Fiona MacCarthy

Fiona MacCarthy OBE (23 January 1940 – 29 February 2020) was a British biographer and cultural historian best known for her studies of 19th- and 20th-century art and design.

Fiona MacCarthy was born in Sutton, Surrey into an upper-class background, from which she spent much of her life escaping. Her father, an army officer in the Royal Artillery, was killed in North Africa during the Second World War in 1943. She was brought up in London. Her grandmother, the Baroness de Belabre, was a daughter of Sir Robert McAlpine, 1st Baronet, who built and owned the Dorchester Hotel, and much of her childhood was spent in the hotel. Supposedly safe from bombing raids, her family took refuge there during The Blitz.

She was educated at Wycombe Abbey School. In 1958, she was a debutante (presented to the Queen at Queen Charlotte's Ball), the final year of this 200-year-old ritual, an experience she recounts in her memoir, Last Curtsey: the End of the Debutantes (2007). She was one of only four of that year's debutantes to go on to university, in her case studying for a degree in English Literature at Lady Margaret Hall, Oxford.

MacCarthy began her career on The Guardian in 1963 initially as an assistant to the women's editor Mary Stott. She appointed as the newspaper's design correspondent. working as a features writer and columnist, sometimes using a pseudonymous byline to avoid two articles appearing in the same issue. She left The Guardian in 1969, briefly becoming women's editor of the London Evening Standard before settling in Sheffield.

She later became a biographer and critic. She came to wider attention as a biographer with a once-controversial study of the Roman Catholic craftsman and sculptor Eric Gill, first published in 1989. MacCarthy is known for her arts essays and reviews, which appeared in The Guardian, The Times Literary Supplement and The New York Review of Books. She contributed to TV and radio arts programmes.

Fiona MacCarthy was a Fellow of the Royal Society of Literature (1997), an Honorary Fellow of Lady Margaret Hall, Oxford, and a Senior Fellow of the Royal College of Art.

She was appointed an Officer of the Order of the British Empire (OBE) for services to literature in the 2009 Birthday Honours. She holds honorary doctorates from the University of Sheffield and Sheffield Hallam University and was awarded the Bicentenary Medal of the Royal Society of Arts.

Her biography William Morris: A Life for our Time (1994) was winner of the Wolfson History Prize and the Writers' Guild Non-fiction Award. The Last Pre-Raphaelite: Edward Burne-Jones and the Victorian Imagination won the 2012 James Tait Black prize for Biography.Her life of Walter Gropius, founder of the Bauhaus, was published in March 2019.

Her first marriage to Ian White-Thompson ended in divorce. In 1966 she married the Sheffield-based silversmith and cutlery designer David Mellor. She first met him when she went to interview him for The Guardian in 1964. They had two children, Corin and Clare, both of whom have now become designers. After suffering from dementia for some years, Mellor died in May 2009.

Fiona MacCarthy died on 29 February 2020, aged 80.

• 1972 All Things Bright and Beautiful: British Design 1830 to Today
• 1981 The Simple Life: C. R. Ashbee in the Cotswolds
• 1984 The Omega Workshops: Decorative Arts of Bloomsbury
• 1989 Eric Gill (ISBN 0-571-13754-7)
• 1994 William Morris: A Life for our Time (ISBN 0-394-58531-3)
• 1997 Stanley Spencer: An English Vision (ISBN 978-0300073379)
• 2002 Byron: Life and Legend (ISBN 0-7195-5621-X)
• 2007 Last Curtsey: The End of the Debutantes (ISBN 0-571-22859-3)
• 2011 The Last Pre-Raphaelite: Edward Burne-Jones and the Victorian Imagination (ISBN 978-0-571-22861-4)
• 2019 Walter Gropius: Visionary Founder of the Bauhaus (ISBN 978-0-571-29513-5)

She curated the following exhibitions:

• Homespun to Highspeed: British Design 1860 to 1960 for Sheffield Museums and Art Galleries, 1979
• The Omega Workshops: Decorative Arts of Bloomsbury for the Crafts Council, 1984
• Eye for Industry: retrospective of the Royal Designers for the Victoria and Albert Museum, 1986
• Byron for the National Portrait Gallery, 2002
• Anarchy and Beauty, William Morris and his Legacy for the National Portrait Gallery, 2014