Giovanni Aloi
Quick Facts
Biography
Giovanni Aloi (born 1976) is an author and curator who teaches modern and contemporary art at School of the Art Institute of Chicago and Sotheby's Institute of Art. He is the Founder and Editor in Chief of Antennae: The Journal of Nature in Visual Culture and, with curator and author Caroline Picard, Aloi is the co-editor of the University of Minnesota Press book series Art after Nature.
Education
Aloi studied history of art and art practice in Milan at the Liceo Artistico S. Marta and moved to London in 1997 where he gained a BTEC in Photographic Studies and Printing Technique at the London College of Communication. He then furthered his education at Goldsmiths University with a Post Graduate Diploma in Art History (2003), an MA in Visual Culture (2004), and Ph.D. on the subject of Natural History and Contemporary Art (2014).
Career
Aloi has worked in different capacities for some of the most important museums and galleries in the UK and the US. Between 1999 and 2004, Aloi worked in the Education Department at Whitechapel Art Gallery. While in 2007 he began to work at Tate Galleries in London as associate faculty.
Meanwhile, Aloi taught Modern and Contemporary Art at Queen Mary University of London (2006-2014), Roehampton University (2009-2013), and Sotheby's Institute of Art (2012 to today).
Radio and TV
In 2013, Aloi contributed to a documentary film titled Royal Pets: One's Best Friend, part of a series The Royals. In July 2014, Aloi contributed to the BBC Radio 3 program titled Animals and Anthropomorphism along with animal-studies expert Susan McHugh and novelist Karen Joy Fowler. In June 2015, Aloi also contribute to a BBC Radio 4 program titled Butterflies. And in 2016, he contributed to the episode of the same series dedicated to the lobster in art and culture.
Aloi has regularly presented papers in institutions like the Natural History Museum in London, Tate Modern, The Royal Institute of Great Britain, Cambridge University, The Art Institute of Chicago, The Chicago Museum of Contemporary Artand the Courtauld Institute of Art.
Conferences
Aloi has also organized and chaired symposia on the subject of nature and posthumanism in modern and contemporary art. Animal Ecologies in Visual Culture was held in 2011 at UCL in London. The symposium proposed an exploration of artistic practices involved with animals and environments. Through a multidisciplinary approach, the symposium aimed at facilitating a dialogue between artists, scientists, and academics interested in informing wider audiences through visual communication. In 2012, With Professor Anthony Podbersceck, Aloi co-organized ISAZ2012, held between 11 and 13 July 2012, Murray Edwards College, Cambridge, UK.
In 2016, with artist Andrew Yang and art historian David Getsy, Aloi co-organized and chaired the symposium Human-non-Human Networks held at The School of the Art Institute of Chicago on the 12th of March. The symposium critically addressed the zoocentrism characterizing the recent years of animal studies to identify new and productive methodological approaches and ethicalities for the biotechnological and biocapital dimensions of the Anthropocene.
In 2017, Aloi organized and co-chaired Truth.Climate.Now. Representation, policies, and lived experiences of the Anthropocene were central to this symposium that through the collaboration of artist and scientists working at the School of the Art Institute of Chicago mapped new aesthetic territories for current political times.
Also, in 2017, Aloi organized and chaired the symposium titled Botanical Speculations at The School of the Art Institute of Chicago. Botanical Speculations brought together the artistic and scientific community of the School of the Art Institute of Chicago to discuss the growing importance of plants in contemporary art and philosophy. The symposium featured the participation of many artists, faculties, and students from the School of the Art Institute of Chicago and a keynote presentation by Ikerbasque Research Professor of Philosophy at the University of the Basque Country, Vitoria-Gasteiz, Michael Marder. The proceedings of this symposium were gathered in the edited collection Botanical Speculations published in 2018.
In 2019, Aloi was invited to the Getty Centerin LA to moderate a discussion about the presence of animals in contemporary art with artists Kate Clark, Claire Owen, and poet Donika Kelly.
Research and curatorial work
Aloi's research focuses on the representation of the natural world in modern and contemporary art with an emphasis on the materiality of art objects. His early career mostly focussed on the field of animal-studies. In 2014, after relocating to Chicago, his research focus shifted to Anthropocene-studies and more recently to plant-studies. Another substantial area of interest in Aloi's research is the history of the art market and how economic factors impact art making and art writing.
In 2014, Aloi was invited by Jody Berland, Professor in the Department of Humanities at York University to join an international team of researchers working on the subject of animals and digital interfaces. The project, sponsored by the Social sciences and Humanities Research Council of Canada focuses on "the current proliferation and re-configuration of the animal that occurs in the context of a global visual culture that relies on images of animals to signify, promote, destabilize and secure its political, cultural, and natural landscapes". As part of this project, Aloi co-curated a two-venue exhibition with curator Matthew Brower, of the University of Toronto. The Digital Animalities exhibition took place in Toronto across the exhibiting spaces of Aird Gallery and Contact Gallery. Digital Animalities featured the work of many artists whose practice focusses on the productivities and challenges presented by digital interfaces. Artists included in the exhibition: Julie Andreyev, Simon Lysander Overstall, Jonathon Keats, Gwen MacGregor, Neozoon, Ken Rinaldo, Lou Sheppard, Donna Szoke, Sara Angelucci, Ingrid Bachmann, Maria Fernanda Cardoso, Wally Dion, and Aki Inomata.
Interviews
Aloi has been interviewed in numerous publications both online and in print. In 2013, Aloi was interviewed by the vegetarian and vegan culture website The Discerning Brute. The 2016 Spring issue of international art magazine Esse opened with an interview to Giovanni Aloi titled 'Beyond Zoocentrism: An Interview with Giovanni Aloi'. There the author discusses the main issue and opportunities involved in the representation of animals in contemporary art and openly discusses the limitations of the animal studies academic field. In the same year, Aloi was interviewed by the online art and culture website Bad at Sports by Curator Caroline Picard. In this interview, Aloi discusses his research turn towards plants in contemporary art. And he was interviewed about his 2018 book Speculative Taxidermy by Cecilia Novero for the Philosophy website Aesthetics for Birds.
Publishing
Books
- Art & Animals (2011: IB Tauris)
- Antennae 10: A Decade of Art and the Non-Human (2017: Forlaget 284 and Antennaeproject)
- Speculative Taxidermy: Natural History, Animal Surfaces, and Art in the Anthropocene (2017: Columbia University Press)
- Animal: Exploring the Zoological World (2018: Phaidon)
- Botanical Speculations: Plants in Contemporary Art (2018: Cambridge Scholars)
- Why Look at Plants? (2018: Brill)
- Lucian Freud Herbarium (2019: Prestel)
Journals and editorial
Since 2007, Aloi has been the founder and editor in chief of Antennae: The Journal of Nature in Visual Culture.
Antennae: is a peer-reviewed academic journal on the subject of "nature" in contemporary art. The Journal publishes academic texts with interviews, fiction, artist statements, and portfolios.
Between 2008 and 2013, Aloi was London Editor of Whitehot Magazine founded by artist and writer Noah Becker. Aloi has written numerous reviews of shows held in the UK, Italy, and the US between 2008 and 2017.
Since 2016, with curator and writer Caroline Picard, Aloi is co-editor of the University of Minnesota Press series Art after Nature.
Aloi has also published for many academic and non-academic journals and magazines. Most notably, Lo Sguardo: Rivista di Filosofia, Art and Research, Journal of Visual Art Practice, Apollo , Esse , and many more.