|A.K.A.||Annie Suzanne Girardot|
|Occupations||Stage actor Film actor Actor|
|Birth||25 October 1931 (Paris)|
|Death||28 February 2011 (Paris)|
|Education||Conservatoire national supérieur d'art dramatique, Cours Viriot|
Annie Girardot (25 October 1931 – 28 February 2011) was a three-time César Award winning French actress. She often played strong-willed, independent, hard-working, and often lonely women, imbuing her characters with an earthiness and reality that endeared her to women undergoing similar daily struggles.
Over the course of a five-decade career, she starred in nearly 150 films. She was a three-time César Award winner (1977, 1996, 2002), a two-time Molière Award winner (2002), a David di Donatello Award winner (1977), a BAFTA nominee (1962), and a recipient of several international prizes including the Volpi Cup (Best actress) at the 1965 Venice Film Festival for Three Rooms in Manhattan.
Breakthrough and early career
After graduating from the prestigious Conservatoire de la rue Blanche in 1954 with two First Prizes in Modern and Classical Comedy, she joined the Comédie Française, where she was a resident actor from 1954-57.
In 1955, she began her film career, making her film debut in Treize à table, but it was with theatre that she started to attract the attention of critics. Her performance in Jean Cocteau's play La Machine à écrire in 1956 was admired by the author who called her "The finest dramatic temperament of the Postwar period". In 1958, Luchino Visconti directed her opposite Jean Marais in a French stage adaptation of William Gibson's Two for the Seesaw.
In 1956, she was awarded the Prix Suzanne Bianchetti as best up-and-coming young actress, but only with Luchino Visconti's epic Rocco e i suoi fratelli (Rocco and His Brothers, 1960), she was able to draw the public's attention to her. In 1962, she married Italian actor Renato Salvatori. Travelling back and forth between two film careers in France and Italy, Girardot also worked with renowned Italian directors, including Marco Ferreri in the scandalous The Ape Woman (1964), which became one of the main attractions at the 1964 Cannes Film Festival. In 1968, she also starred in the cult anti-consumerism French film Erotissimo (Gérard Pirès, 1968).
Famously ignored by French New Wave directors (with the exception of Claude Lelouch), Girardot found her glory in popular cinema alongside more established and traditional directors such as Jean Delannoy, Marcel Carné, Michel Boisrond, André Cayatte, Gilles Grangier, or André Hunebelle.
The 1970s: France's biggest female movie star
By the end of the 1960s, she had become a movie star and a box-office magnet in France with such films as Vice and Virtue (1963); Live for Life (1967); Love Is a Funny Thing (1969); and Mourir d'aimer ("To die of love", 1971), the fact-based tale of Gabrielle Russier (1937-1969), a thirty year old teacher whose affair with a much younger student made her the object of bourgeoisie ridicule. The film was nominated for a Golden Globe, and remains Girardot's biggest box office hit in France.
Throughout the 1970s, Girardot came back and forth between drama and comedy, proving herself an adept comedian in such successful comedies as Claude Zidi's La Zizanie, Michel Audiard's She Does Not Drink, Smoke or Flirt But... She Talks or Philippe de Broca's Dear Detective. In 1974, she starred in the hit teen movie, La Gifle, as Isabelle Adjani's mother. In 1972, she said in an interview to The New York Times, citing as Exhibit A her role as a sideshow freak in The Ape Woman, “I think I’ve proven that I’m opposed to typecasting. I believe that the acting of any role — from duchess to kitchen slavey — must be a form of transformation". In 1977, she won her first César Award for Best Actress portraying the title character in the drama Docteur Françoise Gailland. Throughout the 1970s, she was the highest-paid actress in France, and was nicknamed "La Girardot" by the press due to the fact that her name alone was enough to guarantee the success of a film. Indeed, between the release of Live for Life in 1967 and Jupiter's Thigh in 1980, 24 of her films have attracted more than one million admissions in France.
Girardot's popularity became one of the symbols of the 1970s feminist movement in France, as the audience embraced the "everywoman" quality she brought to the strong-minded female characters she regularly played in both dramas and comedies. In her 1989 autobiography, "Vivre d'aimer", she wrote of her popularity that "People didn't come to watch a beautiful, vamp-like creature, but simply a woman. [...] I played a judge, a lawyer, a taxi driver, a cop, a surgeon. I was never a glamorous star."
From the 1980s onwards: Fading stardom and comeback
The 1980s were less kind, as her career floundered and parts dwindled. In 1983, she lost a fortune when Revue Et Corrigée, the musical show she put on and starred in at the Casino de Paris, flopped. She subsequently battled depression, but bounced back with several television series in France and Italy. However, Girardot had a major comeback on the big screen playing a peasant wife in Claude Lelouch's Les Misérables. The role won her a second César Award for Best Supporting Actress in 1996. Upon accepting the award, a joyous and tearful Girardot expressed her happiness that she had not been forgotten by the film industry in a speech that remained very famous. In 1992, she was the Head of the Jury at the 42nd Berlin International Film Festival.
In 2002, she was awarded the César Award for Best Supporting Actress for her role in The Piano Teacher. She collaborated with director Michael Haneke again, in Caché (2005).
On stage she had a triumph in 1974 with Madame Marguerite, which became her signature role that she reprised on numerous occasions until 2002. That year she was awarded the Molière Award for this role, along with a Honorary Molière Award for her entire stage career.
Girardot is the highest ranked woman in the list of French stars who have appeared in the most movies that have attracted more than one million admissions in France since 1945, with 44 films.
She married Italian actor Renato Salvatori in 1962. They had a daughter, Giulia, and later separated but never divorced.
Later life and death
After going public in the 21 September 2006 issue of Paris Match with the news that she was suffering from Alzheimer's disease, she became a symbol of the illness in France.
On 28 February 2011, Girardot died in a hospital in Paris, aged 79. She was interred at Père-Lachaise Cemetery, in Paris.
A year after her death, the 37th annual César Awards 2012 selected a picture of Annie Girardot from the 1962 film Rocco and His Brothers as the official promotional poster of the ceremony, during which she was paid tribute with a retrospective montage of her most memorable roles on film.
In September 2012, a street located in the 13th arrondissement of Paris was named after her.
In October 2012, France's Postal service has issued a collection of stamps dedicated to six major figures of French Post-War cinema, including Annie Girardot.
Sancar Seckiner's book South (Güney), published July 2013, consists of 12 article and essays. One of them, "Girardot's Eyes", highlights broader comment of Annie Girardot' s performance in the cinema of art.
|1957||Le rouge est mis||Hélène||Gilles Grangier|
|1957||Maigret Sets a Trap||Yvonne Maurin||Jean Delannoy|
|1960||Rocco and His Brothers||Nadia||Luchino Visconti|
|1961||Le Crime ne paie pas (episode L'Affaire Fenayrou)||Gabrielle Fenayrou||Gérard Oury|
|Prey for the Shadows||Anna Kraemmer||Alexandre Astruc|
|1962||Le Bateau d'Émile||Fernande Malanpin||Denys de La Patellière|
|Vice and Virtue||Juliette Morand ("Vice")||Roger Vadim|
|1963||The Organizer||Niobe||Mario Monicelli|
|Outlaws of Love||Margherita||Paolo and Vittorio Taviani and Valentino Orsini|
|1964||The Ape Woman||Maria||Marco Ferreri|
|Male Companion||Clara||Philippe de Broca|
|Beautiful families (episode Il principe azzurro)||Maria||Ugo Gregoretti|
|1965||Una voglia da morire||Eleonora||Duccio Tessari|
|The Dirty Game||Suzette/Monique||Christian-Jaque|
|Three Rooms in Manhattan||Kay Larsi||Marcel Carné|
|Déclic et des claques||Sandra||Philippe Clair|
|1966||The Witches (episode La strega bruciata viva)||Valeria||Luchino Visconti|
|1967||Live for Life||Catherine Colomb||Claude Lelouch|
|The Journalist||as herself||Sergei Gerasimov|
|1968||Les Gauloises bleues||the mother||Michel Cournot|
|It Rains in My Village||Reza||Aleksandar Petrović|
|Metti una sera a cena||Giovanna||Giuseppe Patroni Griffi|
|Life Love Death||cameo appearance||Claude Lelouch|
|The Seed of Man||the unknown woman||Marco Ferreri|
|Love Is a Funny Thing||Françoise||Claude Lelouch|
|Dillinger Is Dead||the daughter||Marco Ferreri|
|1970||Story of a Woman||Liliana||Leonardo Bercovici|
|Elle boit pas, elle fume pas, elle drague pas, mais... elle cause !||Germaine||Michel Audiard|
|Les Novices||Mona Lisa||Guy Casaril|
|1971||Mourir d'aimer||Danièle Guénot||André Cayatte|
|La Mandarine||Séverine||Édouard Molinaro|
|1972||The Old Maid||Muriel Bouchon||Jean-Pierre Blanc|
|Hearth Fires||Marie Louise Boursault||Serge Korber|
|Elle cause plus... elle flingue||Rosemonde du Bois de la Faisanderie||Michel Audiard|
|1973||Shock Treatment||Hélène Masson||Alain Jessua|
|Il n'y a pas de fumée sans feu||Sylvie Peyrac||André Cayatte|
|1974||Juliette et Juliette||Juliette Vidal||Remo Forlani|
|La Gifle||Hélène Douélan||Claude Pinoteau|
|1975||Il faut vivre dangereusement||Léone||Claude Makovski|
|Il pleut sur Santiago||Maria Olivares||Helvio Soto|
|1976||Docteur Françoise Gailland||Françoise Gailland||Jean-Louis Bertucelli|
|Cours après moi que je t'attrape||Jacqueline||Robert Pouret|
|1977||À chacun son enfer||Madeleine Girard||André Cayatte|
|Le Dernier Baiser||Annie||Dolorès Grassian|
|Le Point de mire||Danièle Gaur||Jean-Claude Tramont|
|1978||Tendre Poulet||Lise Tanquerelle||Philippe de Broca|
|La Zizanie||Bernadette Daubray-Lacaze||Claude Zidi|
|Vas-y maman||Annie Larcher||Nicole de Buron|
|L'Amour en question||Suzanne Corbier||André Cayatte|
|La Clé sur la porte||Marie Arnault||Yves Boisset|
|1979||Traffic Jam||Irène||Luigi Comencini|
|Cause toujours... tu m'intéresses!||Christine Clément||Édouard Molinaro|
|1980||Jupiter's Thigh||Lise Tanquerelle||Philippe de Broca|
|1981||Une robe noire pour un tueur||Florence Nat||José Giovanni|
|All Night Long||French teacher||Jean-Claude Tramont|
|1984||Liste noire||Jeanne Dufour||Alain Bonnot|
|Souvenirs, souvenirs||Emma Boccara||Ariel Zeitoun|
|1985||Partir, revenir||Hélène Rivière||Claude Lelouch|
|Mussolini and I (TV film)||Rachele Mussolini||Alberto Negrin|
|Adieu Blaireau||Colette||Bob Decout|
|1989||Comédie d'amour||Le Fléau||Jean-Pierre Rawson|
|1990||Il y a des jours... et des lunes||the lone woman||Claude Lelouch|
|Merci la vie||Évangeline Pelleveau||Bertrand Blier|
|1994||Les Braqueuses||Cécile's mother||Jean-Paul Salomé|
|1995||Les Misérables||Madame Thénardier (1942)||Claude Lelouch|
|1997||Shanghai 1937 (TV film)||Mme. Tissaud||Peter Patzak|
|2001||The Piano Teacher||Mother||Michael Haneke|
|2005||Hidden||Mother of Georges||Michael Haneke|
|Let's Be Friends||Madame Mendelbaum||Olivier Nakache & Éric Toledano|
|2006||A City Is Beautiful at Night||The Grandmother||Richard Bohringer|