a studio musician have left a lasting impact on popular music. Despite his untimely death at the age of 40, Brisbois' talent and musical artistry continue to be celebrated and remembered by musicians and fans alike.
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