Eddie Romero
Quick Facts
Biography
Edgar Sinco Romero (July 7, 1924 – May 28, 2013) was a Filipino film director, film producer and screenwriter.
Early life
Romero was born on July 7, 1924. His father was José E. Romero, the first Philippine Ambassador to the Court of St. James's. His mother was Pilar Guzman Sinco, a schoolteacher and the sister of University of the Philippines President Vicente G. Sinco who signed the United Nations Charter in 1945 on behalf of the Philippines. His brother was Jose V. Romero Jr., former Philippine Ambassador to Italy. He studied at Silliman University.
Career
Romero was named National Artist of the Philippines in 2003, and his body of work delved into the history and politics of his country. His 1976 film Ganito Kami Noon…Paano Kayo Ngayon?, set at the turn of the 20th century during the revolution against the Spaniards and, later, the American colonizers, follows a naive peasant through his leap of faith to become a member of an imagined community. Aguila situated a family's story against the backdrop of Filipino history, while Kamakalawa explored the folklore of prehistoric Philippines. Banta ng Kahapon, his "small" political film, was set against the turmoil of the late 1960s, tracing the connection of the underworld to the corrupt halls of politics. His 13-part series Noli Me Tangere brought Philippine national hero José Rizal's novel to a new generation of viewers.
Romero co-produced one of the earliest Filipino horror films, the 1959 Terror Is a Man, which was directed by his friend and fellow director Gerardo de Leon, with whom he would later co-direct other films.Romero directed some critically acclaimed war films in the early 1960s, such as Lost Battalion (1960), The Raiders of Leyte Gulf (1963) and The Walls of Hell (1964). Along with Filipino-language (Tagalog language) films, he made English-language films that became cult classics, like Black Mama, White Mama, Beast of the Yellow Night, The Woman Hunt, Beyond Atlantis and The Twilight People and worked with American actors like John Ashley and Pam Grier.
Romero's films, the National Artist citation stated, "are delivered in an utterly simple style – minimalist, but never empty, always calculated, precise and functional, but never predictable." Quentin Tarantino drew on Twilight People as an inspiration for his "grindhouse" homages.
Romero is especially known to horror film fans for his three "Blood Island" films from the late 1960s - Brides of Blood (1968), Mad Doctor of Blood Island (1969) and Beast of Blood (1970), which he directed, co-produced by "Hemisphere Pictures" (which was composed of Romero, Kane W. Lynn and Irwin Pizor). Romero later called his American-financed "cult" films – including the "Blood Island" series – "the worst things I ever did". When the kung fu craze started in the 1970s, Romero turned his back on the international market for Filipino films which he had virtually created. After 1976, he made smaller, more personal "art" films in Tagalog.
Personal life
Romero was married to Carolina Gonzalez (1922-2019), a great-granddaughter of Don Francisco Gonzalez y Reinado, owner of the legendary 39,000-hectare Hacienda Esperanza that included the municipalities of Santa Maria, Santo Tomas, Rosales and San Quintin, extending through the rest of Pangasinan and the provinces of Tarlac and Nueva Ecija. Romero was also for a time the partner of actress Mila del Sol. He had three children: film director and MTRCB board member Joey Romero, Ancel Romero and Leo Romero.
Death
He died on May 28, 2013. He had been suffering from prostate cancer when he developed a blood clot in his brain
Awards and nominations
In 2003, Romero was awarded the National Artist Award by the Philippine government for his contribution to Philippine cinema and broadcast arts. Earlier in 1991, he was awarded the Gawad CCP para sa Sining. In 2004, he was also awarded the Cinemanila Lifetime Achievement Award.
Year | Group | Category | Work | Result |
---|---|---|---|---|
1951 | Maria Clara Awards | Best Director | Ang Prinsesa at ang Pulubi | Won |
1952 | Maria Clara Awards | Best Screenplay | Diego Silang | Won |
1952 | FAMAS Award | Best Screenplay | Buhay Alamang | Won |
1957 | Dr. Ciriaco Santiago Memorial Award | Outstanding Contribution to Film | Day of the Trumpet | Won |
1966 | FAMAS Award | Best Director | The Passionate Strangers | Won |
Best Screenplay | Won | |||
1968 | Manila Film Festival | Best Director | Manila, Open City | Won |
1976 | Metro Manila Film Festival | Best Director | Ganito Kami Noon, Paano Kayo Ngayon | Won |
Best Screenplay | Won | |||
1980 | FAMAS Award | Best Screenplay | Durugin si Totoy Bato | Won |
1981 | FAMAS Award | Best Picture | Aguila | Won |
Best Director | Won | |||
Best Screenplay | Won | |||
Gawad Urian Award | ||||
Best Picture (Pinakamahusay na Pelikula) | Nominated | |||
Best Direction (Pinakamahusay na Direksyon) | Nominated | |||
Best Cinematography (Pinakamahusay na Sinematograpiya) (with Rody Lacap) | Nominated | |||
Best Screenplay (Pinakamahusay na Dulang Pampelikula) | Nominated | |||
1985 | FAMAS Award | Best Screenplay | Ang Padrino | Won |
1996 | FAMAS Award | Best Screenplay | Kahit Butas ng Karayom Papasukin Ko | Won |