Sun Pu

Mu Xin (Chinese: 木心) is the pen name of Sun Pu (Chinese: 孙璞;1927-2011), courtesy name Yangzhong (Chinese: 仰中, a Chinese painter, poet and writer. His works draw on both Chinese and Western traditions. The pen name Mu Xin is derived from Buddhist thoughts, meaning an educator with true heart.

Mu Xin was born on February 14, 1927 in Wuzhen, a historic town in Zhejiang, China, into a wealthy and prestigious family with businesses interests in Shanghai. In his early life, Mu Xin received traditional literati education. In 1946, Mu Xin started to study at the Academy of Fine Arts at Shanghai University. Mu Xin was dismissed from school by the order of the mayor of Shanghai for leading student movements in the Academy.

In 1948, Mu Xin graduated from Hangzhou National Academy of Art, where he met his mentor Lin Fengmian. After graduation, Mu Xin taught art at Hangzhou High School in the late 1940s and worked in Shanghai Arts and Crafts Institute in the 1950s and 1960s.

Purged and imprisoned during the Cultural Revolution, Mu Xin was exonerated in 1979, and lived in New York from 1982 to 2007. Mu Xin taught world literature to a group of artists in New York from 1989 to 1994. Later, his lectures were sorted out and published by Chinese artist Chen Danqing. When asked about whether his stay in New York is self-exile, Mu Xin replied: “I was just going for a long stroll to New York.”

In 2007, Mu Xin returned to his hometown Wuzhen, where he died on December 21, 2011. In 2015, the Mu Xin Museum opened in his hometown of Wuzhen.

Mu Xin never married. According to his words: "I have devoted my life to art".

The Cultural Revolution was a turning point in Mu Xin's life. At that time, millions of Chinese artists and intellectuals were persecuted by the government. In 1971, the Chinese government accused Mu Xin to have illicit relationships with foreign countries. Mu Xin was arrested and imprisoned for 18 months. During this time, three of his fingers were broken, while nearly all his artworks were destroyed. From 1977-1979, Mu Xin was under house arrest. Facing miserable reality, Mu Xin protested with art. “I want to prove that I'll create art to my last breath. I'm a slave in day, but a prince at night.”

After the cultural revolution, Mu Xin often used dark colors as backdrops of his paintings, exemplified by his artwork Tower within a tower. Lock and tower, which reflect imprisonment, also became common imagery in his paintings and literary works.

Mu Xin left over 600 paintings in total. About 500 paintings he created in his early life were destroyed during the Cultural Revolution. Thirty-three ink and gouache landscapes are known to have survived. Mu Xin donated these 33 paintings to Yale University in 2003. In 2018, Mu Xin's paintings were featured in the 2018 BBC documentary series Civilisations. Mu Xin is the first, among 20th century Chinese artist, to have artwork collected by the British Museum.

The paintings of Mu Xin are primarily landscape paintings. Mu Xin creatively incorporated the techniques of traditional Chinese paintings and Western paintings. Mu Xin used both ink and paint to create art pieces. Specific objects in his landscape paintings like mountain ranges resemble that of traditional Chinese paintings, while the usage of lights and lines resembles impressionism and abstract expressionism.

Mu Xin has also made great achievements in literature. Innovatively combining fiction, prose, and philosophical reflections, Mu Xin's writing is both reminiscent of traditional Chinese culture and western deconstructionism philosophy. [13] His most famous literary works includes fiction An empty room, poem Reminiscence of the past, and Literary Memoirs, which is the complied notes of his world literature lectures

The literary works Mu Xin created in 1950s and 1960s were bound in 20 unpublished thick volumes, which were destroyed at the beginning of the Cultural Revolution. From 1971 to 1973, Mu Xin wrote 66 pages of Prison Notes. Later, Mu Xin published 12 literary works, including novels, poetry collections, and prose while he was in New York. In 2011, the first English translation of Mu Xin's short stories, An Empty Room, was released in the United States. In 2017, the first English translation of Mu Xin's poetry collection, Toward Bravery, was published in Britain.

In 2011, the first English translation of Mu Xin's short stories, An Empty Room, was released in the United States.

In 2017, the first English translation of Mu Xin's poetry, Toward Bravery, was published in Britain.

Eroding Inscription of Han

This painting exhibits profound influence of abstract expressionism. It has free loose lines, stacked perspective, and all-over composition. Also, the art piece incorporates traditional imagery in Chinese landscape paintings, such as mountain ranges and cottages.

Bamboo and Plum

Bamboo and plum are two symbols that represent purity and elegance in Chinese culture. Chinese artists often compare themselves to these two imagery to show their high morals. In traditional Chinese paintings, a certain portion of the backdrop is left blank. Mu Xin filled the entire backdrop of this art piece with dark and light green to create impressionist effects.

Tower Within a Tower

Chinese artist who had gone through the cultural revolution often depict imprisoned figures or express resistance. Two towers are shown in the painting, one is the tower in real world in which a figure is imprisoned, the other is the ivory tower in the figure’s spiritual world. This artwork reflects Mu Xin 's resistance to real world adversities by spiritual sublimation.

In 1983, an exhibition of his paintings was held at the Lincoln Center in New York City.

In 2001, an exhibition of his paintings was held at Yale University Art Gallery before touring to the David and Alfred Smart Museum of Art at the University of Chicago, the Honolulu Museum of Art, and the Asia Society in New York.