Gustavo Gac-Artigas

Gustavo Gac-Artigas is a Chilean American writer, playwright, actor, theater director and editor. Born in Santiago, Chile, he has lived in New Jersey since 1995. He is a contributing member of the North American Academy of the Spanish Language (Academia Norteamericana de la Lengua Española-ANLE).

In 1968 Gac-Artigas traveled to Bulgaria to participate in the Democratic Youth World Festival and to Czechoslovakia invited by the government of the time to observe the changes introduced during the Prague Spring. Upon his return to Chile, he dropped out of college and embarked on a trip through Latin America performing in different countries with a documentary theater play called Poetry Mail which included poems by established writers, local writers and songs intertwined with current events from national and local newspapers. With Poetry Mail, Gac-Artigas traversed South America from his native Chile to Bogota, Colombia. In Colombia he worked with Enrique Buenaventura and Santiago Garcia and the Teatro La Candelaria in Bogotá.

In 1971 he returned to Chile where he founded and directed the experimental Theatre del Cobre (TEC) in the Cultural House of El Teniente copper mine during the government of Salvador Allende. TEC's last performance in Chile was at the Chuquicamata mine, in the northern part of the country with the play Freedom, Freedom, an adaptation by Gac-Artigas of Flavio Rengel’s play about a group opposed to the 1973 coup d'état. The presentation began on September 10, 1973 and ended with a forum attended by David Baytelman, manager of the mine, mineworkers, and some political leaders on September 11, day in which the group was supposed to continue their tour to present the play for the workers of the nitrate mine.

Gac-Artigas was arrested on September 11 in the afternoon, and three days later led to Rancagua, 2,000 kilometers south, where he was imprisoned in the public jail as political prisoner number 3245 on the list prepared by the Chilean National Institute of Human Rights. He was interrogated for three days, “with haste”—as the military used to call torture—by a lieutenant named Medina. Months later he was out of jail thanks to the intervention of the UN and was taken to Santiago where, with a deportation order, and a travel document issued by the Red Cross, he left the country for exile in Paris. There, along with Colombian actress Perla Valencia, he founded the group Théâtre de la Résistance-Chili (then Nuevo Teatro Los Comediantes) with which he toured the stages of Europe and participated in major international festivals such as: Nancy, Avignon, Ljubljana, Hammamet, Djendouba, Tabarka, Hammam Lift, Yverdon, Bern, Zurich and Stagedoor Festival among others.

In 1984 he tried to return to Chile, but on September 5 of that year his name appeared on a list of about 5,000 people forbidden from entering the country for representing “a danger to the internal security of the State”. This failed attempt forced him to wander, with his group, through Latin America, from Buenos Aires to Bogota crossing through Bolivia, Peru and Ecuador. He remained with his group in Colombia for one year performing in different parts of the country. After a hunger strike, he was sent back to Europe, to Rotterdam, and not Paris, because after one year out of France he had lost his political refugee status in that country. Between 1986 and 1989 he lived in the Netherlands, where he continued his theater work and with his group he participated in the Stagedoor Festival (1986) and the Latino Festival of Utrecht (1989). In 1989 he received the “Poetry Park Award” for his story “Dr. Zamenhofstraat.”

Since 1991, Gac-Artigas has lived in the United States. In 1992 he was invited by the theater department of Texas Christian University as artist in residence to direct his work Discoverings.

He currently resides in New Jersey where he continues his literary work.

Gac-Artigas was a pioneer of digital publishing founding in 2000 Ediciones Nuevo Espacio, a publishing house that published in traditional format and on compact disc over twenty fiction titles by authors from Spanish speaking countries as well as Hispanics in the US, and years later, Academic Press ENE, a publishing house specialized in the publishing of college textbooks.

Novels

• And We Were All Actors, A Century Of Light And Shadow] (2016) ***FORTHCOMING in English translated by Andrea G. Labinger

• It Was A Time To Dream (1992)
  • Second edition, digital and paperback: It Was Time To Dream Of The Pregnant Birdies (2016)
• And The Earth Was Round (1993)
  • Second edition, digital and paperback: And The Earth Was Round (2016)
• Ado’s Plot of Land (2002)
  • Second edition, digital and paperback (2016)
• An Ordinary Murder

Theatre

• The Land Of Tears Of Blood or We Call You Chile Freedom (1978)

Premiered in Paris and performed at the Avignon and Nancy International festivals, and throughout France.

• Columbus’ Egg or Coca-Cola Offers You A Journey Of Dreams In Latin America (1982)

Premiered at the Gérard Philipe Theatre, Champigny-sur-Marne, France, performed in the Hall of Honor of the UNESCO, Paris, and throughout France, at several international festivals such as Carrefour de l’Europe, Hammamet, Djendouba, Tabarka, Hammam Lift, Bern, Manizales, Rotterdam, Sategedoor Festival, San Juan Puerto Rico and Manizales. A one year tour in Colombia.

• Gonzalito or Yesterday I Learned That I Can Return (1989)

Premiered in Rotterdam, the Netherlands, at the Latino Festival of Utrecht.

• Five Flashes of Eternity (1992)
• Discoverings (1992)

Premiered at the Texas Christian University, 1992

Novella

• Dalibá, The Witch Of The Caribbean (1984)

Poetry

• Ex-Iliads (1989)

College textbooks

• To The Point: a complete reference manual for Spanish grammar (Prentice Hall, College Division, 1999)
• Sans détour: a complete reference manual for French grammar (Prentice Hall, College Division, 1999)
• Roadmap To The Culture And Civilization Of Latin America (Academic Press Jan, 2006, sixth ed. 2012
• E-GPS mobile application essay / essay: A comprehensive App designed to guide students through the writing of the Most Frequently Requested types of essays: argumentative, expository, compare and contrast and literary commentaries in two languages, English and Spanish, all in one App. It Works with the same principle of a GPS: to guide towards independence. Once students have internalized the structural patterns of the essays, they will be able to reproduce them automatically within any context. (For iOS and Android). ENE Academic Press, 2015.

Anthologies

• Anthology Of Songs Of Struggle And Hope. Editorial Quimantú, Chile (1973). Co-author: Perla Valencia

Opinion Articles

• The Presidential Debate in the US, hurry, tickets are selling out! El debate presidencial en los EE.UU., apurarse que se están acabando los boletos
• USA, Elections 2016: The End of Democracy?
• When Saying “Nous Sommes Paris” Is Not Enough
• The Irresistible Rise of Donald Trump

• Gac'Artigas, Gustavo (2015). Y todos éramos actores. Ediciones Nuevo Espacio. ISBN 9781930879645. 
• "Y todos éramos actores, un siglo de luz y sombra de Gustavo Gac-Artigas - Resonancias Literarias -- Revista latino americana, revue litteraire latino-americaine". www.resonancias.org. Retrieved 2016-04-08. 
• Gac-Artigas, Gustavo (1992). Tiempo de soñar. Mosquito Editores. ISBN 9562650421. 
• Gac-Artigas, Gustavo (2016). Era el tiempo de soñar con los pajaritos preñados. Ediciones Nuevo Espacio. ISBN 9781930879669. 
• Gac-Artigas, Gustavo (1993). E il orbo era rondo. Mosquito editores. ISBN 9562650448. 
• Gac-Artigas, Gustavo (2016). Y la tierra era redonda. Ediciones Nuevo Espacio. ISBN 9781930879683. 
• Gac-Artigas, Gustavo (2002). El solar de Ado. Ediciones Nuevo Espacio. ISBN 9781930879324. 
• Gac-Artigas, Gustavo (2016). El solar de ado. 9781930879706: Ediciones Nuevo espacio. 
• El país de las lágrimas de sangre, Gustavo Gac-Artigas, 1978
• El huevo de Colón o Coca-Cola les ofrece un viaje de ensueños por América Latina, Gustavo Gac-Artigas, 1982
• Gonzalito o ayer supe que puedo volver, Gustavo Gac-Artigas, 1989
• Cindo suspiros de eternidad, Gustavo Gac-Artigas, sin publicar
• Descubrimentando, Gustavo Gac-Artigas, 1992
• Dalibá, la brujita del Caribe, Gustavo Gac-Artigas, sin publicar
• Exiliadas, poemario, Gustavo Gac-Artigas, sin publicar
• Gac-Artigas, Priscilla, Gustavo (1999). Directo al grano. Prentice Hall. ISBN 9780130848017. 
• Gac-Artigas, Priscilla, Gustavo (1999). Sans détour. Prentice Hall. ISBN 9780130220554. 
• Gac-Artigas, Priscilla, Gustavo (2012). Hoja de ruta, cultura y civilización de Latinoamérica, sexta edición. Academic Press Ene. ISBN 1930879601. 
• Gustavo Gac-Artigas (2015-09-02), E-GPS Essay, an App for writing an effective essay in 17 steps. How it works., retrieved 2016-04-07 
• Gustavo Gac-Artigas (2015-09-05), E-GPS Essay, an App for writing an effective essay in 17 steps. How it works, retrieved 2016-04-07 
• Gac-Artigas, Valencia, Gustavo, Perla (1973). ANtología de canciones de lucha y esperanza. Editorial Quimantú, Chile. 
• "El debate presidencial en EE.UU., apurarse que se están acabando los boletos". Retrieved 2016-09-25. 
• "El debate presidencial en EE.UU., apurarse que se están acabando los boletos". 2016-09-24. Retrieved 2016-09-25. 
• "When saying "Nous sommes Paris" is not enough". CNN iReport. Retrieved 2016-05-09. 
• "When saying "Nous sommes Paris" is not enough". LinkedIn Pulse. 2015-11-15. Retrieved 2016-05-09. 
• "[Le Monde diplomatique - edición chilena]". www.lemondediplomatique.cl. Retrieved 2016-05-09. 
• "París: cuando el otro somos nosotros | El Tiempo Latino | Noticias de Washington DC". eltiempolatino.com. Retrieved 2016-05-09. 
• "The Irresistible Rise of Donald Trump". LinkedIn Pulse. 2015-09-18. Retrieved 2016-05-09. 

Severo Sarduy, about his first novel, It Was A Time To Dream: “Imaginative writing of extreme theatricality and fiction (based on historical facts sometimes recognizable) that make text one halogen, Edith Grossman, about his second novel, "E il orbo era rondo": “I was really impressed by the superposition of different time periods, the interpenetration of the historical, the mythological and the surreal. A difficult but valuable book, closer to an epic poem than to a novel.”

Gac-Artigas' works have been performed in 18 international theater festivals:

• World Festival of Nancy (France, 1975)
• Avignon Festival (France, 1975, 1980)
• Festival Ljubljana (Yugoslavia, 1980)
• Festival of Bern (Switzerland, 1980)
• Festival Zurich (Switzerland, 1980)
• Festival of Yverdon (Switzerland, 1981, 1983)
• Festival of Hammamet (Tunisia, 1982)
• Djendouba Festival (Tunisia, 1982)
• Festival of Tabarka (Tunisia, 1982)
• Hammam-Lif Festival (Tunisia, 1982)
• Carrefour de l’Europe (France, 1983, 1984)
• VII International Festival of Manizales (Colombia, 1985)
• Stagedoor Festival (Netherlands, 1986)
• Latino Festival in Utrecht (Netherlands, 1989)
• XXVII International Festival of the Instituto de Cultura Puertorriqueña (San Juan, Puerto Rico, 1991)

• Letter to the Author, July 20, 1988. Editions du Seuil, Paris, France
• Letter to the Author, May 20, 1992 Edith Grossman, NY, NY