John Berger
Quick Facts
Biography
John Peter Berger (5 November 1926 – 2 January 2017) was an English art critic, novelist, painter and poet. His novel G. won the 1972 Booker Prize, and his essay on art criticism Ways of Seeing, written as an accompaniment to a BBC series, is often used as a university text. He lived in France for more than half a century.
Early life
Berger was born on 5 November 1926 in Stoke Newington, London, the first of two children of Miriam and Stanley Berger.
His grandfather was from Trieste, and his father had been an infantry officer on the Western Front during the First World War and was awarded the Military Cross and an OBE. Berger was educated at St Edward's School, Oxford. Berger served in the British Army from 1944 to 1946; he then enrolled in the Chelsea School of Art and the Central School of Art in London.
Career
Berger began his career as a painter and exhibited work at a number of London galleries in the late 1940s. His art has been exhibited at the Wildenstein, Redfern and Leicester Galleries in London.
Berger taught drawing at St Mary's teacher training college. He later became an art critic, publishing many essays and reviews in the New Statesman. His Marxist humanism and his strongly stated opinions on modern art combined to make him a controversial figure early in his career. He titled an early collection of essays Permanent Red, as part as a statement of political commitment.
Publishing
In 1958, Berger published his first novel, A Painter of Our Time, which tells the story of the disappearance of Janos Lavin, a fictional exiled Hungarian painter, and his diary's discovery by an art critic friend called John. The work was withdrawn by the publisher, under pressure from the Congress for Cultural Freedom, a month after its publication. His next novels were The Foot of Clive and Corker's Freedom; both presented an urban English life of alienation and melancholy. Berger moved to Quincy in the Haute-Savoie, France in 1962 due to his distaste for life in Britain.
In 1972, the BBC broadcast his television series Ways of Seeing and published its companion text, an introduction to the study of images. The work was in part derived from Walter Benjamin's essay "The Work of Art in the Age of Mechanical Reproduction".
Berger's novel G., a picaresque romance set in Europe in 1898, won both the James Tait Black Memorial Prize and the Booker Prize in 1972. Berger donated half of the Booker cash prize to the Black Panther Party in Britain, and retained half to support his work on the study of migrant workers that became A Seventh Man, insisting on both as necessary parts of his political struggle.
Berger's sociological writings include A Fortunate Man: The Story of a Country Doctor (1967) and A Seventh Man: Migrant Workers in Europe (1975). Berger and photographer Jean Mohr, his frequent collaborator, sought to document and to understand intimately the experiences of their peasant subjects. Their subsequent book Another Way of Telling discusses and illustrates their documentary technique and treats the theory of photography both through Berger's essays and Mohr's photographs. His studies of single artists include most prominently The Success and Failure of Picasso (1965), a survey of that modernist's career, and Art and Revolution: Ernst Neizvestny, Endurance, and the Role of the Artist in the USSR (1969).
In the 1970s, Berger collaborated with the Swiss director Alain Tanner on three films; he wrote or co-wrote La Salamandre (1971), The Middle of the World (1974) and Jonah who will be 25 in the year 2000 (1976). His major fictional work of the 1980s, the trilogy Into Their Labours (made up of the novels Pig Earth, Once in Europa, and Lilac and Flag), treats the European peasant experience from its farming roots into contemporary economic and political displacement and urban poverty. In 1974, Berger co-founded the Writers and Readers Publishing Cooperative Ltd in London with Arnold Wesker, Lisa Appignanesi, Richard Appignanesi, Chris Searle, Glenn Thompson and others. The cooperative was active until the early-1980s.
In later essays Berger wrote about photography, art, politics, and memory; he published in The Shape of a Pocket a correspondence with Subcomandante Marcos, and penned short stories which appeared in The Threepenny Review and The New Yorker. His sole volume of poetry was Pages of the Wound, though other volumes such as the theoretical essay And Our Faces, My Heart, Brief as Photos contain poetry as well as prose. His later novels include To the Wedding, a love story dealing with the AIDS crisis, and King: A Street Story, a novel on homeless and shantytown life told from the perspective of a street dog. Initially, Berger insisted that his name be kept off the cover and title page of King, wanting the novel to be received on its own merits.
Berger's 1980 volume About Looking, includes an influential chapter, "Why Look at Animals?" It is cited by numerous scholars in the interdisciplinary field of animal studies The chapter was later reproduced in a Penguin Great Ideas selection of essays of the same name.
Berger's novel From A to X was longlisted for the 2008 Booker Prize; Bento's Sketchbook (2011), has been described as "a characteristically sui generis work, combining an engagement with the thought of the 17th-century lens grinder, draughtsman and philosopher Baruch Spinoza with a study of drawing and a series of semi-autobiographical sketches". Among his last volumes is Confabulations (essays, 2016).
Other work
In 1999, he voiced both the twin brother characters Archie and Albert Crisp in the video game Grand Theft Auto: London 1969.
He was also a member of the Support Committee of the Russell Tribunal on Palestine.
Personal life
Berger married three times. He married the artist and illustrator Patt Marriott in 1949; the marriage was childless and the couple divorced. In the mid-1950s, he married the Russian Anya Bostock (née Anna Sisserman), with whom he had two children: Katya Berger and Jacob Berger. The couple divorced in the mid-1990s. Soon afterwards, he married Beverly Bancroft, with whom he had one child, Yves. Beverly died in 2013.
Berger died at his home in Antony on 2 January 2017 at the age of 90.
Awards
- 1972 Booker Prize
- 1972 James Tait Black Memorial Prize
- 1991 Petrarca-Preis
- 2009 Golden PEN Award
- "Booker prize-winning author John Berger dies aged 90". The Telegraph. 2 January 2017. Retrieved 3 January 2017.
- Bürkle, Christoph (2006). Johann Sebastian Bach: der geometrische Komponist, Issues 764–766. Niggli. p. 83.
- Catherine Neilan (8 December 2009). "Berger picks up Golden PEN award". The Bookseller. Retrieved 3 December 2012.
- "Golden Pen Award, official website". English PEN. Retrieved 3 December 2012.
Works
Fiction
- A Painter of Our Time (1958)
- The Foot of Clive (1962)
- Corker's Freedom (1964)
- G. (1972)
- Into Their Labours trilogy (1991): Pig Earth (1979), Once in Europa (1987), Lilac and Flag (1990)
- To the Wedding (1995)
- King: A Street Story (1999)
- From A to X (2008)
Plays
- A Question of Geography (with Nella Bielski) (1987)
- Les Trois Chaleurs (1985)
- Boris (1983)
- Goya's Last Portrait (with Nella Bielski) (1989)
Screenplays
- Jonah who will be 25 in the year 2000 (with Alain Tanner) (1976)
- La Salamandre (The Salamander) (with Alain Tanner) (1971)
- Le Milieu du monde (The Middle of the World) (with Alain Tanner) (1974)
- Play Me Something (with Timothy Neat) (1989)
- Une ville à Chandigarh (A City at Chandigarh) (1966)
Poetry
- Pages of the Wound (1994)
- Collected Poems (2014)
Other
- Marcel Frishman (with George Besson) (1958)
- Permanent Red (1960) (Published in the United States in altered form in 1962 as Toward Reality: Essays in Seeing)
- The Success and Failure of Picasso (1965)
- A Fortunate Man (with Jean Mohr) (1967)
- Art and Revolution: Ernst Neizvestny And the Role of the Artist in the U.S.S.R (1969)
- The Moment of Cubism and Other Essays (1969)
- The Look of Things: Selected Essays and Articles (1972)
- Ways of Seeing (with Mike Dibb, Sven Blomberg, Chris Fox and Richard Hollis) (1972)
- A Seventh Man (with Jean Mohr) (1975)
- About Looking (1980)
- Another Way of Telling (with Jean Mohr) (1982)
- And Our Faces, My Heart, Brief as Photos (1984)
- The White Bird (U.S. title: The Sense of Sight) (1985)
- Keeping a Rendezvous (1992)
- The Sense of Sight (1993)
- Albrecht Dürer: Watercolours and Drawings (1994)
- Titian: Nymph and Shepherd (with Katya Berger) (1996)
- Photocopies (1996)
- Isabelle: A Story in Shorts (with Nella Bielski) (1998)
- At the Edge of the World (with Jean Mohr) (1999)
- Selected Essays (Geoff Dyer, ed.) (2001)
- The Shape of a Pocket (2001)
- I Send You This Cadmium Red: A Correspondence between John Berger and John Christie (with John Christie) (2001)
- My Beautiful (with Marc Trivier) (2004)
- Berger on Drawing (2005)
- Here is Where We Meet (2005)
- Hold Everything Dear: Dispatches on Survival and Resistance (2007; 2nd ed. 2016)
- The Red Tenda of Bologna (2007)
- War with No End (with Naomi Klein, Hanif Kureishi, Arundhati Roy, Ahdaf Soueif, Joe Sacco and Haifa Zangana) (2007)
- Meanwhile (2008)
- Why Look at Animals? (2009)
- From I to J (with Isabel Coixet) (2009)
- Lying Down to Sleep (with Katya Berger) (2010)
- Railtracks (with Anne Michaels) (2011)
- Bento's Sketchbook (2011)
- Cataract (with Selçuk Demirel) (2012)
- Understanding a Photograph (Geoff Dyer, ed.) (2013)
- Daumier: The Heroism of Modern Life (2013)
- Flying Skirts: An Elegy (with Yves Berger) (2014)
- Portraits: John Berger on Artists (Tom Overton, ed.) (2015)
- Cuatro horizontes (Four Horizons) (with Sister Lucia Kuppens, Sister Telchilde Hinkley and John Christie) (2015)
- Lapwing & Fox (Conversations between John Berger and John Christie) (2016)
- Confabulations (Essays) (2016)
- Landscapes: John Berger on Art (Tom Overton, ed.) (2016)
- John by Jean: Fifty Years of Friendship (Jean Mohr, ed.) (2016)
- A Sparrow's Journey: John Berger Reads Andrey Platonov (CD: 44:34 & 81-page book with Robert Chandler and Gareth Evans), London: House Sparrow Press in association with the London Review Bookshop (2016)