Rod Taylor

Taylor acquired extensive radio and stage experience in Australia, where his radio work included a period on Blue Hills and a role as Tarzan. Earlier in his career he had to support himself by working at Sydney's Mark Foy's department store, designing and painting window and other displays during the day. In 1951, he took part in a re-enactment of Charles Sturt's voyage down the Murrumbidgee and Murray Rivers, playing Sturt's offsider, George Macleay. A short documentary, Inland with Sturt (1951), was based on it. Taylor also appeared in a number of theatre productions for Australia's Mercury Theatre.

Taylor made his feature film debut in the Australian Lee Robinson film King of the Coral Sea (1954), playing an American. He later played Israel Hands in a Hollywood-financed film shot in Sydney, Long John Silver (1954), an unofficial sequel to Treasure Island. Following these two films, Taylor was awarded the 1954 Rola Show Australian Radio Actor of the Year Award, which included a ticket to London via Los Angeles, but Taylor did not continue on to London.

Taylor soon landed roles in television shows such as Studio 57 and the films Hell on Frisco Bay (1955) and Giant (1956). In 1955, he guest-starred as Clancy in the third episode ("The Argonauts") of the first hour-long Western television series, Cheyenne, an ABC program starring Clint Walker.

Toward the end of 1955, Taylor unsuccessfully screen tested to play boxer Rocky Graziano in Metro-Goldwyn-Mayer's Somebody Up There Likes Me after James Dean's death, but his use of a Brooklyn accent and physical prowess in the test impressed the studio enough to give him a long-term contract. At MGM, he played a series of supporting roles in The Catered Affair (1956), Raintree County (1957), and Ask Any Girl (1959). He had a significant role in Separate Tables (1958), which won Oscars for two of its stars, David Niven and Wendy Hiller. He also made a strong impression guest-starring in an episode of The Twilight Zone titled "And When the Sky Was Opened" (1959).

Taylor's first leading role in a feature film was in The Time Machine (1960), George Pal's adaptation of the science-fiction classic by H. G. Wells, with Taylor as the time traveller who, thousands of years in the future, falls for a woman played by Yvette Mimieux. Taylor played a character not unlike that of his Twilight Zone episode of a year earlier and the film World Without End in 1956.

In or around 1960, he was approached regarding the role of James Bond in the first feature-length Bond film. Taylor reportedly declined to become involved because he considered the character of Bond "beneath him". Taylor later commented: "Every time a new Bond picture became a smash hit ... I tore out my hair."

Taylor starred in Alfred Hitchcock's horror thriller The Birds (1963), along with Tippi Hedren, Suzanne Pleshette, Jessica Tandy and Veronica Cartwright, playing a man whose town and home come under attack by menacing birds. Taylor then starred with Jane Fonda in the romantic comedy Sunday in New York (also 1963).

During the mid-1960s, Taylor worked mostly for MGM. His credits including The V.I.P.s (1963), his first feature film role as an Australian, with Richard Burton, Elizabeth Taylor, and Maggie Smith; Fate Is the Hunter (for 20th Century Fox, 1964) with Glenn Ford and Suzanne Pleshette; 36 Hours (1964) with James Garner; Young Cassidy (1965) with Julie Christie and Maggie Smith; The Liquidator (1965) with Jill St. John; Do Not Disturb (1965); and The Glass Bottom Boat (1966), both co-starring Doris Day.

He began to change his image toward the end of the decade to more tough-guy roles, such as Chuka (1967), which he also produced, and he starred in Hotel (1967) with Catherine Spaak; Dark of the Sun (or The Mercenaries, 1968), again with Yvette Mimieux; Nobody Runs Forever (1968) where he played New South Wales Police Sergeant Scobie Malone, this being Taylor's first starring feature film role as an Australian; and Darker than Amber (1970) as Travis McGee.

He was also reportedly up for the role of martial artist Roper in the Bruce Lee vehicle Enter the Dragon (1973). The film was directed by Robert Clouse, who had also directed Taylor in the film Darker than Amber (1970). Taylor was supposedly deemed too tall for the part, and the role instead went to John Saxon.

In 1973, Taylor was cast in The Train Robbers alongside long time friend John Wayne and Ann-Margret. The film was a box office success. Taylor also had some television roles: he starred in Bearcats! (1971) on CBS and in The Oregon Trail (1976) on NBC. He had a regular role in the short-lived spy drama series Masquerade (1983) and played one of the leads in the equally short-lived series, Outlaws (1986). From 1988 to 1990, Taylor appeared in the CBS drama series Falcon Crest as Frank Agretti, playing opposite Jane Wyman. In the mid-1990s, he appeared in several episodes of Murder, She Wrote and Walker, Texas Ranger.

In 1993, he hosted the documentary Time Machine: The Journey Back. The special ended with a mini-sequel written by David Duncan, the screenwriter of the George Pal film. Taylor recreated his role as George, reuniting him with Filby (Alan Young).

Taylor returned to Australia several times over the years to make films, playing a 1920s traveling showman in The Picture Show Man (1977) and a paid killer in On the Run (1983). In the black comedy Welcome to Woop Woop (1997), he played the foul-mouthed redneck Daddy-O.

By the late 1990s, Taylor had moved into semi-retirement. In 2007, he appeared in the horror telemovie Kaw, which revisits the idea of marauding birds turning on their human tormentors. In this film, however, the cause of the disturbance was discovered by Taylor who plays the town doctor. He appeared in Quentin Tarantino's Inglourious Basterds in 2009, portraying Winston Churchill in a cameo. In 2017, a documentary on Taylor's life, "Pulling No Punches", was released and entered into the Beverly Hills Film Festival.