Cécile Dreesmann

Cécile Dreesmann (13 April 1920 in Amsterdam – 23 April 1994 in Soest) was a Dutch textile artist known for her innovative embroidery. She was particularly fond of working with silk, adding precious or semi-precious stones to the work of thread, creating volumes, like thread sculpture. She always defended embroidery as a form of personal art, in which everyone has to find their own way. She also published a number of books on textile art. She was a member of the wealthy Dutch Dreesmann family, connected to the Vroom & Dreesmann concern.

Cecilia Antonia Maria Wilhelmina (Cécile) Dreesmann was the fifth of seven children to Willem Dreesmann, the heir to Department Stores Vroom & Dreesmann and Anna Maria Alphonsa Peek. She grew up in a large, better-off Catholic family.

Cécile Dreesmann was an accomplished sportswoman, riding champion, she participated in the Tokyo Olympic Games in 1964 for the Netherlands but a serious ski accident ended her sports career.

She studied at the Royal School of Needlework in London andShe preferred to use silk and often included precious stones or minerals in her work.

Cécile Dreesmann, died on Saturday, April 23, 1994, at the age of 74 in her home above the Anna Paulowna house in Soest, which houses the Cécile Dreesmann museum.

Ten years later, she worked her life on embroidery to develop her own specific style, taught it, lectured, wrote books and published articles in journals like the very exclusive English magazine Embroidery. She created projects for fashion houses and appeared on radio and television broadcasts in the Netherlands and England, notably in the television program De Stoel.

Subsequently, she returned to the Netherlands and lived on a farm in Laren, surrounded by animals, fields and tranquility. But she moved a lot, traveling the world for her research on the history of traditional embroidery and its current practice, lived and worked in various places in the Netherlands and abroad, mainly in Amsterdam where she had a studio in Anna van den Vondel street and in Laren but also had an apartment in New York. At the end of her life, she used to live in Soest.

Her name is closely linked to embroidery. After researching the history of this art and its practices in different countries, she developed her own style. She worked a lot with silk, her favorite material, adding precious stones, semi-precious stones and other materials such as feathers. She developed volumes to make sculptures. She always defended embroidery as a form of personal art, in which everyone must find their own way.

In her studio on Anna van den Vondel street in Amsterdam, she realized her projects and, with her collaborators, taught the art of embroidery, wrote and managed her publications on the subject. She is the author of eight books on the history and techniques of embroidery, one of which was published in the United States.

Her works were exhibited in The Netherlands, but also in the United States.

• 1961 : Borduren met Cécile Dreesmann, exhibition in the studio of the silversmith Nico Huisman.
• 1964 : Te Vuur en te naald,Bookshop Paul Brinkman.

• 1967 : New York
• 1973 : Exhibition of needlework sculpture of Cécile Dreesmann, Laren.
• 1979 : Stenen Festijn, Museum Singer, Laren.
• 1990 : Needlework sculpture of Cécile Dreesmann, Castle De Hooge Vuursche, Baarn