Robert Yeoman

American cinematographer
The basics

Quick Facts

IntroAmerican cinematographer
A.K.A.Robert D. Yeoman Robert David Yeoman
A.K.A.Robert D. Yeoman Robert David Yeoman
PlacesUnited States of America
isCinematographer
Work fieldFilm, TV, Stage & Radio
Gender
Male
Birth10 March 1951, Philadelphia, USA
Age73 years
Star signPisces
Education
Duke UniversityBachelor of Arts
USC School of Cinematic ArtsMaster of Arts(—1979)
Awards
Independent Spirit Award for Best Cinematography1990
The details

Biography

Robert David Yeoman, ASC (born March 10, 1951) is an American cinematographer, best known for his collaborations with directors Wes Anderson and Paul Feig. He was nominated for an Academy Award and BAFTA Award for The Grand Budapest Hotel (2014), and has won numerous other awards including an Independent Spirit Award.

Life and career

Born in Erie, Pennsylvania, Yeoman spent his childhood in the northern suburbs of Chicago. He received a Bachelor of Arts from Duke University in 1973 and a Master of Fine Arts from the University of Southern California School of Cinematic Arts in 1979.

Yeoman's first filmwork was done as a second unit director of photography on To Live and Die in LA, directed by William Friedkin in 1986. He went on to shoot many independent films including Gus Van Sant's Drugstore Cowboy — for which he won the Independent Spirit Award for Best Cinematography — Noah Baumbach's The Squid and the Whale, and Roman Coppola's CQ. He has worked on every live action film by Wes Anderson, including Bottle Rocket (1996), Rushmore (1998), and The Royal Tenenbaums (2001) as cinematographer, as well as The Life Aquatic with Steve Zissou (2004), The Darjeeling Limited (2007), Moonrise Kingdom (2012) and The Grand Budapest Hotel (2014), credited as director of photography. He was nominated for an Academy Award for Best Cinematography for his work on The Grand Budapest Hotel.

Yeoman is a member of the American Society of Cinematographers.

Style

Yeoman has a frequent collaboration with director Wes Anderson and his style in Anderson's films consists in using color palettes to highlight the colors of the set and costumes. Anderson and Yeoman shoot the movies with film stock, anamorphic lenses, soft lighting, and theater-like compositions, giving the distinctive visuals on which Anderson's films are known for.

The contents of this page are sourced from Wikipedia article on 03 Jun 2020. The contents are available under the CC BY-SA 4.0 license.