Nikos Alexiou

Nikos Alexiou (Greek: Νίκος Αλεξίου; 1960 – 25 February 2011, Athens) is a Greek artist who specialized in visual art, contemporary art, installation art and set design for theatre and dance. He exhibited his work at personal exhibitions and group events both in Greece and abroad. Alexiou lived in central Athens until his death from cancer at the age of 51.

In 1982, at the age of 22, Alexiou moved to Austria to study at the Viennese Academy of Fine Arts. Two years later, he returned to Greece to study at the Athens School of Fine Arts.

Alexiou received recognition for his work as set designer for Medea (Dimitris Papaioannou, (1993) and for The End (installation, 2007). The End was selected as the Greek contribution to the 52nd Venice Biennale.

Events

• 23rd Biennale of Alexandria, 2005.
• Outlook and the Athens by Art exhibitions, 2004 Athens Olympic Games and 2004 Cultural Olympiad
• Breakthrough! Greece 2004, Madrid
• Free Transit, Spain, 2003, Zappeion, Greek Presidency of the EU.
• Deste Prize, 2003 (Deste foundation, Greece)

In 1985, Alexiou held his first personal exhibition at "Desmos" Gallery in Athens. He used basic materials and those commonly found in nature such as rock, wood, mud and water. In 1987, Alexiou continued his experimentation with natural features by venturing into their decomposition. He created Prisms, a series of works which analyzes the projection of white light into different spaces, even through rain. Alexiou later created Solar Houses, minimalistic constructions of cane and reeds which share a fragile feeling of absolute geometry. Alexiou said, he was creating "an imaginable garden pavilion". Other works in this genre include: San Marco di Venezia, The Gate, and Fountain.

The End

In 2007, Vassilika Sarilaki, an art historian, interviewed Alexiou regarding his participation in the Venice Biennale.She wrote,

• "What will the installation you will be showing at the Venice biennale include exactly, and how will it be structured?"

• "What was it that moved you about this particular floor from the Iveron monastery? Were you just interested in its form, or were your personal experiences your starting point, given that you’ve been visiting the monastery since 1995?"

• "But as I can see from the video, in a sense these designs function as a pretext for a 'meditative loss'"...

• "It really is delightful. It reminds me of Arabic motifs..."

• "Why did you entitle the work “The end”?"

• "Which part of it?"

• "And how do this state, these images, differ from pop art?"

• "And with psychedelia?"

• "Fine, but someone might wonder “Hey, how can he combine the floor from the Iveron monastery, which has its own particular experiences, octagonal cosmological symbols, mandalas, meditation and so on with a neo-pop or psychedelic idiom?"

• "Apart from the obvious, is there any sort of concealment here? In your perforated curtains, for instance, through whose delicate fabric one sees and does not see?"

• "Meaning you’re primarily interested in the surface. Does your work have a symbolic dimension?"

• "I asked you if your work was related this time to symbols because these patterns are joined together into mandalas, which are cosmic symbols, but also because the masters of abstraction—Mondrian, Kandinsky, Malevich, Kupka, Itten—were closely bound up with the metaphysical and its symbolism. And that’s no accident..."

• "I’m not using ‘metaphysical’ in the sense of ‘non-real’ or to convey a suspicious or negative connotation. It’s just that the geometric form is a symbol in itself. In this sense, it produces specific senses and ideas. For instance, there were the theosophical views of Mondrian, who defined the vertical as spirit and the horizontal as material, or the “spiritual component” of colours and shapes and what Kandinsky or Itten defined as geometrical harmony. That’s what I’m talking about. Do the traditional, archetypal motifs you use reference symbolisms, or not?"

• "What do you mean exactly?"

• "That reminds me of what Zen teaches about the experience of the ‘here and now’. You know that some people would refer to the minimal bamboo constructions you used to do as Zen constructions?"

• "Do you think 21st-century art should return to the concept of the beautiful which came in for so much stick during the 20th?"

In his years at the Athens School of Fine Arts, Alexiou met Dimitris Papaioannou, a stage director, choreographer, and visual artist. At the time, Papaioannou was a fellow pupil. The two men became friends and worked together on various projects. In 1990, Alexiou proposed a collaboration, using his own work as a base for Papaioannou to work upon. The result was The Last Song of Richard Strauss, which later became The Songs trilogy. The Last Song, a success for Papaioannou and the Omada Edafous Dance Theatre company, demonstrated work in the genre of set design.

In 1993, Alexiou again collaborated with Dimitris Papaioannou in the production of Medea for the "Omada Edafous Dance Theatre company".

Alexiou began collecting art at a young age. In 2009, he curated an exhibition of his collection of works by 70 modern and contemporary artists at the Bazeos Tower in Naxos. The tower is a 17th-century tower that was built as a monastery. The collected artists included Adam Chodzko, Bernhard Cella, Amy O’Neill, Jim Shaw, Jimmie Durham, Andisheh Avini, Yuken Teruya, Antonis Kiriakoulis, Deanna Maganias, Giannoulis Chalepas, Elena Poka, Ilias Kafouros, Kostis Velonis, Dimitris Papaioannou, Mantalina Psoma, Emmanouil Zacharioudakis, Simon Periton, Marie Francoise Poutays, Mary Redmont, Michael Michaeledes, Minas, Spyros Litinas, Stephen Dean, Vasso Gavaisse, Lydia Venieri,Vangelis Vlahos and Yorgos Papountzis.

The exhibition was an expression of the artistry of Alexiou (as much as his own work). The collected items paralleled his own development as an artist; the business of the final preparations of the exhibition reflected his passion; and the tower itself became an art subject itself in Alexiou's video productions of the day.

Alexiou participated a large number of personal and group exhibitions. There are works which were never exhibited or are not known to the public. (The following list is not complete; it depicts only a selection of his known works).

pre 1994

• Gallery 3, Athens (1985, 1987, 1989, 1994).
• ZM Gallery, Thessaloniki (1988).
• Desmos Art Gallery, Athens (1985).
• Innsbrucker Werkstatt, Innsbruck (1983).

1998

• Athens Art Gallery, Athens.

2000

• Museum of Contemporary Art of Crete in collaboration with "Tzamia Krystalla" Gallery, Hania
• "Lola Nikolaou Gallery", Thessaloniki.

2001

• Exerevnitis Gallery, Athens.

2002

• Gallery 3, Athens.

2003

• Lola Nikolaou Gallery, Thessaloniki
• Rebecca Camhi Gallery, Athens.

2004

• "Angel rolling up the Heaven" and "Red Pavillion", Unlimited Contemporary Art, Athens.
• "365" Art Project Gallery, Athens.

2007

• "The End", 52nd International Art Exhibition, La Biennale di Venezia, Venice, Greek Participation, Curator: Υorgos Tzirtzilakis.
• "The End", Zoumboulaki Gallery, Athens
• "The End", Françoise Heitsch Gallery, Munich

2008

• "The End", Museum of Byzantine Culture, Thessaloniki, Curator: Υorgos Tzirtzilakis.

2010

• "The Sense of Order"
• "Margini Arte Contemporanea", Toscana, Italy, Curator: Paolo Emilio Antognoli Viti.
• "San Marco di Venezia 2010"
• Zoumboulaki Gallery, Athens, Respondent: Emmanouil Zacharioudakis.

1980s

• "5th Biennale of Sculpture", Skironio Museum Polychronopoulos, Megara. (1985)
• "2nd Biennale of Young Mediterranean Artists" Thessaloniki. (1986)
• "Jeune Sculpture 87/1", Porte d’ Austerlitz, Paris (1987)
• "3rd Biennale of Young Mediterranean Artists", Barcelona, Spain, curator. S. Papa (1987)
• "5 Greek Artists - 30 Works", Salle de Conference de la Communaute Europeenne, Brussels and Laiterie Centrale, Strasbourg, curator N. Misirli (1988)
• "Meetings, Highlights, Conflicts", Municipal Gallery, Athens, curator K.Stavropoulos (1988)
• "Revolution", French Institute, Athens (1989).

1990s

• "Borderline 80-90", Municipal Art Gallery, Athens, cur. M. Stefanidis (1990).
• "Itérations", Danae Foundation, Pouilly, France (1990).
• "2nd Minos Beach Art Symposium", Minos Beach, Agios Nikolaos, Crete, cur. D. Koromilas (1990)
• "Spira 1", Circulo de Bellas Artes, Madrid, cur. S. Papa (1992)
• "Egoism", House of Cyprus, Athens, cur. K. Stavopoulos (1992)
• "Magasin", House of Cyprus, Athens, cur. A. Von Fürstenberg (1994)
• "International Meeting of Sculpture", European Cultural Centre of Delphi, Delphi, cur. S. Papa (1994)
• "Alexiou-Varotsos-Totsikas-Tsoklis", Mayia Tsoklis Gallery, Athens (1995)
• "Greek Artists - Quests 1950-2000", Centre for Contemporary Art, Rethymno, Crete, cur. M. Maragou (1998)
• "P + P = D", Deste Foundation, Athens, cur. Y. Tzirtzilakis (1999)

2000–2002

• "Glossalgia", Hellenic-American Union, Athens, cur. M. Stefanidis & N. Argyropoulou (2000).
• "P + P = D", Macedonian Museum of Contemporary Art, Thesasaloniki, cur. Y. Tzirtzilakis (2000).
• "The Pionners", L. Beltsios Collection, Kalambaka, cur. D. Zacharopoulos (2002)
• "The Magic", Ktima Pavlidi, Paiania, cur. M. Maragou.

2003

• "Outlook", Athens, cur. C. Joachimides.
• "Deste Prize 2003", Deste Foundation, Athens.
• "The Pioneers", L. Beltsios Collection, Macedonian Museum of Contemporary Art, Thesasaloniki, cur. D. Zacharopoulos.
• "Free Transit", Zappeio, Athens and Porto Caras, Halkidiki, Greece, cur N. Argyropoulou.
• "Sketching Out Today, Tomorrow, Yesterday", Macedonian Museum of Contemporary Art, Thesasaloniki, cur. L. Tsikouta.

2004–2006

• "Athens by Art", Athens, cur. C. Petrinou. (2004)
• "Breakthrough!" Greece, Sala Alcala 31, Madrid, cur. K. Gregos, D. Zacharopoulos, S. Papa. (2004)
• "Aus der Ferne, Aus der Nahe, Aus der Mitte", European Patent Office, Munich, cur. F. Heitsch, M. Poalas. (2004)
• "Aus der Ferne, Aus der Nähe, Aus der Mitte", Galerie Françoise Heitsch, Munich. (2004)
• "23rd Biennale of Alexandria", Alexandria, Egypt, cur. C. Petrinou (2005).
• "An Outing", L. Beltsios Collection, Trikala, cur. S. Bahtsertzis (2006).
• "The Scarecrow", Institution E. Averof, Metsovo, cur. Ο. Danyilopoulou (2006)
• "23rd Biennale of Alexandria", Benaki Museum, Athens, cur. C. Petrinou (2006)
• "22 Winter Festival Seragevo", Hotel Evropa, Serajevo, cur. C. Petrinou (2006)
• "Totems of the City", METRO Underground Station, Chalandri, Athens, cur. T. Moutsopoulos (2006)
• "Apolis", Hellenic American Union, Athens, cur. C. Velonis (2006)

2007

• "Disco Coppertone", Locus Athens and OLP Piraeus, cur. Maria Thalia Karas and Sofia Tournikiotis
• "Heterotopias: Recreation maid in Greece", 1st Biennale of Contemporary Art Thessaloniki, Thessaloniki, cur. T. Stefanidou
• "Locus Athens - The Workshop", Zouboulakis Gallery, cur. Maria Thalia Karas and Sofia Tournikiotis, Athens

2008

• "Athensville", Parallel Plan, Art Athina cur. M. Fokidis
• "Games without Frontiers", Zoumboulaki Gallery, Athens, cur, T. Stathopoulos.
• "Summer 2008", Zoumboulaki Gallery, Athens.
• "Connected", Spilioti Projects Gallery, Athens

2009–2010

• "Expanded Ecologies", National Museum of Contemporary Art, Athens, Cur. Daphne Vitali
• "Celestial Contrakt", Schwartz Gallery, London, Cur. Christina Mitrentse and Jonas Ranson.

1991 - 1993

• "The Songs", in collaboration with "Edafos Dance Theatre", Artists' Building, Athens (17 April 1991)
• "Κατζούρμπος", L. Vogiatzis director (1993)
• "Ηλέκτρας κομμοί - Aeschylus, Sophocles, Euripides", Roula Pateraki, director. Athens Concert Hall, Athens, (November 1993)

Medea (from 1993)

• K.N.S. Theatre, Antwerp, Belgium, (28–29 September 1993)
• Kotopouli, Rex Theatre, Athens, Greece, (20–25 April 1994)
• Ypsikaminos, Patra, Greece, (May 1994)
• Argos Ancient Theatre, Argos, Greece, (June 1994)
• 2nd International Dance Festival, Kalamata, Greece, (July 1996)
• 4th Festival of Contemporary Expressionistic Dance, Chania, Greece, (August 1996)
• Ferres and Komotini, Greece, (August 1996)
• 1st Musical Theater Meeting, Ancient Dimitriada, Volos, Greece, (September 1996)
• Melina Merkouri Amphitheatre, Veroia, Greece, (September 1996)
• Dassos Theatre, Thessaloniki, Greece, (17–18 September 1996)
• Vrachon Theatre, Melina Merkouri, Athens, Greece, (October 1996)
• Riverside Studios, London, UK, (12–14 March 1998)
• Anfiteatro na Doca, EXPO ’98, Lisbon, Portugal, (July 1998)
• Theater De La Croix Rousse, 8th Biennale of Dance, Lyon, France, (14-18 September 1998)
• Pattichio City Theater, Limassol, Cyprus, (September 1998)
• City Theater, Nicosia, Cyprus, (September 1998)
• Anderson Center for the Arts, Concert Theater, Binghamton University; Performing Arts Center, Albany University; The Performing Arts Center, Purchase College, New York, USA, (9-16 October 1999)
• Atatürk Kultural CentGrand Hall, 12th International Istanbul Theatre Festival, Istanbul, Turkey, (18 May 2000)
• Gerard Bechar Theatre, DancEuropa Festival, Jerusalem, Israel, (June 2000)
• Suzanne Dellal Center, Tel Aviv, Israel, (June 2000)
• Papagou Municipal Theater, Athens, Greece, (June–July 2000)
• Nikos Kazantzakis Theatre, Heraklion, Greece, (July 2000)
• San Marino Stage Festival, San Marino, (August 2000)

1994–1995

• "Memoria del Olvido", directed and choreographed by Denise Perdikidis, Teatro Olimpia de Madrid and tour in Germany, Switzerland, Festival de Teatro Clásico de Mérida, Dansa Valencia, Cabildo Insular de Las Palmas de Gran Canaria, (1994).
• "Suppliants - Aeschylus", directed by Stavros Doufexis, light design by Nikos Alexiou and Eleftheria Deco, Ancient Theatre of Epidaurus, (1994).
• "Medea - Euripides", directed by Giorgos Lazanis, set light and costume design by Nikos Alexiou, Ancient Theatre of Epidaurus, (1995).

2007–2010

• "Το Αμάρτημα της Μητρός μου", directed by Kostas Kapelonis, Karolos Koun Theater of Art, (2007).
• "Meet in Beijing", "Athens Festival", National Centre for the Performing Arts, Beijing, (1 and 2 August 2008) and Pallas Theatre, Athens, (from 1 October 2008).
• "Medea 2", Dimitris Papaioannou
• "Schreber’s nervous illness", directed by Stelios Krasanakis, Alekton Theatre.
• "La Puppe", directed by Anna Kokkinou, Theatre Sfendoni.