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Anna Fedorova

Anna Fedorova Ukrainian classical music pianist

Ukrainian classical music pianist
The basics
Quick Facts
Intro Ukrainian classical music pianist
Countries Ukraine
Occupations Musician Pianist
Gender female
Birth 27 February 1990 (Kiev, Ukraine)
Star sign PiscesPisces
Anna Fedorova
The details

Anna Borysivna Fedorova (Ukrainian: А́нна Бори́сівна Фе́дорова; born 27 February 1990) is a Ukrainian concert pianist. Fedorova performs as soloist, chamber musician and with symphony orchestras in the major concert halls of the Netherlands, Germany, France, Italy, UK, Ukraine, US, Mexico, Argentina, and Asia. Fedorova is a David Young Piano Prize Holder supported by a Soiree d’Or Award and Keyboard Trust.

Early life

Fedorova was born in Kiev, Ukraine (then Ukrainian SSR). Both her mother, Tatiana Abayeva, and father, Boris Fedorov, have been concert musicians, scholars, and teachers. From the time she was two years old, she always wanted to go to the piano. She began playing at age five. She gave her first public recital when she was six, and she gave her national debut at the age of seven, at the National Philharmonic Society of Ukraine.

Regarding her early childhood, Fedorova has said that, with both parents being professional pianists, there was always "the sound of the piano in the house." Her parents gave her lessons, and she said that "they were decisive for my musical development."


In 2008, Fedorova graduated from the Lysenko Musical College for Gifted Children. As a student, she was the recipient of “The President of the Ukraine Scholarship” during 2003-2008.

Outside her native Ukraine, Fedorova studied under Leonid Margarius at The International Piano Academy, which is a school of advanced piano performance specialization located in Imola, Italy.

Fedorova also studied at the Royal College of Music in London under Norma Fisher. She was a recipient of the Big Give full tuition scholarship.

She has also received artistic guidance from world-renowned pianists like Alfred Brendel, Menahem Pressler, and András Schiff.


Fedorova's "international concert career took off while she was only a child." In 2006, at the age of sixteen, she made her debut at the Concertgebouw in Amsterdam in the Netherlands. She played Chopin’s Piano Concerto No 2. Since then, Fedorova has performed there more than thirty times.

Fedorova's manager Rob Groen recounted the first time he heard her play. He "reluctantly" heard her play "as part of a group of piano students performing for him in Kiev." The first three were "all very good," but, when he heard Anna, he was "in shock" by her "exceptional talent."

Musical critics have praised Fedorova’s signature “sweet modesty and wild expression,” which rendered listeners “completely taken by surprise, compelled and astonished.” Fedorova says about her playing, "You can really paint with music. You see the colorful, inspiring scenes."

Music Festivals and Competitions

Fedorova has appeared at "numerous International Music Festivals" and has "claimed top prizes" in Italy, Greece, Germany, Slovakia, Estonia and the Czech Republic. Music festivals in which she has appeared include the following:

Orchestras with which Fedorova has performed

Fedorova has performed with orchestras around the world including the following:

  • The Bournemouth Symphony Orchestra in the Bournemouth Pavilion in Bournemouth, England. After Fedorova's 2016 concert, Jade Grassby, the multimedia reporter for the Bournemouth Echo wrote that the limelight moved "temporarily away from the orchestra and onto" Fedorova, as she played Rachmaninoff's Piano Concerto Number 2. She "delivered a beautiful performance, combining delicacy and passion in every phrase."
  • The Dallas Symphony Orchestra in Dallas, Texas, US.
  • The Hong Kong Philharmonic Orchestra under the baton of Jaap van Zweden in Hong Kong. On April 15–16, 2016, Fedorova played Rachmaninov's Piano Concerto no. 2 with the orchestra conducted by Jun Märkl.
  • The Kyoto Symphony Orchestra in Kyoto, Japan.
  • The Krakow Philharmonic Orchestra in Krakow, Poland.
  • The Orquesta Filarmónica de Buenos Aires in Buenos Aires, Argentina.
  • The Orchestre de Chambre de Lausanne in Lausanne, Switzerland.
  • The Residentie Orkest and the Camerata in Amsterdam, the Netherlands.
  • The Residentie Orchestra in the Hague, the Netherlands.
  • The Tokyo New City Orchestra in Japan.
  • The Philharmonia of the Nations in Germany.
  • The Nordwestdeutsche Philharmonie in Germany.
  • The Orquesta Sinfonica Nacional de Mexico in Mexico.
  • The Netherlands Philharmonic Orchestra in the Netherlands.
  • The Nordwestdeutsche Philharmonie in Herford, Germany.
  • The Orchestre de Chambre de Lausanne in the Netherlands.
  • The Orquesta Filarmónica de la UNAM OFUNAM in Mexico City, Mexico.
  • Buenos Aires Philharmonic Orchestra (Orquestra Filarmonica de Buenos Aires) in Buenos Aires, Argentina.
  • The Orquesta Sinfonica Nacional de Mexico in Mexico.
  • The Nottingham Philharmonic Orchestra in a 2016 concert at Albert Hall in London, England. About the concert, William Ruff, music critic for the Nottingham Post wrote "Soloist Anna Fedorova relished the work's sophistication and opportunities for bravura display. The opening movement exploded in a fireburst of energy and its castanet-accompanied march was handled with wittily pointed humour. Her characterisation of each of the slow movement's variations was sharply perceptive - and her high-octane handling of the finale was another display of pianistic fireworks." William Ruff, Nottingham Post (October 16, 2016) about Anna Fedorova's performance with the [www.nottinghamphilharmonic.co.uk/ Nottingham Philharmonic Orchestra's] concert at Albert Hall.
  • The Polish Camerata in Lodz, Poland.
  • The Royal Philharmonic Orchestra in London, England.
  • The Yomiuri Nippon Symphony Orchestra.
  • The Xalapa Symphony Orchestra in Mexico.

Concert Halls

Concertgebouw Amsterdam where Fedorova has performed over 30 times.

Fedorova has given concerts in concert halls across Europe, North America, South America, and Asia. These include the following:

  • Carnegie Hall in New York City, US.
  • Cadogan Hall in the Royal Borough of Kensington and Chelsea, London, UK.
  • The Concertgebouw in Amsterdam in the Netherlands.
In September 2013, in the Concertgebouw, Fedorova performed Rachmaninoff 2nd Piano Concerto to open the season of Sunday Morning Concerts. The recording of this concert has received over fifteen million views on YouTube.
Fedorova performed in the Concertgebouw in December 2010 to a full house of 1,974 seats in the Grote Zaal (Main Hall). After her concert, Christo Lelie, a Dutch writer and musician, wrote a review in the Trouw. The story was headlined "Anna Fedorova Deserves a Full House at the Concertgebouw." He explained that at nineteen years of age, Fedorova was "one of the major piano talents of today." Her playing was characterized as "a solid technique, a tone that is powerful but not harsh, impeccable rhythm, and an adept feel for a composition’s form." Fedorova’s deeply personal performance "touched the hearts of her audience." and
In November 2015, Fedorova returned to the Royal Concertgebouw to perform Rachmaninoff's Piano Concerto No 3. This performance was again streamed live on TV, internet and radio.
  • The Cultural Centre of Belém in Lisbon, Portugal.
  • The Edesche Concert Hall in Amsterdamseweg in Amstelveen, Netherlands. On February 18, 2017, Fedorova and members of the Royal Concertgebouw Orchestra performed Chopin's Second Piano Concerto No. 2 in F minor, op.. 21.
  • Fuller Lodge Art Center in Los Alamos, New Mexico, US.
On June 28, 2009, Anna Fedorova gave a Masterpianist recital at the Fuller Lodge Art Center in Los Alamos, New Mexico. On July 11, 2009, her father Boris Fedorova performed in the same venue. As part of the program, his daughter joined him on stage for a piece requiring three pianists, one of whom was Anna. It was the first time that the father and daughter had been "on stage together for a major performance."

Conductors with whom Fedorova has performed

Conductors with whom Fedorova has performed include the following:

Van Zweden said that "performing Beethoven's 5th Piano Concerto with Anna Fedorova" was "a great pleasure" for me, the orchestra, and the audience. Anna is a wonderful artist, a great pianist and a very charming charismatic person."


The following videos featuring Fedorova can be seen on www.YouTube.com:

In an interview on December 23, 2014, Fedorova said, "I try to learn everything about the composer." For example, she said that Rachmaninov was depressed when composed his Cello sonata; it was a difficult time for him. So, although "the sonata is full of hope and happiness," one also hears "concern and doubt. The piece also has dark sides." She said that "with this knowledge, I try to penetrate deeper into the core of the music."
  • Three pieces by the Oyster Duo, a pair of two musicians: Anna Fedorova, piano and Nicolas Schwarz. The Oyster Duo gave a concert at the London School of Economics and Political Science on November 10, 2016.
Oyster Duo: Schumann Fantasiestücke, Op. 73.
Oyster Duo: Bottesini Tarantella.
Oyster Duo: Gershwin Prelude No. 2.


  • In 2014, Fedorova’s first live recital CD was released under the DiscAnnecy label. It contains works by Brahms, Liszt and Chopin.
Also in 2014, Champs Hill Records released a recording of a recital given by Fedorova and Jamal Aliyev. The CD is entitled Russian Masters.
  • In 2015, Piano Classics released an audio CD of Fedorova playing Rachmaninoff's "Piano Concerto No. 2; Cello Sonata" with Benedict Kloeckner as cellist, accompanied by the Nordwestdeutsche Philharmonie.
  • In 2015, Disc Auvers released a disc entitled Anna Fedorova, Piano: Chopin, Listz, Brahms with Fedorova playing works by Chopin, Liszt, and Brahms. The disc includes Chopin's "Piano Sonata No. 3," Listz's "Années de pèlerinage, Deuxième année: Sonetto del Petrarcha No. 104," and Brahms' "Six Piano Pieces, op. 118."
In his review in Fanfare on July 10, 2016, Colin Clarke wrote, "The Chopin Sonata (with exposition repeat) reveals a player of the highest sensitivity. . . . Fedorova has the daring to let bare textures speak for themselves; her rests are always impeccably timed and her approach reminds the listener of the modernity of Chopin's writing." "Brahms seems to enter a whole new world, a fantastical new beginning almost. Fedorova conveys all the exploratory wonder; the end is rapt and magnificent," In the Liszt piece, Fedorova gives "another fine performance." She "seems to enter straight into the world of the composer. Her way with the long tenor/bass melodies expertly tells a story; her filigree is impeccably Lisztian."
In the same issue of Fanfare, Peter J. Rabinowitz had a review. In it he said, "Now just reaching her mid 20s, Ukrainian pianist Anna Fedorova shows herself, on this debut recital, to be a significant pianistic talent." In the Chopin piece, she plays "with a seamless legato, a rich and deep tone, a flexible (even improvisatory) sense of pulse, a sure feel for the emotional weight of the harmonies, and an enviable ability to sustain the phrases, she brings out the long lines in a way that’s rare for hotshots of her generation." "She produces instead a polished elegance that helps explain why she did so well in the International Rubinstein In Memoriam competition in Poland in 2009." In the Brahms piece, Fedorova's playing is "even more succulent." "Her treatment of dynamics, especially at the quiet end, draws you in." "This is a distinguished reading—as is her rich and flexible reading of the Liszt Sonnetto."
  • In 2016, more albums by Fedorova were released on DRC: Rachmaninov's "Piano Concerto No 3" and Mussorgsky's "Pictures at an Exhibition" were released. Piano Classics released an album of Fedorova playing Rachmaninoff's "Piano Concerto No. 2, Cello Sonata" accompanied by the Nordwestdeutsche Philharmonic.
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