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The basics

Quick Facts

Intro
Japanese composer
Places
Gender
Male
Place of birth
Rumoi, Rumoi Subprefecture, Hokkaido, Japan
Place of death
Tokyo, Tokyo, Japan
Age
71 years
Education
Kunitachi College of Music
Kashiwachō, Tachikawa, Japan
Awards
Japan Academy Film Prize
 
Kikuchi Kan Prize
(2020)
The details (from wikipedia)

Biography

Masaru Sato (佐藤 勝, Satō Masaru, May 29, 1928 – December 5, 1999) was a Japanese composer of film scores.

He was born in Rumoi, Hokkaidō, and raised in Sapporo. While studying at the National Music Academy, Sato came under the influence of Fumio Hayasaka, Akira Kurosawa's regular composer for his earlier films. He became a pupil of Hayasaka's, studying film scoring with him at Toho Studios, and working on the orchestration of Seven Samurai (1954). When the older composer died suddenly in 1955, leaving the scores to Kenji Mizoguchi's New Tales of the Taira Clan, and Kurosawa's Record of a Living Being incomplete, Toho assigned Sato to finish them. His first original score was for Godzilla Raids Again in 1955. He wrote the music to all of Kurosawa's movies for the next decade, including Throne of Blood, The Bad Sleep Well, Yojimbo, Sanjuro, and Red Beard. In addition to Mizoguchi and Kurosawa, Sato worked with Hideo Gosha.

His work in the realm of popular film continued throughout his career, composing the scores to Ishirō Honda's Half Human (1955) and The H-Man (1958), Senkichi Taniguchi's The Lost World of Sinbad (1963), and three Jun Fukuda-directed Godzilla films: Ebirah, Horror of the Deep (1966), Son of Godzilla (1967), and Godzilla vs. Mechagodzilla (1974). During his 44-year association with Toho Studios, he wrote more than 300 film scores.He also created the music for such Japanese television series as The Water Margin. He was nominated for Best Music at the 15th Japan Academy Prize.

Musical style

Sato's style differs considerably from Akira Ifukube, the principal composer of the Godzilla films. Ifukube's scores show strong roots in European classical music, as well as influences from Japanese traditional and Ainu folk music. Sato, however, employed Western popular styles and light jazz in his film scores. Unlike Ifukube, Sato apparently never felt the need to compose for the concert stage, writing exclusively for film.

Selected film scores

  • Rokunin no ansatsusha (1955)
  • I Live in Fear (1955)
  • Godzilla Raids Again (1955)
  • Season of the Sun (1956)
  • Throne of Blood (1957)
  • Ikiteiru Koheiji (1957)
  • I Am Waiting (1957)
  • The Lower Depths (1957)
  • Song for a Bride (1958)
  • A Slope in the Sun (1958)
  • The H-Man (1958)
  • The Hidden Fortress (1958)
  • The Bad Sleep Well (1960)
  • Yojimbo (1961)
  • Sanjuro (1962)
  • High and Low (1963)
  • Sengoku Yaro (1963)
  • Red Beard (1965)
  • The Sword of Doom (1966)
  • Ebirah, Horror of the Deep (1966)
  • Son of Godzilla (1967)
  • Japan's Longest Day (1967)
  • Kill! (1968)
  • The Human Bullet (1968)
  • Red Lion (1968)
  • Battle of Okinawa(1971)
  • The Wolves (1971)
  • Submersion of Japan (1973)
  • Lupin III: Strange Psychokinetic Strategy(1974)
  • Godzilla vs. Mechagodzilla (1974)
  • The Yellow Handkerchief (1977)
  • Ah! Nomugi Toge (1979)
  • Tsuribaka Nisshi 4 (1991)
The contents of this page are sourced from Wikipedia article. The contents are available under the CC BY-SA 4.0 license.
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