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Agnes Denes

Agnes Denes

American artist
Agnes Denes
The basics

Quick Facts

Intro American artist
A.K.A. Agnes Cecilia Denes, Agnes C. Denes
Is Artist Painter Illustrator
From United States of America
Type Arts Creativity
Gender female
Birth May 1938, Budapest, Hungary
Age: 82 years
Education
Columbia University
Columbia University School of the Arts
The New School
Awards
Rome Prize  
Anonymous Was A Woman Award 2007
The details

Biography

Agnes Denes (Dénes Ágnes; born 1931 in Budapest) is a Hungarian-born American conceptual artist based in New York. She is known for works in a wide range of media - from poetry and philosophy writings, to complex hand and computer rendered diagrams (which she terms Visual Philosophy), sculpture, and international environmental installations, such as Wheatfield -- A Confrontation (1982), a two-acre wheatfield in downtown Manhattan.

Early life and early career

Born in Budapest, Hungary in 1931, her family survived the Nazi occupation and moved to Sweden in the mid-1940s. When she was a teenager, they relocated again to the United States. She has said that the repeated change in language caused her to focus on the visual arts - having "suddenly been silenced." She studied painting at the New School and Columbia University in New York, and exhibited and sold some of her work. She soon abandoned painting, due to the constraints of the canvas, and focused broadly on ideas she could explore in other mediums, saying, "I found its vocabulary limiting."

In the early 1970s, she left her uptown gallery to join the A.I.R. Gallery as a founding member. She has since participated in more than 450 exhibitions at galleries and museums throughout the world, and has written 6 books. At some point in the late 1960s-1970s, she was married and has one son, Robert T. Frankel.

Selected works

Ecological

Rice/Tree/Burial 1968, Eco-Logic, Sullivan County, New York; re-created 1977 at Artpark

As a pioneer of Land Art, Agnes Denes created Rice/Tree/Burial in 1968 in Sullivan County, New York. Acknowledged as the first site-specific performance piece with ecological concerns, it was enacted ten years later on an expanded scale at Artpark in Lewiston, New York. This performance piece involved planting rice seeds in a field in upstate New York, chaining surrounding trees and burying a time capsule filled with copies of her haiku. "It was about communication with the earth," Ms. Denes said, "and communicating with the future.""

Agnes Denes at Artpark, 1977-1979

During her time at Artpark, Denes recreated her Rice/Tree/Burial piece from 1968. In 1977, she planted a half acre of rice 150 feet above the spot where Niagara Falls has originally formed. The land itself that she worked on was known to have been an industrial dumping ground, which affected the quality of the rice. In 1978, she continued the project by chaining together trees in the forest in the park to symbolize interference with growth. On August 20, 1979, Denes buried her haiku poems at 47° 10′ longitude, 79° 2′ 32″ latitude set to be opened in the twenty-third century. The capsule also includes microfilmed responses of university students to questions about the nature of humanity. Along with the rice, time capsule, and ceremonial chaining of trees in the park, Denes filmed footage of Niagara Falls for this iteration of Rice/Tree/Burial to "add natural force as the fourth element and fuse the other three". Her poetry that she included as well as personal accounts of her experiences working on this series in the park is featured in the 1977 Artpark Program in the Visual Arts.

Researcher Jennifer Seaman Cook argues that Artpark's public funding for experimentation was instrumental in the development of Denes' work, precursing her 1982 field of wheat project overlooking the Twin Towers from Battery Park. The Artpark residency program gave artists the space to experiment with these themes in land art and other emergent media.

Wheatfield, a Confrontation 1982 Manhattan, Battery Park City landfill

After months of preparations, in May 1982, a 2-acre wheat field was planted on a landfill in lower Manhattan, two blocks from Wall Street and the World Trade Center, facing the Statue of Liberty. Two hundred truckload of dirt were brought in and 285 furrows were dug by hand and cleared of rocks and garbage. The seeds were sown by hand and the furrows covered with soil. The field was maintained for four months, cleared of wheat smut, weeded, fertilized and sprayed against mildew fungus, and an irrigation system set up. The crop was harvested on August 16 and yielded over 1000 pounds of healthy, golden wheat.

Tree Mountain-a living time capsule 1996, Ylöjärvi, Finland

A monumental earthwork reclamation project and the first man-made virgin forest, situated in Ylöjärvi, Western Finland. The site was dedicated by the President of Finland upon its completion in 1996 and is legally protected for the next four hundred years.

A Forest for Australia reforestation of Red Gum, She Oak, and Paperbark trees in Melbourne Australia 1998

6000 trees of an endangered species with varying heights at maturity were planted into five spirals by the artist, creating a step pyramid for each spiral when the trees are fullgrown. The trees help alleviate serious land erosion and desertification threatening Australia.

Nieuwe Hollandse Waterlinie Master Plan, 2000

A 25-year master plan to unite a 100 kilometer-long string of forts dating from the sixteenth to the nineteenth centuries. Incorporating water and flood management, urban planning, historical preservation, landscaping, and tourism into a single plan.

North Waterfront Park Masterplan, Berkeley, California, 1988-91. Site plan and art concept.

A conceptual master plan was developed for the conversion of a 97-acre municipal landfill, surrounded by water on three sides in the San Francisco Bay, into an oasis for people and nature.

The Living Pyramid, Socrates Sculpture Park, Long Island City, NY, 2015.

One in a series of large earth sculptures, The Living Pyramid, is the first Denes sculpture in New York City in over 3 decades. Sculpture is scheduled from May - August 2015.

Visual philosophy

Beginning in 1968, she began an intensive exploration of philosophy through art. The result was, according to Jill Hartz of Cornell University, "an amazing body of work, distinguished by its intellectual rigor, aesthetic beauty, conceptual analysis, and environmental concern."

  • Paradox and Essence (Philosophical Drawings), 1976, Published by Tau/ma Press, Rome, Italy, in English and Italian. Edition of 200; 60 pages
  • Sculptures of the Mind, 1976, Published by the University of Akron Press, Akron, Ohio. Edition of 1,000, 250 signed and numbered; 50 pages
  • Isometric Systems in Isotropic Space: Map Projections (from the Study of Distortions Series, 1973-1979), 1979. Published by Visual Studies Workshop Press, Rochester, New York. Edition of 200 hardback copies in silver foil, signed and numbered by the artist; edition of 600 in paperback; 100 pages, color and black and white throughout, 29 original drawings specially created for the book, 22 transparent pages.
  • Original drawings for Isometric Systems, from the Museum of Modern Art Collection
  • Early Philosophical Drawings, Monoprints, and Sculpture 1970-1973

Sculpture

  • Sculptures of the Mind 1968-2012

Writing

  • See three titles under Visual Philosophy, above.
  • Book of Dust: The Beginning and the End of Time and Thereafter, 1989 Visual Studies Workshop Press, Rochester, New York. Edition of 1,100 of which 200 are signed with an original artwork. Insert ("The Debate - 1 Million B.C. - 1 Million A.D.); 200 pages, 16 full-page duotones
  • The Human Argument, 2008 Spring Publications, Putnam, Connecticut.
  • Poetry Walk—Reflections: Pools of Thought, 2000 Charlottesville, Va.: University of Virginia Art Museum.

Catalogues

  • Agnes Denes: Perspectives, Corcoran Gallery of Art, Washington, DC, 1974 [1]
  • Agnes Denes: Sculptures of the Mind / Philosophical Drawings by Amerika Haus Berlin, 1978
  • Agnes Denes 1968 -1980, Gary Garrels curator, Hayden Gallery, MIT, Boston, 1980
  • Agnes Denes: Concept into Form, Works : 1970-1990, Arts Club of Chicago, 1990
  • Agnes Denes by Jill Hartz, Herbert F. Johnson Museum of Art, Cornell University, 1992 [2]
  • The Visionary Art of Agnes Denes: An Exhibition of 85 Works, Gibson Gallery, 1996 [3]
  • Project for Public Spaces, a Retrospective, Samek Art Gallery, Bucknell University, Lewisburg PA; 2003
  • Agnes Denes: Work 1969 - 2013, curated and edited by Florence Derieux, FRAC Champagne-Ardenne, Firstsite Colchester, Mousse Publishing, 2013-2016
  • Agnes Denes: Absolutes and Intermediates, edited by Emma Enderby, The Shed, 2019

Public collections

Denes has over ten works in the Museum of Modern Art's collection. In the Metropolitan Museum, the artist has five pieces in the permanent collection. At the Whitney Museum of American Art, Denes has three pieces in the permanent collection. Beyond that, the artist has work in forty-three additional museum permanent collections.

Critical response

What ties it all together is Ms. Denes's insistence on marrying ambitious intellectual ideas with exquisite formal execution. In contrast to many of her conceptual and land-art peers, she has always been deeply involved with drawing.

— Carol Kino, New York Times.

In the history of art there have been a few artists' artists—individuals who have emphasized in their work the raising of provocative questions and who have also tested the limits of art by taking it into new, unforeseen areas and by using it for distinctly new functions. Agnes Denes is one of these special artists.

— Art historian Robert Hobbs, 1992

A gallery exhibition can only suggest how far and wide the polymathic Ms. Denes has ranged over material and mental worlds during the past four decades. It would take a full-scale museum retrospective to do that.

— Ken Johnson, New York Times 2012

Awards

  • Four fellowships from the National Endowment for the Arts
  • Four grants from the New York State Council on the Arts
  • CAPS grant (1972)
  • National Endowment Fellowships (1974 and 1975)
  • The DAAD Fellowship, Berlin, Germany (1978)
  • American Academy of Arts and Letters Purchase Award (1985)
  • Eugene McDermott Award in the Arts at MIT (1990)
  • Rome Prize from the American Academy in Rome (1998)
  • Jill Watson Award for Transdisciplinary Achievement in the Arts from Carnegie Mellon University (1999)
  • Anonymous Was a Woman Award (2007)
  • Ambassador's Award for Cultural Diplomacy (2008) from the American Embassy in Hungary.
  • Art Innovation Impact Award, The Phillips Collection, Washington, DC.(2020)
The contents of this page are sourced from Wikipedia article on 03 Jul 2020. The contents are available under the CC BY-SA 4.0 license.
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Reference sources
References
https://www.nytimes.com/2012/12/02/arts/design/agnes-denes-stretches-the-canvas-as-far-as-can-go.html?pagewanted=all&_r=0
http://www.moma.org/collection/artist.php?artist_id=1491
https://www.airgallery.org/essays-2/2016/6/2/aloft-in-mid-air
http://www.agnesdenesstudio.com/catalog.html
https://books.google.com/?id=8K5PAAAAMAAJ
https://web.archive.org/web/20130620125107/http://agnesdenesstudio.com/WORKS6.html
http://www.agnesdenesstudio.com/WORKS6.html
https://www.artinamericamagazine.com/reviews/artpark-1974-1984/
https://www.nytimes.com/1982/06/11/arts/a-critic-s-guide-to-the-outdoor-sculpture-shows.html?pagewanted=all
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