Anna P. Baker

Anna P. Baker (12 June 1928 – 28 February 1985) was a Canadian visual artist.
Born in London, Ontario, Canada, she was adopted by Alfred Burrows Baker and Mabel Roberta Pearl Baker. She entered the University of Western Ontario where she was elected to the Art Students League, A.I.C., and Delta Phi Delta, National Art Fraternity, and graduated in 1950. She received a BFA and a MFA from the Art Institute of Chicago in 1954, and went on to teach art at Hathaway Brown School in Shaker Heights, Ohio for three years.
She exhibited frequently in her home town of London, Ontario, and for many years at the 57th St. Art Fair in Chicago, and in many cities from Los Angeles to New York. In 1956 she won the top painting award in the Chicago Art Institute's 59th Chicago and Vicinity art annual for High Frequency Ping.
Anna remained a Canadian citizen but for the last twenty nine years of her life, she lived in the village of Barton, Vermont where she opted to bow out of the world of dealers and galleries so she could work in her own way on her own terms. On 28 February 1985, Anna died in Kingston, Ontario from cancer.
Anna integrated her eclectic interests into the subject matter of her paintings –
Theatre : The Ambrose Small Series (The ghost of Ambrose supposedly haunts the Grand Theatre in London).
Art : The Rosa Bonheur Series
History: Before Salisbury, Laura Secord and Her Cow, The Trojan Horse, Queen Victoria Reviewing the Troops with the Duke of Wellington After Landseer, Two Phoenicians
Literature: Don Quixote, The Cranford Series, Shakespearean Series, Reluctance (Robert Frost).
Biology: Numerous owl paintings, The Cornish Cat, Three Grouse, The Great Lobster Catch, Bird, Owl and a Very Fat Dog, Baboon, Butterflies and Moths.
Memories of her childhood: Tennis – 1910, Baseball Game -1910, Elmwood Bowling Green, Orangeman’s Parade, With Mutes and Plumes, The Garden Party, The Victoria Jane.
Anna obtained many awards including the Frank G Logan prize at the Chicago and Vicinity Exhibition in 1956 for “High Frequency Ping” and from the New England Press, Best Illustration, Daily, Class 1, First Place, The Sunday Times Argus.

“Anna Baker works magnificently in many media. Her pictures reveal the true mark of genius – an originality and technical excellence that offer her viewers a glimpse into a personal world of her own devising." Laurence Lariar, New York Art Dealer, 1967.

Anna’s “Unique sense of humour and incredible capacity for painstaking detail makes her work inimitable. Like all good art, Ms. Baker’s compositions are basically abstract, but the images that she develops often are quizzical , evoked in dots, dashes, and color shapes that leave no area without interest.” “To own an Anna Baker drawing/painting is to be on daily contact with a blithe spirit who is also one of our most accomplished artists”. Harold Hayden, art critic for the Chicago Sun-Times, 1979.

“Fanciful geometric wisps, suggesting the architecture of flowers and snow stars form the cellular structure of man and beast as created by artist Anna Baker. Thus the detailing of these fine examples of decorative art is as complex as watchworks, as equisite as doilies. The method, rendered with ink, as well as watercolors and oil paints, becomes a tour de force, and the compositions are as stylized as stage sets for an allegory." Beverly E. Johnson, Los Angeles Times Home Magazine, February 4, 1968.

When the Chronicle in 1974 began publishing in Barton, Vermont, Anna “began illustrating its humour column. Her first illustration showed the artist seated on a Holstein cow....She began to submit cartoons featuring two wall-eyed Holsteins who regularly observe the triumphs and follies of the Northeast Kingdom” (NE Vermont). Tom Slayton, Sunday Times Argus, Sept.4, 1983.

"Anna P. Baker, former Chicagoan creates a marvelous storybook world of her own in her infinitely detailed, intricate paintings and drawings. Her work can be seen here only at the Little Gallery, 1328 E. 57th St. which is directed by Mary Louise Womer and Mrs. Carl Schniewind, widow of the late director of the Art institute’s prints and drawings department. Visitors flock to see a Baker show, and to see the superb ceramics of Otto and Gertrude Natzler of California.....Miss Baker's collection is called "Chiefly Cornish" having been done during a year’s visit to Cornwall, England. The 35 pictures are filled with the high quality and the charm of her work. Her pen often reveals her lively wit as well as her originality and her imagination". Edith Weigle, art critic for Chicago Sunday Tribune, November 19, 1961.

Anna’s memories around her home town, London, Ontario are transcribed into an earlier time frame in such works as: "London Airport - 1910", “Elmwood Bowling Green”, “The Victoria Jane”, “Tennis”, “Baseball Game”, “Orangeman’s Parade”, “With Mutes and Plumes” and “The Garden Party”.

The Shakespearean series was inspired by a visit to the Stratford Festival Theatre in Stratford, Ontario in the mid-1960s. "Festival", “Richard III”, “Henry V”, “Malvolio” and “Taming of the Shrew” are the titles of some of the paintings from this series. Help was received from a Canada Council Grant, 1968.

Loving theatre, Anna delved into the Ambrose Small story. Ambrose was the proprietor of the Grand Theatre (now Theatre London) who disappeared Dec 2, 1919 after selling his theatrical holdings, leaving his wife, $2 million and a legal tangle. His legend has inspired many words and the continuing rumour that his ghost haunts Theatre London. Anna envisioned productions as they might have been in the time of Small. Twenty-four paintings were exhibited at the Nancy Poole Studio including "Ambrose Small Production of Rose Marie", “Ambrose Small; Production of the Dumbbells", “An Ambrose Small Production of Polly of the Circus” in which Ambrose is depicted floating over the top of the production, “Ambrose Small Production of Uncle Tom’s Cabin" and “Ladies of the Chorus”.

There are two series of paintings and drawings from the book, “Cranford” by Elizabeth Gaskell. In the last series of 13 paintings, the titles included "The Cat that Swallowed the Lace", “He Knew Cream Quite Well and Constantly Refused Tea With Only Milk in It”, and “If the Supposed Robbers Would Come to Him He would Fight Them”, “Our Idea of the Dignity of Silence was Paling Before our Curiosity”, “She Did Not Seem to Notice the Extraordinary Size and Complexity of Her Headdress”.

Illustrating her interest in history, Anna created her lithograph "The Trojan Horse" while still at the Art Institute in Chicago.

Anna painted 18 paintings in which she visualized the French realist painter and sculptor, Rosa Bonheur, on imaginary world travels. “The Ascension of Rosa Bonheur Over Niagara Falls”, “Rosa Bonheur in Venice”, “Rosa Bonheur is Late for the Ambassador’s Ball” are a few from this series. These were exhibited at the Howell Gallery in London, Canada. Anna felt very much akin to Rosa whose whole life was Art. Anna often signed her letters, “Rosa Bonheur of the Northeast Kingdom”, the Northeast Kingdom being northeast Vermont. This was put on her tombstone in Scottsville, Ontario.

Anna painted or sketched owls throughout her career; the Holstein cow or cows were her signature cartoons for the Chronicle newspaper in Barton, Vermont. Anna also did a series on Circus Parade which included such works as: "Circus Wagon with Lion", "Circus Wagon with Bears", “Circus Wagon with Mermaid”, “Circus Parade with Walrus”, “Circus Wagon with Alligator”, “Marching Circus Band” and “Circus Wagons with Monkeys and Giraffes”.

1952 Exhibited in Chicago and Vicinity, 56th Annual and numerous group shows in the Chicago area

1953 Philadelphia Print Club Lithography Exhibition

25th International Northwest Printmakers, Portland, Oregon

Western Ontario Annual, London, Ontario

One Man Show, June Holmes Gallery, Chicago

57th Annual Chicago and Vicinity Show

5th Albany (N.Y.) Open National Print Exhibition

4th Annual Print Exhibition, Bradley (Ill.) University

1954 Boston Society Of Independent Artists

Philadelphia Print Club Lithography show

3rd Annual Portland (Me.) Society of Art, Print Exhibition

3rd Biennial Colour Lithography Exhibition, Cincinnati (Ohio) Art Museum

Library of Congress National Print Exhibition, Washington, D.C.

Canadian Society of Painters, Etchers and Engravers, Toronto, and Touring Exhibition

Western Ontario Annual, London, Ontario

Included in Loan Collection Art Institute of Chicago, Women's Board

American Federation of Arts Touring Print Exhibition

7th Annual Boston Printmakers

Birmingham, Alabama, Watercolour Exhibition

4th Print Annual, Contemporaries Art Gallery, New York

Graduated School of the Art Institute of Chicago with Faculty Honourable Mention; B.F.A. and M.F.A.

1955 One Man Show, Lantern Gallery, Chicago

24th Print Exhibition, Wichita (Kans.) Art Association

27th Philadelphia Lithography Annual

One Man Show, Jackson, Mississippi

One Man Show, Mandel Brothers, Chicago

Library of Congress American Print Exhibition; Purchase Award for Pennell Collection

6th Biennial Open National Print Exhibit, Albany, New York

Silvermine Guild of Artists, Norwalk, Connecticut

1956 Canadian Society of Painters, Etchers and Engravers

Northwest Printmakers, Portland, Oregon

Cleveland Museum May Show; First Prize Lithography

Western Ontario Annual

Cincinnati Museum of Art National Print Exhibition

Butler Museum, Youngstown, Ohio, Midyear American Annual

59th Annual Chicago and Vicinity Exhibit; awarded Mr. and Mrs. Frank G. Logan Prize for painting

One Man Show, Lantern Gallery, Chicago

Participated in a number of group shows in Chicago area

1957 Included in 56 Artists of Chicago Touring Exhibit in France and Germany sponsored by U.S.I.A.

Young Canadian Contemporaries

60th Annual Chicago and Vicinity Exhibit, Art Institute of Chicago

One Man Show, Winnetka (Ill.) Women's Club

X I V American Drawing Show, Norfolk, Virginia

Two Man Show with Tony Urquart in London, Ontario

One Man Show, Art Colony Gallery, Cleveland, Ohio

Executed Commission for Marshall Field Store, Chicago

Cleveland Museum May Show; First Prize Drawing, Honourable Mention Painting and Watercolour

Cleveland Jaycee Exhibit; First Prize Drawing; Honorable Mention Painting

One Man Show, Nexus Gallery, Boston

Included in Dayton, Ohio Museum Loan Collection

Albany, New York, Print Exhibit

1958 Art U.S.A., New York

Young Contemporaries of Canada Touring Exhibit

Elected member C.P.E.

Freelance design work for Chicago Printed String Co

Cincinnati Lithography Biennial Exhibit

Washington Society of Printmakers, Seattle, Washington

Cleveland Museum May Show; Purchase Prize Drawing; Second Prize Painting

12th Annual American Watercolour and Drawing Exhibit; Purchase Prize Drawing; Honourable Mention Drawing

Huntington (N.J.) Print Exhibit

Ball State College Drawing and Small Sculpture Exhibit; Two Purchase Awards63rd Annual Washington Watercolour Society Exhibition

1960 C.P.E. 44th Annual

Lyman Alleyn Museum, New London, Connecticut; Purchase Award

50th Annual Connecticut Academy Show

3rd Annual Brockton Art Association, Brockton, Massachusetts

1960 Audubon Artists Annual, New York

6th Annual Ball State Drawing and Small Sculpture; Purchase Award

One Man Show, Little Gallery, 57th St., Chicago

Boston Festival of Art

Worked in Birgit Skiold's Print Workshop, London, England

1961 Northeast Vermont Artists' Exhibition

Portland, (Me.) Festival of the Arts

One Man Show, Small World Gallery, Baldwin, New York

One Man Show, Little Gallery, Chicago

1st Biennial American Drawing Exhibit, St. Paul, Minnesota

Washington Society of Printmakers, Seattle Washington

1962 8th Annual Ball State Small Drawing and Small Sculpture; Gallery Award

65th Annual National Exhibit, Washington, D.C.; Watercolour Society Drawing Award

1963 66th Annual National Exhibition, Washington, D.C.; watercolour Society Drawing Award

Oklahoma Printmakers Exhibit

Purchase Award from University of Western Ontario

One Man Show, Osborne Gallery, New York

De Cordova Museum, Lincoln, Massachusetts, New England Artists' Exhibition

1964 One Man Show, Goddard College, Plainfield, Vermont

One Man Show, Little Gallery, Chicago

One Man Show, Small World Gallery, Baldwin, New York

1965 One Man Show, Jensen Gallery, London, Ontario

1966 One Man Show, Ray Williams Gallery, Chicago

1967 Included Loan Collection London Public Library and Art Museum

One Man Show, Lucille Fickett Gallery, Los Angeles, California

1968 One Man Show, University of Western Ontario, Alumni Hall

Grant from Canada Council

Brochure for Arts Faculty, University of Western Ontario, London, Ontario

1970 From 1952 to 1970 participated in the Annual 57th Street Art Fair, Chicago

1971 Included in Industrial Loan Collection of Women's Board, London Public Library and Art Museum

One Man Show, George Walter Vincent Smith Museum, Springfield Massachusetts

The above biography was written by Anna Baker. The following information was assembled from material from her estate.

1971 Alumni Gazette Cover, February 1971, University of Western Ontario

1973 One Man Show, Nancy Poole Studios, London, Canada

Ambrose Small Productions:

Exhibition of 26 paintings and Drawings

Catalogue

1974...1985 Illustrations for the Chronicle, newspaper Barton, Vermont

1975 Received heavy radiation treatment for cancer of the throat

One Man Show, A London Collection of paintings and Drawings (25th reunion of Arts'50, University of Western Ontario) – D.B.Weldon Library

Designed materials - sold one to Schumacker, N. Y.

1977 Vermont Bi-Centennial Poster Mediallion

1978 Print:"The Quiet and Peaceful Village is Threatened by Runaway Pond" 60 signed prints were sold. Meriden Press

Illustrations for "The Book of Chowder" by Richard J. Hooker (Harvard Common Press)

1979 Included in Vermont Images program involved 6 visual artists, two musicians and a poet

Wood Art Gallery, Montpelier, Vermont

One Man Show, McManus Studio Lobby, Theatre London, London, Canada from "The Ambrose Small Collection”

1982 One Man Show, The Howell Gallery, London, Canada

showed the Rosa Bonheur Series (18 paintings)

Cranford Series (13 drawings)

Circus Parade (8 paintings)

17 other paintings

1983 Included in Canadian Art Collection, University of Western Ontario, McIntosh Gallery, London, Ontario

1984 Included in Contemporary Art Workshop: Ways of Drawing, curated by Harold Haydon, 542 W. Grant Place, Chicago

New England Press Association, Best Illustration, Daily, Class 1, First Place, The Sunday Times Argus

1985 Included in The Brock Street Gallery, Kingston, Canada

February 28, 1985, Anna P. Baker died in Kingston, Ontario from cancer

1985 One Man Show, Hang Ups Gallery, London, Canada

A Memorial Tribute by Friends

One Man Show, Catamount Film and Arts Center Gallery, St. Johnsbury, Vermont (40 paintings and drawings)

One Man Show, Spencer Room Gallery, D.B.Weldon Library, University of Western Ontario, London, Ontario

1988 Induction of Anna Baker as the first member of the South Collegiate Hall of Fame, in London, Ontario

May 1988 (60th Anniversary of the School)