Rosalind Fox Solomon

Rosalind Fox Solomon is a photographer who works on self assigned projects. She lives and works in New York.

Rosalind Fox was born on 2 April 1930 in Highland Park, Illinois. She graduated from Highland Park High School in 1947. She attended Goucher College in Baltimore, Maryland graduating with a Bachelor of Arts in Political Science in 1951.

She married Joel W. (Jay) Solomon (1921–1984), with whom she had two children. The marriage ended in divorce.

Rosalind Solomon sailed to Belgium and France with The Experiment in International Living.

She studied intermittently with Lisette Model from 1971 to 1977.

In 2011, Goucher College awarded Solomon an honorary degree.

Later Solomon became the Southern Regional Director of the Experiment in International Living. In this capacity, she visited communities throughout the Southern United States, recruiting families to host international guests and interact with other cultures in a personal way.

In August 1963, Solomon traveled to Washington, D.C. for an interview with the Equal Employment Department of the Agency for International Development, which was then establishing a program for part-time recruiter–consultants in various regions of the United States. Solomon and a group of USAID staff including Roger Wilkins (nephew of Roy Wilkins) joined the March on Washington for Jobs and Freedom, during which Martin Luther King delivered his famous “I Have a Dream” speech. Subsequently, in her work for USAID, Solomon traveled to historically black colleges in Alabama, Georgia, Mississippi, and Tennessee where she spoke to students and faculty about overseas employment opportunities.

In 1968 Solomon's volunteer work with the Experiment in International Living brought her to Japan where she stayed with a family near Tokyo. There, at age 38, Solomon began to use an instamatic camera to communicate her feelings and thoughts. This was the starting point for her photography practice, which also includes prose related to her life experiences.

Upon her return to the United States, Solomon photographed regularly. She purchased a Nikkormat in 1969 and in the garden shed she processed 35mm black and white film and printed her first pictures. In 1971, she began intermittent studies with Lisette Model during visits to New York City. By 1974 she was using a medium format camera. Dolls, children, and manikins were some of her first subjects, along with portraits and rituals. She works with black-and-white film exclusively.

In 1975, Solomon began photographing at the Baroness Erlanger Hospital in Chattanooga, Tennessee. She photographed people recovering from operations, wounds, and illness.

In early 1977, Solomon photographed William Eggleston, his family and friends in Tennessee and Mississippi. Solomon moved to Washington where she photographed artists and politicians for the series "Outside the White House" in 1977 and 1978.

In 1978 and 1979, she also photographed in the highlands of Guatemala. Her interest in how people cope with adversity, led her to witness a shaman’s rites and a funeral and made photographs in Easter processions.

Solomon was awarded a Guggenheim Fellowship in 1979, a National Endowment for the Arts fellowship for 1989, and grants from the American Institute of Indian Studies in the 1980s.

In 1980, Solomon began her work in Ancash, Peru where she returned intermittently for over 20 years. She made photographs in cemeteries where the damage of a 1970 earthquake was still apparent. She continued photographing shamans, cemeteries, funerals and other rituals. She also photographed people of a subsistence economy surviving the extremes of life through Catholic, evangelist, and indigenous rites.

With a fellowship from the American Institute of Indian Studies, in 1981 Solomon began photographing festival rites in India. She found an expression of female energy and power in the forms of the goddess figures created in the sculptors’ communities of Kolkata (Calcutta). In 1982 and 1983, she continued this work. While there, she photographed artists, including the painter, Ganesh Pyne and the filmmaker, Satyagit Ray. She also made portraits of the Dalai Lama and photographed Prime Minister Indira Gandhi.

In 1987 and 1988, Solomon photographed people with AIDS alone and with their families and lovers. The project resulted in the exhibition, Portraits in the Time of AIDS at the Grey Gallery of Art of New York University in 1988.

In 1988, with concerns about the rise of ethnic violence in the world, she made her first trip to Poland. In 2003, she returned to work again in Poland. In 1988 Solomon’s interest in race relations and ethnic violence, took her to Northern Ireland, Zimbabwe and South Africa. She continued the project in 1989 and 1990 in Northern Ireland and South Africa. In the nineties, she visited hospitals in Yugoslavia and rehabilitation centers for victims of mines in Cambodia, and photographed victims of the American/Vietnam War near Hanoi.

Solomon photographed in Israel and the West Bank for five months during 2010 and 2011, part of This Place, produced by Frédéric Brenner. She made portraits of people in Israel and the West Bank. She was photographing Palestinians in Jenin, and happened to be only a few minutes away when Israeli-Palestinian actor and director of the Freedom Theater, Juliano Mer Khamis, was gunned down in April 2011.

Books, catalogues, etc of Solomon's photography

Some photobooks and catalogues by Rosalind Solomon (flanked by irrelevant Pelicans). The slim black paperback is El Perú y Otros Lugares.

• Union Depot: Photographed 1971–1973. Rosalind Solomon, 1973. Portfolio of 22 photographs. Edition of 100. OCLC 665159920
• Rosalind Solomon, Washington: May 15 – June 29, 1980. Washington, DC: Corcoran Gallery, 1980. Twenty-page exhibition catalogue, text by Jane Livingston. OCLC 6603279
• Rosalind Solomon: Venezia, 13. VII – 14. VIII. 1982. Venice: Ikona Photo Gallery, 1982. Eighteen-page exhibition catalogue, ed. Živa Kraus, text by Ljerka Mifka. OCLC 45754749
• Rosalind Solomon: India: An exhibition of photographs. New Delhi: M. Pistor for the United States Information Service, 1983. Sixteen-page exhibition catalogue, text by Will Stapp. OCLC 37799484
• Rosalind Solomon. Earth Rites: Photographs from inside the Third World. San Diego, CA: Museum of Photographic Arts, 1986. Twelve-page exhibition catalogue, text by Arthur Ollman. OCLC 864687499
• Rosalind Solomon. Portraits in the Time of AIDS. New York: Grey Art Gallery & Studio Center, New York University, 1988. ISBN 0934349045. Exhibition catalogue, text by Thomas Sokolowski.
• Rosalind Solomon: Photographs, 1976–1987. Tucson, Arizona: Etherton Gallery, 1988. Thirty-two-page exhibition catalogue. With an essay by Arthur Ollman. OCLC 18130563
• Rosalind Solomon: El Perú y Otros Lugares = Peru and Other Places. Lima: Museo de Arte de Lima, 1996. Exhibition catalogue. With an introductory essay by Natalia Majluf and Jorge Villacorta; text in Spanish and English. OCLC 37465560
• Rosalind Solomon. Chapalingas. Göttingen: Steidl, 2003. ISBN 9783882438772. Photographs and texts by Solomon, catalogue essays by Susanne Lange, Ingrid Sischy and Gabriel Conrath-Scholl. Text in German, English and French. Published to accompany an exhibition at Die Photographische Sammlung/SK Stiftung Kultur (other languages), Cologne.
• Rosalind Solomon. Polish Shadow. Göttingen: Steidl, 2006. ISBN 9783865211996.
• Rosalind Fox Solomon. Them. London: Mack, 2014. ISBN 9781910164013.
• Rosalind Fox Solomon. Got to Go. London: Mack, 2016. ISBN 9781910164198.

Recordings by Solomon

• Corazón: Songs and Music Recorded in Peru by Rosalind Solomon. Folkways Records FSS 34035, 1985. Recorded, produced and with photographs by Solomon. Reissued by Smithsonian Folkways.
• Indian Love Rites: Durga Puja and Kali Puja in Calcutta. Ethnic Folkways Records FE 4349, 1986. Recording produced by Solomon, and with photographs by her. The sounds of Durga Puja and Kali Puja. Reissued by Smithsonian Folkways.

Other publications

• John Szarkowski. Mirrors and Windows: American Photography Since 1960. Catalog of exhibition held at the Museum of Modern Art, 1978, and elsewhere, 1978–1980. ISBN 0870704753, ISBN 0870704761.
• Susan Kismaric. American Children: Photographs from the Collection of the Museum of Modern Art. New York: Museum of Modern Art, 1980. ISBN 0870702327, ISBN 0870702297.
• Keith F Davis, ed. Wanderlust: Work by eight contemporary photographers from the Hallmark photographic collection. Kansas City, MO: Hallmark Cards. Distribution: Albuquerque, New Mexico: University of New Mexico Press, 1987. ISBN 0875296211.
• Susan Kismaric. American Politicians: Photographs from 1843 to 1993. New York: Museum of Modern Art, 1994. ISBN 9780870701573, ISBN 9780810961357, ISBN 9780870701580.
• Vincent Gerard and Cedric Laty. Eggleston on Film. 85 minutes. 2005
• Amerika: die soziale Landschaft 1940 bis 2006: Meisterwerke amerikanischer Fotografie = America: The social landscape from 1940 until 2006: Masterpieces of American photography. Bologna, Italy: Damiani; Vienna: Kunsthalle Wien, 2006. ISBN 9788889431689. Catalogue of an exhibition held at Kunsthalle Wien.
• Charlotte Cotton, ed. This Place. London: Mack, 2014. ISBN 9781910164136. Photographs of Israel and the West Bank by Frédéric Brenner, Wendy Ewald, Martin Kollar, Josef Koudelka, Jungjin Lee, Gilles Peress, Fazal Sheikh, Stephen Shore, Solomon, Thomas Struth, Jeff Wall and Nick Waplington.
• Gabriele Conrath-Scholl and Stephan Berg, eds. Mit anderen Augen. Das Porträt in der zeitgenössischen Fotografie = With Different Eyes: The Portrait in Contemporary Photography. Cologne: Snoeck, 2016. ISBN 978-3-86442-158-7. Catalogue of the 2016 exhibition.

Solo exhibitions

Group exhibitions

In 2007, the University of Arizona’s Center for Creative Photography acquired Solomon's archive, which includes her photographic archive, books and video work.

2016: Lucie Award in Achievement in Portraiture category