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The basics

Quick Facts

Intro
American musician
Work field
Gender
Male
Place of birth
Cleveland, USA
Place of death
Cleveland, USA
Age
84 years
Education
Ohio State University
Genre(s):
Instruments:
The details (from wikipedia)

Biography

William Louis DeArango (20 September 1921 – 26 December 2005) was an American jazz guitarist.

Career

DeArango was self-taught on guitar. While he attended Ohio State University, he played with Dixieland bands at night. After serving in the Army from 1942–44, he moved to New York City and worked first with Don Byas and Ben Webster. A year later, he played on an album with Sarah Vaughan, Charlie Parker, and Dizzy Gillespie. He worked as a sideman with Eddie "Lockjaw" Davis, Ike Quebec, Slam Stewart, then led his own band with Terry Gibbs.

In 1947, DeArango returned to Cleveland.In the 1960s he opened up a guitar store and taught guitar lessons.DeArango also performed locally for two decades. He recorded an album with pianist John Williams in 1954. Late in the 1960s, he managed the rock band Henry Tree and performed regularly in the 1970s at the Smiling Dog Saloon in Cleveland with Ernie Krivda and Skip Hadden, mixing hard rock and free jazz.

His next recording was on the album Another Time/Another Place (Muse, 1978) by Barry Altschul, then 298 Bridge Street (1981) by Kenny Werner, and Names (1983) by Jamey Haddad. In 1993, he released his second solo album, Anything Went, with Joe Lovano. He entered a nursing home in 1999 and suffered dementia until his death seven years later, although he continued performing locally until late 2001. Recorded a trio CD with guitarist Michael Bocian and drummer Tom Rainey entitled "I Am The Blues" Recorded by Bart Koster in Cleveland Ohio.

Discography

As leader

  • Bill DeArango (EmArcy, 1954)
  • Anything Went (GM, 1996)

As sideman

With Milt Jackson

  • 2001 Soul Bopper
  • 2005 La Ronde Suite

With Dizzy Gillespie

  • 1995 The Complete RCA Victor Recordings
  • 1996 Dizzier and Dizzier
  • 1997 1940–1946
  • 1998 Planet Jazz
  • 2000 Groovin' High
  • 2000 The Rhythm Man
  • 2001 Manteca
  • 2002 Bebop Professor

With Charlie Parker

  • 1972 Six Faces of Jazz
  • 1991 Bird & Sarah
  • 2003 A Studio Chronicle 1940–1948

With Ike Quebec

  • 1999 Swing Hi–Swing Lo
  • 2000 The Strong Tenor of Mister Quebec: 1943–1946

With Sarah Vaughan

  • 1999 The Man I Love
  • 2002 Interlude: 1944–1947
  • 2002 Sometimes I Feel Like a Motherless Child
  • 2002 The Quintessence New York: 1944–1948
  • 2003 Nature Boy
  • 2003 What More Can a Woman Do?
  • 2004 1944–1950

With Charlie Ventura

  • 1955 Jumping with Ventura
  • 2000 1946–1947
  • 2002 Bop for the People

With Ben Webster

  • 2002 1946–1951
  • 2002 Big Ben
  • 2002 Stardust
  • 2005 The Two Sides of the Great Tenor: 1932–1951
  • 2005 Warm and Mighty

With others

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Frequently Asked Questions
FAQ
Who is Bill DeArango?
Bill DeArango was an American jazz guitarist and arranger known for his contributions to the bebop movement in the 1940s. He was born on October 20, 1921, in Cleveland, Ohio, and passed away on January 17, 2005.
What was Bill DeArango's musical style?
Bill DeArango was known for his innovative and unique playing style, which combined elements of bebop, swing, and modern jazz. He often incorporated complex harmonic structures and fast tempos into his guitar solos, showcasing his technical prowess and improvisational skills.
Did Bill DeArango record any albums?
Yes, Bill DeArango recorded several albums throughout his career. Some of his notable recordings include "Epitaph" with Charles Mingus, "Mr. D's Penthouse Club" with Al Cohn, and "Playing for Keeps" with Paul Bley.
Who were some of Bill DeArango's collaborators?
Bill DeArango collaborated with renowned jazz musicians such as Dizzy Gillespie, Charlie Parker, and Benny Goodman. He also played in various big bands and small groups, working alongside artists like Stan Kenton and Boyd Raeburn.
What is Bill DeArango's legacy?
Bill DeArango made significant contributions to jazz guitar and the bebop movement. His unique playing style and technical innovations continue to inspire and influence guitarists to this day. He is often regarded as one of the pioneers of modern jazz guitar.
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Bill DeArango
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