peoplepill id: john-hicks
JH
United States of America
1 views today
4 views this week
John Hicks
American jazz pianist and composer

John Hicks

The basics

Quick Facts

Intro
American jazz pianist and composer
Work field
Gender
Male
Place of birth
Atlanta, Fulton County, Georgia, USA
Place of death
New York City, New York, USA
Age
64 years
Education
Lincoln University
Genre(s):
Instruments:
Audio
Spotify
John Hicks
The details (from wikipedia)

Biography

John Josephus Hicks Jr. (December 21, 1941 – May 10, 2006) was an American jazz pianist, composer, and arranger. He was leader of more than 30 recordings and played as a sideman on more than 300.

After early experiences backing blues musicians, Hicks moved to New York in 1963. He was part of Art Blakey's band for two years, accompanied vocalist Betty Carter from 1965 to 1967, before joining Woody Herman's big band, where he stayed until 1970. Following these associations, Hicks expanded into freer bands, including those of trumpeters Charles Tolliver and Lester Bowie. He rejoined Carter in 1975; the five-year stay brought him more attention and helped to launch his recording career as a leader. He continued to play and record extensively in the United States and internationally. Under his own leadership, his recordings were mostly bebop-influenced, while those for other leaders continued to be in a diversity of styles, including multi-year associations with saxophonists Arthur Blythe, David Murray, David "Fathead" Newman, and Pharoah Sanders.

Early life

Hicks was born in Atlanta, Georgia, on December 21, 1941, the oldest of five children. As a child, he moved with his family around the United States, as his father, the Rev John Hicks Sr, took up jobs with the Methodist church. His family was middle class: "I was brought up as a decent human being, where you had aspirations and there were expectations", he commented. His mother, Pollie, was his first piano teacher, after he began playing aged six or seven in Los Angeles. He also took organ lessons, sang in choirs and tried the violin and trombone. Around the age of 11, once he could read music, Hicks started playing the piano in church.

His development accelerated once his family moved to St. Louis, when Hicks was 14 and he settled on the piano. There, he attended Sumner High School and played in schoolmate Lester Bowie's band, the Continentals, which performed in a variety of musical styles. Hicks cited influences "from Fats Waller to Thelonious Monk to Methodist church hymns", as well as local pianists. He was initially interested in the blues-based compositions of Horace Silver and popular songs such as "I Got Rhythm" and "There Will Never Be Another You", for their easily recognised harmonies.

Hicks worked summer gigs in the southern United States with blues musicians Little Milton and Albert King. His stint with Little Milton provided his first professional work, in 1958; Hicks stated that his playing in a variety of keys improved because the venue's piano was so out of tune that he had to transpose each piece that they played. Hicks studied music in 1958 at Lincoln University in Pennsylvania, where he shared a room with drummer Ronald Shannon Jackson. He also studied for a short time at the Berklee School of Music in Boston before moving to New York in 1963.

Later life and career

1963–80

In New York, Hicks first accompanied singer Della Reese. He then played with Joe Farrell and toured with trombonist Al Grey and tenor saxophonist Billy Mitchell. In 1963 he was also part of saxophonist Pharoah Sanders' first band, and appeared on CBC Television backing vocalist Jimmy Witherspoon. After periods with Kenny Dorham and Joe Henderson, Hicks joined Art Blakey's Jazz Messengers in 1964. His recording debut was with Blakey in November that year on the album 'S Make It. Early in 1965, Hicks toured with Blakey to Japan, France, Switzerland, and England. Blakey encouraged his band members, including Hicks, to compose for the band, although they also played compositions by previous members of the band. He stayed with Blakey for two years, during which time his playing was compared with that of McCoy Tyner, for the level of energy displayed and for some of the intervals that they used.

Playing with vocalist Betty Carter in the 1970s gave Hicks more exposure.

In the period 1965 to 1967, Hicks worked on and off with vocalist Betty Carter; her liking for slow ballads helped him develop his sense of time. He then joined Woody Herman's big band, where he stayed until 1970, playing as well as writing arrangements for the band. Hicks also began recording as a sideman with a wide range of leaders – in the 1960s these included Booker Ervin, Hank Mobley, and Lee Morgan – a trend that continued for the remainder of his career. From 1972 to 1973, Hicks taught jazz history and improvisation at Southern Illinois University. From the 1970s, he also played in more avant garde bands, beginning with recordings led by Oliver Lake and performances and recordings in the Netherlands with Charles Tolliver. He played with Blakey again in 1973. Hicks' debut recording as leader was on May 21, 1975, in England. The session resulted in two albums – the trio Hells Bells, with bassist Clint Houston and drummer Cliff Barbaro, and the solo piano Steadfast – that were released by Strata-East Records several years later.

Hicks reunited with Carter in 1975, including accompanying her in a musical play, Don't Call Me Man, that year. After recording with Carter on her Now It's My Turn in 1976, Hicks returned to her band full-time; this raised his profile and led to his own recording – After the Morning. His sideman recording also continued, including with Carter Jefferson (1978) and Chico Freeman (1978–79). Hicks was dismissed in 1980 by Carter, a forceful bandleader, for drinking.

1981–89

Some Other Time in 1981, with bassist Walter Booker and drummer Idris Muhammad, revealed more of Hicks as a composer, and included his best-known song, "Naima's Love Song".

Hicks was the leader of groups from the mid-1970s onwards. His small groups included a quartet featuring Sonny Fortune, Walter Booker, and Jimmy Cobb (1975–82, from 1990); a group featuring the flutist Elise Wood (with or without a drummer); and other groups featuring Gary Bartz, Vincent Herring, trombonist Craig Handy, bassists Curtis Lundy or Ray Drummond and drummers Idris Muhammad or Victor Lewis. His quintets and sextets included Robin Eubanks and Tolliver (both from 1982), Branford Marsalis (1982–4), Hannibal Peterson (from 1983), Wynton Marsalis (1983–4), Craig Harris (1985–6), Eddie Henderson (1985–6, 1988–90), and Freeman (1985–8). A big band was created in autumn 1982 and revived on occasion subsequently. He played in the UK with Freeman's band in 1989.

From 1983, the flautist Elise Wood was frequently a member of his groups. As a duo, they played mostly jazz, but also some classical music. They formed a business partnership – John Hicks-Elise Wood, Inc. – and toured the US, Europe and Japan in the 1980s.

He also freelanced, including with players such as Arthur Blythe, David Murray, and Pharoah Sanders. During the 1980s, was a sideman for Richie Cole (1980), Arthur Blythe (In the Tradition), David Murray, Hamiet Bluiett, Art Davis, and Pharoah Sanders; recording with as Ricky Ford (1980, 1982), Alvin Queen (1981), Peter Leitch (1984), Herring (1986), and Bobby Watson (1986, 1988). In 1984, he had a big band that rehearsed; a sextet from it played concerts. From around 1989 into the 1990s, he played with the Mingus Dynasty band, including for performances of the symphony Epitaph. He recorded two albums in Japan in 1988 – the trio East Side Blues and the quartet Naima's Love Song, with altoist Bobby Watson added. By now making regular appearances at jazz festivals internationally, Hicks continued to perform in New York City.

1990–2006

Hicks divorced his wife, Olympia, in the early 1990s. The couple had a son and daughter (Jamil Malik and Naima).

Like many jazz musicians in the 1990s, Hicks recorded for multiple labels proposing different recording ideas. The resultant recordings included duo sessions with Jay McShann (1992) and Leitch (1994) for the American Reservoir Records, and several trio-based sessions for Japanese labels – the New York Unit with bassist Richard Davis and drummer Tatsuya Nakamura for Paddle Wheel Records, and the New York Rhythm Machine with bassist Marcus McLaurine and drummer Victor Lewis for Venus Records. These were followed by more trio recordings for other labels – the Keystone Trio of George Mraz and Muhammad for the Milestone label from 1995, and a longer-lasting band with Dwayne Dolphin on bass and Cecil Brooks III on drums for HighNote Records from 1997. The last of these included his most commercially successful recordings, which were tributes to other pianists, including Something to Live For: A Billy Strayhorn Songbook, Impressions of Mary Lou, and Fatha's Day: An Earl Hines Songbook. There were five such albums, all linked to Pittsburgh-associated pianist-composers; the other two were Nightwind: An Erroll Garner Songbook, and Music in the Key of Clark for Sonny Clark. Hicks played on five of David "Fathead" Newman's albums for HighNote, and was described in 2000 as the "HighNote house pianist".

There were also more dates as a sideman for Murray, Leitch, Blythe, Freeman, and Roy Hargrove (1989–90, 1995), Bartz (1990), Lake (1991), Steve Marcus and Valery Ponomarev (both 1993), Nick Brignola, Russell Gunn, and Kevin Mahogany (all 1994), the Mingus Big Band (c1995), Fortune (1996), and Jimmy Ponder (1997). As leader, his repertoire in the 1990s was often of familiar standards. He performed in the UK with the Mingus Big Band in 1999, and played on their album Blues and Politics in the same year. The pianist recorded the seventh instalment of the "Live at Maybeck Recital Hall" series of solo piano concerts which were recorded for Concord Records. He was part of Joe Lovano's quartet in 1998, which led to Hicks being part of the saxophonist's nonet from its formation the following year.

Hicks and Wood married in June 2001. He made a rare recording on organ (Hammond B3) on saxophonist Arthur Blythe's Exhale. Over the last decade or so of Hicks life, he recorded several collaborations with Elise Wood to mixed reviews (Single Petal of a Rose, Trio & Strings, Beautiful Friendship).

Towards the end of his life, Hicks taught at New York University and The New School in New York. Asked about his teaching in January 2006, Hicks replied that "I don't care how advanced my students are, I always start them off with the blues. It all comes from there." Early in 2006, Hicks again played in a big band, this time led by Charles Tolliver. In January and February, he toured Israel, chiefly playing Thelonious Monk compositions. Hicks' final studio recording was On the Wings of an Eagle in March 2006. His last performance was at St Mark's United Methodist Church in New York City a few days before he died. He died on May 10, 2006, from internal bleeding. Hicks is buried at South-View Cemetery in his hometown of Atlanta.

Wood survived him, and has led a band dedicated to his music. In the view of AllMusic reviewer Michael G. Nastos, "Hicks died before reaping the ultimate rewards and high praise he deserved". A collection of his papers and compositions, as well as video and audio recordings, is held by Duke University.

Playing style

Fellow pianist George Cables stated that Hicks "was a very strong and energetic player, and a very warm player, very much part of the tradition". Hicks's playing was sometimes criticized as being insubstantial; The Penguin Guide to Jazz commented that "This [...] is missing the point. Almost always, he is more concerned to work within the dimensions of a song than to go off into the stratosphere."

Hicks had a style of his own, containing a "combination of irresistible creativity and responsiveness [...] encompassing swing, hard bop and the avant garde, and made him a first-call choice for many of the most important American modern jazz groups". A reviewer of a 1993 release, Lover Man: A Tribute to Billie Holiday, commented that Hicks "mastered the technique of shaping a piano chord so it sounds like the rising and falling of a breath". A few years later, another reviewer highlighted the "subtle dynamic shadings" of Hicks's left hand, and his "reverence for melody and a sense of musical destination that gives form to his improvisations." As an accompanist, Hicks played delicately, with carefully voiced chords.

Compositions and arrangements

His compositions "are wandering and melodic, suggestive and malleable yet memorable". He "enjoyed writing arrangements for a quintet or sextet, often, like the finest jazz composers, tailoring parts to specific musicians. In the past, these have included artists of the caliber of Bobby Watson and Vincent Herring; more recently he has been working with Javon Jackson and Elise [Wood]".

Discography

An asterisk (*) after the year indicates that it is the year of release.

As leader/co-leader

Year recordedTitleLabelNotes
1975Hells BellsStrata-EastTrio, with Clint Houston (bass), Cliff Barbaro (drums); released 1980
1975SteadfastStrata-EastSolo piano; released 1980
1979After the MorningWest 54Some tracks solo piano; some tracks duo, with Walter Booker (bass); one track trio, with Cliff Barbaro (drums) added
1981Some Other TimeTheresaMost tracks trio, with Walter Booker (bass), Idris Muhammad (drums); two tracks solo piano
1982John HicksTheresaSome tracks solo piano; some tracks trio, with Bobby Hutcherson (vibes), Walter Booker (bass); one track duo, with Olympia Hicks (piano); reissue by Evidence added one track trio, with Olympia Hicks, Idris Muhammad (drums)
1984In ConcertTheresaMost tracks trio, with Walter Booker (bass), Idris Muhammad (drums); some tracks quartet, with Elise Wood (flute) or Bobby Hutcherson (vibes) added; in concert
1985Inc. 1DIWMost tracks trio, with Walter Booker (bass), Idris Muhammad (drums); some tracks solo piano
1985Sketches of TokyoDIWDuo, with David Murray (tenor sax)
1986–87Two of a KindTheresaDuo, with Ray Drummond (bass)
1987I'll Give You Something to Remember Me ByLimetreeTrio, with Curtis Lundy (bass) Idris Muhammad (drums)
1985–88LuminousNilvaSome tracks duo, with Elise Wood (flute); some tracks quartet, with Walter Booker (bass), Jimmy Cobb, Alvin Queen (drums, separately) added; some tracks quintet, with Clifford Jordan (tenor sax) added
1988East Side BluesDIWTrio, with Curtis Lundy (bass), Victor Lewis (drums)
1988Naima's Love SongDIWQuartet, with Bobby Watson (alto sax), Curtis Lundy (bass), Victor Lewis (drums)
1989OleoCBS/SonyAs New York Unit; quartet, with George Adams (tenor sax), Richard Davis (bass), Tatsuya Nakamura (drums)
1989Rhythm-a-NingCandidAs Kenny Barron-John Hicks Quartet; quartet, with Kenny Barron (piano), Walter Booker (bass), Jimmy Cobb (drums)
1990Power TrioNovusTrio, with Cecil McBee (bass), Elvin Jones (drums)
1990Is That So?TimelessTrio, with Ray Drummond (bass), Idris Muhammad (drums)
1990Live at Maybeck Recital Hall, Volume SevenConcord JazzSolo piano; in concert
1990Blue BossaPaddle WheelAs New York Unit; quartet, with George Adams (tenor sax), Richard Davis (bass), Tatsuya Nakamura (drums)
1991St. Thomas: Tribute to Great TenorsPaddle WheelAs New York Unit; trio, with Richard Davis (bass), Tatsuya Nakamura (drums)
1991–92Tribute to George AdamsPaddle WheelAs New York Unit; quartet; some tracks with George Adams, Dan Faulk (tenor sax; separately), Richard Davis (bass), Tatsuya Nakamura (drums); some tracks with Javon Jackson (tenor sax), Santi Debriano (bass), Nakamura (drums)
1992Friends Old and NewNovusMost tracks sextet, with Joshua Redman (tenor sax), Clark Terry and Greg Gisbert (trumpet), Ron Carter (bass), Grady Tate (drums); one track septet, with Al Grey (trombone) added
1992Now's the TimePaddle WheelAs New York Unit; quartet, with Marvin "Hannibal" Peterson (trumpet), Richard Davis (bass), Tatsuya Nakamura (drums)
1992Crazy for YouRed BaronTrio, with Wilbur Bascomb (bass), Kenny Washington (drums)
1992Over the RainbowPaddle WheelAs New York Unit; mostly quartet, with Pharoah Sanders (tenor sax), Richard Davis (bass), Tatsuya Nakamura (drums); also released by Evidence as Naima
1992Single Petal of a RoseMapleshadeSome tracks duo, with Elise Wood (flute); some tracks trio or quartet, with Jack Walrath (trumpet), Walter Booker (bass) added
1992After the MorningDSMSolo piano; in concert
1992The Missouri ConnectionReservoirDuo, with Jay McShann (piano, vocals); one track solo piano
1992Blues March: Portrait of Art BlakeyVenusAs New York Rhythm Machine; trio, with Marcus McLaurine (bass), Victor Lewis (drums)
1992Moanin': Portrait of Art BlakeyVenusAs New York Rhythm Machine; trio, with Marcus McLaurine (bass), Victor Lewis (drums)
1993Beyond ExpectationsReservoirTrio, with Ray Drummond (bass), Marvin "Smitty" Smith (drums)
1993Lover Man: A Tribute to Billie HolidayRed BaronTrio, with Ray Drummond (bass), Victor Lewis (drums)
1994Gentle RainSound HillsTrio, with Walter Booker, (bass) Louis Hayes (drums)
1994DualityReservoirWith Peter Leitch (guitar)
1994AkariApollonAs New York Unit; quartet, with Marvin "Hannibal" Peterson (trumpet), Richard Davis (bass), Tatsuya Nakamura (drums)
1994In the MixLandmarkQuintet, with Vincent Herring (alto sax, soprano sax), Elise Wood (flute), Curtis Lundy (bass), Cecil Brooks III (drums)
1995Piece for My PeaceLandmarkSome tracks solo piano; one track trio, with Curtis Lundy (bass), Cecil Brooks III (drums); one track quintet, with Bobby Watson and Vincent Herring (alto sax) added; most tracks sextet, with Elise Wood (flute) added; one track duo, with Wood (flute)
1995Heart BeatsMilestoneAs Keystone Trio; with George Mraz (bass), Idris Muhammad (drums)
1997Newklear MusicMilestoneAs Keystone Trio; with George Mraz (bass), Idris Muhammad (drums)
1997Something to Live For: A Billy Strayhorn SongbookHighNoteTrio, with Dwayne Dolphin (bass), Cecil Brooks III (drums)
1997Nightwind: An Erroll Garner SongbookHighNoteTrio, with Dwayne Dolphin (bass), Cecil Brooks III (drums)
1997Cry Me a RiverVenusTrio, with Dwayne Burno (bass), Victor Lewis (drums)
1997Trio + StringsMapleshadeWith Elise Wood (alto flute), Steve Novosel (bass), Ronnie Burrage (drums), Steve Williams (drums), Rick Schmidt (cello), Debbie Baker (viola), Charles Olive and Tom Ginsberg (violin)
1998Impressions of Mary LouHighNoteTrio, with Dwayne Dolphin (bass), Cecil Brooks III (drums)
1998Ow!Paddle WheelAs New York Unit; quartet, with Javon Jackson (tenor sax), Richard Davis (bass), Tatsuya Nakamura (drums)
1998*Hicks TimePassin' ThruSolo piano
2000Beautiful FriendshipHiWoodDuo with Elise Wood (flute)
2001Music in the Key of ClarkHighNoteTrio, with Dwayne Dolphin (bass), Cecil Brooks III (drums)
2003Fatha's Day: An Earl Hines SongbookHighNoteTrio, with Dwayne Dolphin (bass), Cecil Brooks III (drums)
2003*Besame MuchoIJEAs New York Unit; trio, with Santi Debriano (bass), Tatsuya Nakamura (drums)
2005–06TwogetherHighNoteMost tracks duo, with Frank Morgan (alto sax); some tracks solo piano
2006On the Wings of an EagleCheskyTrio, with Buster Williams (bass), Louis Hayes (drums)
2006I Remember YouHighNoteSolo piano; in concert
2006Sweet Love of MineHighNoteSome tracks quartet, with Javon Jackson (tenor sax), Curtis Lundy (bass), Victor Jones (drums); some tracks quintet, with Elise Wood (flute) added; some tracks sextet, with Ray Mantilla (percussion) added

As sideman

Year recordedLeaderTitleLabel
1998Eric AlexanderSolid!Milestone
2005Eric AlexanderSunday in New YorkVenus
1989Ray AndersonWhat BecauseGramavision
1996Ray AppletonKiller Ray Rides AgainSharp Nine
1998Harold AshbyJust for YouMapleshade
2001Billy BangVietnam: The AftermathJustin Time
2004Billy BangVietnam: ReflectionsJustin Time
1990Gary BartzWest 42nd StreetCandid
2001Mickey BassLive at the Jazz Corner of the WorldEarly Bird
1986Abdul Zahir BatinLive At The Jazz Cultural TheaterCadence Jazz
2004Roni Ben-HurSignatureReservoir
1993Dick BerkEast Coast StrollReservoir
1999Alex BlakeNow Is the Time: Live at the Knitting FactoryBubble Core
1964Art Blakey'S Make ItLimelight
1965Art BlakeyAre You RealMoon
1965Art BlakeySoul FingerLimelight
1965Art BlakeyHold On, I'm ComingLimelight
1972Art BlakeyChild's DancePrestige
2001*Johanne BlouinEverything Must ChangeJustin Time
1983Hamiet BluiettBearer of the Holy FlameBlack Fire
1984Hamiet BluiettEbuSoul Note
1980Arthur BlytheIllusionsColumbia
1981Arthur BlytheBlythe SpiritColumbia
1988*Arthur BlytheBasic BlytheColumbia
1993Arthur BlytheRetroflectionEnja
1993Arthur BlytheCalling CardEnja
2001Arthur BlytheBlythe ByteSavant
2002Arthur BlytheExhaleSavant
1990Bob Thiele CollectiveSunrise SunsetRed Baron
2005–06Richard BoulgerBlues TwilightB-1 Music
1974Lester BowieFast Last!Muse
1991Teresa BrewerMemories of LouisRed Baron
1994*Nick BrignolaLike Old TimesReservoir
2000Cecil Brooks IIILive at Sweet BasilSavant
2000Cecil Brooks IIILive at Sweet Basil, Volume TwoSavant
1998Jeri BrownZaiusJustin Time
1998Jeri BrownI've Got Your NumberJustin Time
1976Betty CarterNow It's My TurnRoulette
1979Betty CarterThe Audience with Betty CarterBet-Car
1992Betty CarterIt's Not About the MelodyVerve
2003James CarterGardenias for Lady DayColumbia
1989Michael CarvinRevelationMuse
1980Richie ColeSide by SideMuse
1998Larry CoryellMonk, Trane, Miles & MeHighNote
2000Larry CoryellInner UrgeHighNote
1985Art DavisLifeSoul Note
2001*Richard DavisThe Bassist: Homage to DiversityPalmetto
1987*Paquito D'RiveraManhattan BurnColumbia
1966Booker ErvinStructurally SoundPacific Jazz
1980Ricky FordFlying ColorsMuse
1982*Ricky FordInterpretationsMuse
1975Sonny FortuneAwakeningHorizon
1996Sonny FortuneFrom Now OnBlue Note
1999Sonny FortuneIn the Spirit of John ColtraneShanachie
1978Chico FreemanThe Outside WithinIndia Navigation
1978–79Chico FreemanSpirit SensitiveIndia Navigation
1978–79Chico FreemanStill SensitiveIndia Navigation
1989Chico Freeman and Arthur BlytheLuminousJazz House
1998Mac GollehonLive at the Blue NoteHalf Note
1994Thurman GreenDance of the Night CreaturesMapleshade
1971Earl Grubbs and Carl GrubbsThe Visitors - Earl Grubbs - Carl GrubbsCobblestone
1994Russell GunnYoung GunnMuse
1989Roy HargroveDiamond in the RoughNovus
1995Roy HargroveFamilyVerve
1997Roy HargroveHabanaVerve
1986*John HazillaChicplacityCadence Jazz
1994*Norman HedmanFlight of the SpiritMonad
1968Woody HermanLight My FireCadet
1969Woody HermanHeavy ExposureCadet
1986–89Vincent HerringAmerican ExperienceNimbus
1978Carter JeffersonThe Rise of AtlantisTimeless Muse
1993*Sofia LaitiInspiraMidnight Sun
1971Oliver LakeNtu: Point from Which Creation BeginsArista
1991Oliver LakeAgain and AgainGramavision
1984–88Peter LeitchExhilarationReservoir
1990*Peter LeitchMean What You SayConcord Jazz
1992*Peter LeitchFrom Another PerspectiveConcord Jazz
1993Peter LeitchA Special RapportReservoir
1995Peter LeitchColours and DimensionsReservoir
1999Peter LeitchCalifornia ConcertJazz House
2005Amy LondonWhen I Look in Your EyesMotéma Music
1999Joe Lovano52nd Street ThemesBlue Note
2002Joe LovanoOn This Day ... Live at The VanguardBlue Note
2005Joe LovanoStreams of ExpressionBlue Note
1999*Curtis LundyAgainst All OddsJustin Time
2001Curtis LundyPurposeJustin Time
1994Kevin MahoganySongs and MomentsEnja
1993Steve MarcusSmileRed Baron
1993Chris McNultyTime for LoveAmosaya
1989Charles MingusEpitaphColumbia
1997*Mingus Big BandLive in TimeDreyfus
1999*Mingus Big BandBlues and PoliticsDreyfus
2004Mingus Big BandI Am ThreeSunnyside
1991*Mingus DynastyNext Generation Performs Charles Mingus' Brand New CompositionsColumbia
1966Blue Mitchell and Sonny RedBaltimore 1966Uptown
1967Hank MobleyHi VoltageBlue Note
1968Lee MorganTaruBlue Note
1968Lee MorganLive In Baltimore: 1968Fresh Sound
1997Bob MoverTelevisionUnidisc
1980sTisziji MunozVisiting This PlanetAnami
1980sTisziji MunozHearing VoicesAnami
1983David MurrayMorning SongBlack Saint
1986David MurrayI Want to Talk About YouBlack Saint
1988David MurrayMing's SambaPortrait
1991David MurrayFast LifeDIW/Columbia
1991David MurrayBallads for Bass ClarinetDIW
1991David MurrayDavid Murray/James Newton QuintetDIW
1992David MurrayMXRed Baron
1993David MurrayJazzosaurus RexRed Baron
1993David MurraySaxmenRed Baron
1993David MurrayFor Aunt LouiseDIW
1993David MurrayLove and SorrowDIW
2000David MurrayLike a Kiss that Never EndsJustin Time
1998David "Fathead" NewmanChillin'HighNote
2000David "Fathead" NewmanKeep the Spirits SingingHighNote
2002David "Fathead" NewmanThe GiftHighNote
2003David "Fathead" NewmanSong for the New ManHighNote
2004David "Fathead" NewmanI Remember Brother RayHighNote
1997Jimmy PonderJames StreetHighNote
1998Jimmy PonderAin't Misbehavin'HighNote
1998Jimmy PonderA Guitar ChristmasHighNote
1993Valery PonomarevLive at Sweet BasilReservoir
1981Alvin QueenAshantiNilva
1985Alvin QueenJammin' UptownNilva
1995Michael RabinowitzGabrielle's BalloonJazz Focus
1990The Reunion Legacy BandThe LegacyEarly Bird
1979Pharoah SandersJourney to the OneTheresa
1981Pharoah SandersRejoiceTheresa
1981Pharoah SandersPharoah Sanders Live...Theresa
1987Pharoah SandersAfricaTimeless
1987Pharoah SandersA Prayer Before DawnTheresa
1984Bill SaxtonBeneath the SurfaceNilva
1995Archie SheppBlue BalladsVenus
1996Archie SheppTrue BalladsVenus
1998Archie SheppTrue BlueVenus
1996Archie SheppSomething to Live ForTimeless
1966Sonny SimmonsStaying on the WatchESP
1999James SpauldingEscapadeHighNote
1972Charles TolliverLive at the Loosdrecht Jazz FestivalStrata-East
2001*Barry WallensteinTony's BluesCadence Jazz
1997*Frederick Washington, Jr.Lilac: Volume 1Passin' Thru
1986Bobby WatsonLove RemainsRed
1988*Bobby WatsonNo Question About ItBlue Note
2006*Ed Wiley, Jr.About the SoulSwing
2005Steve WilliamsNew IncentiveElabeth
1995Dave YoungTwo by Two: Volume OneJustin Time
1996*Dave YoungSide by Side, Volume ThreeJustin Time
The contents of this page are sourced from Wikipedia article. The contents are available under the CC BY-SA 4.0 license.
Frequently Asked Questions
FAQ
Who is John Hicks?
John Hicks was an American jazz pianist.
When was John Hicks born?
John Hicks was born on December 21, 1941.
Where was John Hicks born?
John Hicks was born in Atlanta, Georgia, United States.
What is John Hicks' style of music?
John Hicks played in the hard bop, post-bop, and modal jazz styles.
What other instruments did John Hicks play?
Apart from the piano, John Hicks also played the clarinet and the organ.
During what period was John Hicks most active?
John Hicks was most active during the 1960s, 1970s, 1980s, and 1990s.
Did John Hicks record any albums?
Yes, John Hicks recorded over 40 albums as a bandleader and over 300 albums as a sideman.
What makes John Hicks notable in the jazz community?
John Hicks was known for his versatility, exceptional technical skill, and his ability to creatively interpret jazz standards.
Did John Hicks win any awards for his contributions to jazz?
Yes, John Hicks was awarded Best Pianist by the DownBeat Critics Poll in 2001.
When did John Hicks pass away?
John Hicks passed away on May 10, 2006.
Lists
John Hicks is in following lists
comments so far.
Comments
From our partners
Sponsored
Credits
References and sources
John Hicks
arrow-left arrow-right instagram whatsapp myspace quora soundcloud spotify tumblr vk website youtube pandora tunein iheart itunes