Alan Baker

Alan Baker is British poet. He has been the editor of the poetry publisher Leafe Press since 2000, and the online magazine Litter since 2005.

Baker was born in Newcastle upon Tyne in 1958, and in 1985 he moved to Nottingham, where he still lives. In the late 1990s he encountered the email discussion group British-poets, which introduced him to the poets associated with the British Poetry Revival. He founded Leafe Press in 2000, and is now co-editor (with American poet John Bloomberg-Rissman) and is editor of its associated webzine 'Litter'. Leafe Press has published work by Kelvin Corcoran, Carrie Etter, Geraldine Monk, and Lee Harwood among others, and more recently, work by American, French and Mexican poets, and by the Moroccan Abdellatif Laâbi.

Baker published a series of poetry pamphlets between 1999 and 2009; in 2008, Bamboo Books published his translation of Yves Bonnefoy's 'Début et Fin de la Neige', and in 2011 Skysill Press published 'Variations on Painting a Room: Poems 2000-2010' which brought together all of Baker's small press work to date, along with a considerable amount of new work.Baker's poetry is regarded as being non-mainstream, or experimental, and is also seen as both lyrical and political.Baker has an interest inprose-poetry, and his prose sequence 'The Book of Random Access'mixes the apparently personal with borrowed texts, and with references to Eastern philosophies in what has been described as a 'post-modern pilgrimage'. Baker's poetry and prose poetry "draws on array of modernist and post-modernist techniques". In some of his poetry 'repetition, or near-repetition, are frequently employed in a way that re-enacts the routines of everyday life... half-glimpsed or half-grasped.'.

In 2018, Red Ceilings Press published Baker's sequence of prose-poems, "Letters from the Underworld" which "...alludes to Dante's Inferno, but the hell from which the narrator writes is a region of airports, ferries, taxis and hotels". In 2019 Knives, Forks and Spoons Press published "Riverrun" a sequence of post-modern sonnets about the river Trent. These poems provide "a set of reflections on the impossibility of containing the river within a narrative schema ... the river remains a tangible presence throughout the work".