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Adam Curtis
British film maker

Adam Curtis

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Adam Curtis
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Biography

Kevin Adam Curtis (born 26 May 1955) is a British documentary filmmaker. His favourite theme is "power and how it works in society", and his works explore areas of sociology, psychology, philosophy and political history. Curtis has called himself "fundamentally a historian", and has described his work as journalism that happens to be expounded via film. His films have won four BAFTAs. He has worked for the BBC throughout his career.

Early life

Curtis was born in Dartford, Kent, and grew up in Platt. His father was Martin Curtis (10 August 1917 – January 2002), a cinematographer from Sevenoaks who worked with Humphrey Jennings.His family had a left wing background. Curtis attended the Sevenoaks School on a county scholarship. He completed a Bachelor of Arts degree in human sciences at Mansfield College, Oxford. He started a PhD, during which he taught in politics, but he became disillusioned with academia and decided to leave.

Career

Early career

Curtis applied to the BBC and was hired to make a film for one of its training courses, comparing designer clothes in music videos to the design of weapons. He was subsequently given a post on That's Life!, a magazine series that juxtaposed hard-hitting investigations and light-hearted content. He was a film director on Out of Court, a BBC Two legal series, from 1980 until 1982.

Politics

Curtis is inspired by the pioneering sociologist Max Weber, who (in Curtis's words) challenged the "crude, left-wing, vulgar Marxism that says that everything happens because of economic forces within society". Of his general political outlook, Curtis has also remarked:

People often accuse me of being a lefty. That's complete rubbish. If you look at The Century of the Self, what I'm arguing is something very close to a neoconservative position because I'm saying that, with the rise of individualism, you tend to get the corrosion of the other idea of social bonds and communal networks, because everyone is on their own. Well, that's what the neoconservatives argue, domestically. [...] If you ask me what my politics are, I'm very much a creature of my time. I don't really have any. I change my mind over different issues, but I am much more fond of a libertarian view. I have a more libertarian tendency [...] What's astonishing in our time is how the Left here has completely failed to come up with any alternatives, and I think you may well see a lefty libertarianism emerging because people will be much more sympathetic to it, or just a libertarianism, and out of that will come ideas. And I don't mean "localism".

He believes the Western world is haunted by the past, with no vision for the future, and that it has become pessimistic and backward-looking.

Documentaries

Adam Curtis
Example of Curtis's "trademark" title screens (Modern Times: The Way of All Flesh, 1997)

Curtis cites the USA Trilogy, a series of three novels by John Dos Passos that he first read when he was thirteen, as the greatest influence on his work:

You can trace back everything I do to that novel because it's all about grand history, individual experience, their relationship. And also collages, quotes from newsreels, cinema, newspapers. And it's about collage of history as well. That's where I get it all from.

Other creative influences are Robert Rauschenberg and Émile Zola. Curtis makes extensive use of archive footage in his documentaries. He has acknowledged the influence of recordings made by Erik Durschmied and is "constantly using his stuff in my films".

Instead of specially composed music because it "creates a sort of monoculture", he uses tracks from a variety of genres, decades, and countries, as well as sound effects that he discovers on old tapes.

According to a profile of Curtis by Tim Adams, published in The Observer: "If there has been a theme in Curtis's work … it has been to look at how different elites have tried to impose an ideology on their times, and the tragicomic consequences of those attempts".

In 2005, Curtis received the Golden Gate Persistence of Vision Award at the San Francisco International Film Festival. In 2006, he was given the Alan Clarke Award for Outstanding Creative Contribution to Television at the British Academy Television Awards. In 2009, the Sheffield International Documentary Festival gave Curtis the Inspiration Award for inspiring viewers and other documentary filmmakers.In 2015, he was awarded the True Vision Award by the True/False Film Fest.

Blog

Curtis administers a blog subtitled 'The Medium and the Message' hosted by the BBC.

Filmography

YearTitleSubjectPartsChannel/VenueAwards
1983Just Another Day: SelfridgesBehind the scenes at Selfridges, a department store on Oxford Street, London.BBC Two, 29 March 1983
1983Just Another Day: The SeasideA typical day in Walton-on-the-Naze.BBC Two, 19 April 1983
1983Trumpets and Typewriters: A History of War ReportingThe history of war correspondents.BBC One, 19 July 1983
1984Inquiry: The Great British Housing Disaster.The system-built housing of the 1960s. Narrated by David Jones.BBC Two, 4 September 1984
1984Italians: The Mayor of MontemiloneThe politics of a small Italian town and its communist mayor, Dino Labriola.BBC One, 26 October 1984
1984The Cost of TreacheryThe Albanian Subversion, in which the CIA and MI6 attempted to overthrow the Albanian government and to weaken the Soviet Union at the height of the Cold War in 1949, and the role of double agent Kim Philby.BBC One, 30 October 1984
198740 Minutes: Bombay HotelThe luxurious Taj Mahal Palace Hotel in Mumbai, contrasted with the poverty of the city's slums.BBC Two, 30 April 1987
1988An Ocean ApartExplores the relationship between the United Kingdom and the United States from World War I to the 1980s.7BBC One, 20 April 1988
198940 Minutes: The Kingdom of FunDocumentary about the Metro Centre in Gateshead, developed by entrepreneur John Hall. It compares Hall's plans to regenerate North East England with those of Labour politician T. Dan Smith.BBC Two, 19 January 1989
1989Inside Story: The Road to TerrorHow the Iranian Revolution turned from idealism to terror, drawing parallels with the French Revolution two hundred years earlier.BBC One, 14 June 1989
1992Pandora's BoxThe dangers of technocratic and political rationality.6BBC Two, 11 June 1992Originality and Best Factual Series, BAFTA Awards 1993
1995The Living DeadThe different ways that history and memory (both national and individual) have been used and manipulated by politicians and others.3BBC Two, 30 May 1995
1996Inside Story Special: £830,000,000 - Nick Leeson and the Fall of the House of BaringsNick Leeson and the collapse of Barings Bank.BBC One, 12 June 1996
1997Modern Times: The Way of All FleshThe story, dating back to the 1950s, of the search for a cure to cancer, and the impact of Henrietta Lacks, the "woman who will never die" because her cells never stopped reproducing.BBC Two, 19 March 1997
1999The Mayfair SetLooks at the birth of the global arms trade, the invention of asset stripping, and how buccaneer capitalists shaped the Thatcher years, focusing on the rise of Colonel David Stirling, Jim Slater, Sir James Goldsmith and Tiny Rowland—members of the elite Clermont Club in the 1960s.4BBC Two, 18 July 1999Best Factual Series or Strand, BAFTA Awards 2000
2002The Century of the SelfHow Freud's theories on the unconscious led to the development of public relations by his nephew Edward Bernays; the use of desire over need; and self-actualisation as a means of achieving economic growth and the political control of populations.4BBC Two, 17 March 2002; art-house cinemas in the U.S.Best Documentary Series, Broadcast Awards; Historical Film of the Year, Longman-History Today Awards; Nominated for Best Documentary Series, Royal Television Society
2004The Power of NightmaresSuggests a parallel between the rise of Islamism in the Arab world and neoconservatism in the United States, and their mutual need, argues Curtis, to create the myth of a dangerous enemy to gain support.3BBC Two, 20 October 2004Best Factual Series or Strand, BAFTA Awards 2005
2007The Trap: What Happened to our Dream of FreedomExplores the modern concept of freedom, specifically, "how a simplistic model of human beings as self-seeking, almost robotic creatures led to today's idea of freedom".3BBC Two, 7 March 2007
2007The Rise and Fall of the TV JournalistShort film chronicling the transformation of mainstream media and the balance of political power in the last few decades by looking at how the role of the broadcast journalist has changed since the 1950s.Charlie Brooker's Screenwipe, third episode of the fourth series
2009Oh DearismShort film about how mainstream media simplify complex events and present them as "scattered terrible things happening everywhere, Oh Dear", leaving the public feeling powerless to do anything about them.Charlie Brooker's Newswipe, third episode of the first series
2009It Felt Like a KissCollaboration with theatre company Punchdrunk and Damon Albarn.Manchester International Festival
2010Paranoia and Moral PanicsShort film using the paranoia of Richard Nixon to explore how a similar outlook on life has been propagated on a larger social scale in the new media age and the resulting moral panics and immobilisation of politics.Charlie Brooker's Newswipe, fourth episode of the second series
2011All Watched Over By Machines of Loving GraceArgues that computers have failed to liberate humanity, and instead have "distorted and simplified our view of the world around us". The title is taken from a 1967 poem of the same name by Richard Brautigan.3BBC Two, 23 May 2011
2011Every Day is Like SundayThe rise and fall of press baron Cecil King, and the changing relationship between the public, politics and the media.His personal blog. (This is not an officially released documentary but "a rough cut".)
2013Everything is Going According to Plan (Massive Attack v Adam Curtis)Collaboration with Massive Attack. Based on technocrats and global corporations establishing an ultraconservative norm, with the internet providing a "fake, enchanting world, which has become a kind of prison".Manchester International Festival
2014Oh Dearism IIShort film examining the global events of 2014 to reveal a chaotic morass, the reporting of which is increasingly difficult to comprehend in the context of the 24-hour news cycle and the internet (special feature on Russian Vladislav Surkov).Charlie Brooker's 2014 Wipe, 30 December 2014
2015Bitter LakeHow Western leaders' simplistic good vs. evil narrative has failed in the complex post-war era, and how many Islamic terrorist groups have their origins in the U.S.'s long-standing alliance with Saudi Arabia.BBC iPlayer, 25 January 2015
2016Living in an Unreal WorldShort film for Vice Media about the illusion of stability, freedom, and prosperity in the West, comparing it to life in the Soviet Union during the 1970s. Ends with a trailer for HyperNormalisation.Facebook, 15 October 2016
2016HyperNormalisation"How we got to this strange time of great uncertainty and confusion where those who are supposed to be in power are paralysed and have no idea what to do".BBC iPlayer, 16 October 2016
2019UntitledCollaboration with Massive Attack. "How we have moved into a strange backward-looking world, enclosed by machines that read our data and predict our every move, haunted by ghosts from the past".Mezzanine XXI tour
2019What Is It That Is Coming?Working title for a new nine-part series.
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