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Paul Elmer More
American journalist, critic, essayist and Christian apologist

Paul Elmer More

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Intro
American journalist, critic, essayist and Christian apologist
A.K.A.
Paul More
Gender
Male
Place of birth
St. Louis, USA
Place of death
Princeton, USA
Age
72 years
Education
Harvard University
Washington University in St. Louis
The details (from wikipedia)

Biography

Paul Elmer More (December 12, 1864 – March 9, 1937) was an American journalist, critic, essayist and Christian apologist.

Biography

Paul Elmer More, the son of Enoch Anson and Katherine Hay Elmer, was born in St. Louis, Missouri. He was educated at Washington University in St. Louis and Harvard University. More taught Sanskrit at Harvard (1894-1895) and Bryn Mawr (1895-1897).

After his short career as an academic, he worked as a literary editor on The Independent, the New York Evening Post and The Nation. He started on his Shelburne Essays in 1904; they were to run to 11 published volumes, drawing on his periodical writing, and were followed later by the New Shelburne Essays, in three volumes from 1928.

In his literary criticism, More generally upheld the classical English authors who display, as he put it, a "deep-rooted sense of moral responsibility"—Shakespeare, Johnson, Trollope, Newman—while also accepting those lusty writers of France and America who cannot help but be a little too honest. As Francis X. Duggan notes, "the immorality More most objects to, the most serious offence an artist can commit, is not the obvious one of obscenity or suggestiveness, but a falsification of human nature, the denial of moral responsibility".

He wrote several books after his retirement from journalism, including Platonism (1917); The Religion of Plato (1921); Hellenistic Philosophies (1923); and his last published work, the autobiographical Pages from an Oxford Diary (1937). His Greek Tradition, 5 vols. (1917–27), is generally thought to be his best work.

During the last 15 years of his life, More wrote several books of Christian apologetics, including The Christ of the New Testament (1924), Christ the Word (1927), and The Catholic Faith (1931). As Byron C. Lambert notes, "More's final mission was profoundly religious and what he wanted to leave to the world".

Nevertheless, although Russell Kirk judged him "the twentieth century's greatest apologist", More is little read by Christians today. In Lambert's view, the reason is that More's "Christianity was altogether too idiosyncratic for most Christians". "[T]oo exotic to be intelligible and too conditional to be authoritative", he lacked the power of "unabashedly orthodox" writers like C. S. Lewis or G. K. Chesterton "to bring Catholic, Protestant, Orthodox, and even fringe believers together in a way that is the surprise of divided Christendom".

That said, the man of whom Russell Kirk wrote, "as a critic of ideas, perhaps there has not been his peer in England or America since Coleridge," has much to offer the discriminating Christian reader. Kirk cites, for instance, More's insight into the "enormous error" of secular humanists. When the religious impulse is replaced by "mere 'brotherhood of man,' fratricide is not far distant." More wrote that the one effective way of "bringing into play some measure of true justice as distinct from the ruthless law of competition...is through the restoration in the individual human soul of a sense of responsibility extending beyond the grave." The alternative is a society "surrendered to the theory of ceaseless flux, with no principle of judgement except the shifting pleasure of the individual."

More saw the loss of Christian culture as entailing intellectual as well as moral collapse. He once remarked to Alfred Noyes that "the ability to think clearly and deeply has been vanishing from all sections of the modern world except those that have some grasp of the philosophy of religion, as it has been developed through two thousand years in the central tradition of Christendom".

More collaborated with Irving Babbitt from before 1900 in the project later labelled New Humanism.

More lived in Princeton, New Jersey. He died on March 9, 1937, at the age of 72.

Works

Selected articles

Miscellany

The contents of this page are sourced from Wikipedia article. The contents are available under the CC BY-SA 4.0 license.
Frequently Asked Questions
FAQ
Who was Paul Elmer More?
Paul Elmer More (December 12, 1864 – March 9, 1937) was an American journalist, critic, essayist, and Christian apologist. He was influential as a member of the literary group known as the American Renaissance. More was noted for his opposition to the growing secularization of American intellectual life during the 1910s and 1920s, as typified by his essay "The Skeptic's Dogma."
What were some of Paul Elmer More's notable works?
Some of More's notable books include "The Philosophical Foundations of American Constitutionalism," "Platonism," and "Aristotelianism." He also wrote numerous essays and articles for leading literary and conservative publications, such as The New Republic, The Nation, and The Atlantic Monthly.
Where did Paul Elmer More teach?
More taught as a professor of English at Princeton University from 1898 until his retirement in 1933. He was known for his conservative approach to education and his steadfast commitment to the traditional values of Western civilization.
What were Paul Elmer More's political beliefs?
More was a strong advocate for classical and conservative values. He believed in the importance of intellectual and moral discipline and rejected many of the modernist ideas that were gaining popularity during his time. More was critical of materialism, secularism, and individualistic excesses, and he argued for a return to the principles of order, hierarchy, and tradition.
Did Paul Elmer More have any influence on American literature?
Yes, More played a significant role in shaping American literature and culture. He was a founding member of the influential literary group known as the American Renaissance, which sought to revive and preserve traditional literary and intellectual values. More's influential essays and reviews helped to promote a vibrant literary and intellectual scene in early 20th-century America.
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