Sonny Lester

Sumner Lester (born November 15, 1924), better known as Sonny Lester, is a Grammy-award-winning music producer from New York City. He started his career as a musician in a big band jazz ensemble before being drafted into the U.S. Army. During the war he earned a Purple Heart and worked under Henry Kissinger, who was an intelligence officer at the time. Lester's recordings have been distributed over a number of labels, including Blue Note Records, United Artists, Capitol Records, Denon and CBS Records.

In 1966, Lester formed Solid State Records, the jazz division of United Artists, with arranger Manny Albam and recording engineer Phil Ramone. He later started Groove Merchant in the early 1970s The label went on to release albums from many popular jazz musicians such as Chick Corea, Joe Williams, Dizzy Gillespie, and Jimmy McGriff. When his distribution deal ran out in the mid-1970s, he launched LRC Records, continuing to release albums by jazz artists such as Jimmy McGriff, Jimmy Ponder, Joe Thomas and Brad Baker, which generally had a contemporary soul/disco flavor. The Thad Jones/Mel Lewis Orchestra, called simply "The Orchestra" on the first album, recorded all of their early and most influential albums for Solid State. The label was eventually consolidated into Blue Note Records and Lester was named producer of the Denon Jazz series in 1986.

By 1993, The New York Times reported that his record company Lester Recording Catalog (LRC, Ltd.) had "nearly 150 titles, and annual revenues are $3 million to $4 million."

LRC releases jazz records as CDs. In the early 1990s, Lester retained the rights to a number of records he produced in the 1960s and 1970s and reissued them as CDs on LRC. The company's catalog includes recordings by Dave Brubeck, Count Basie, Chick Corea, and Dizzy Gillespie. LRC has also sold original recordings by emerging jazz acts. In a 1993 interview with Crain's New York Business, Lester said, "Record companies are so big and monstrous, they don't have the time to nurture jazz artists. We do. We speak their language and the artists know and respect us, so they feel comfortable here."