Lyndal Roper

Australian historian and academic
The basics

Quick Facts

IntroAustralian historian and academic
PlacesAustralia
isHistorian Historian of the modern age Professor Educator Researcher
Work fieldAcademia Social science
Gender
Female
Birth28 May 1956, Melbourne, Australia
Age68 years
Star signGemini
The details

Biography

Lyndal Roper FRHistS FBA (born 28 May 1956) is an Australian historian and academic. She was appointed Regius Professor of Modern History at the University of Oxford in 2011. She is a fellow of Oriel College, an honorary fellow of Merton College, Oxford, and the author of a variety of groundbreaking works on witchcraft.

Early life and education

Roper was educated at the University of Melbourne, the University of Tübingen, and King's College London.

Academic career

She was previously a fellow and tutor at Balliol College, Oxford.

Views

Witch Craze

In 2004 Roper published Witch Craze: Terror and Fantasy in Baroque Germany, a study of the Burning Times of persecution of people as witches in Germany in the 16th and 17th centuries in an attempt to understand why it took place at that particular time, why it was not geographically universal, and what kinds of fears, fantasies, and confessions were involved. As she points out, any historical explanation should, in part, explain "why the witch hunts were so heavily concentrated in the German speaking lands of the Holy Roman Empire, why so many of the victims were women" (around 80%) with – in Germany - "a shocking preponderance of old women", which given the life expectancy of the time, meant over 40.

"Global religious persecutions will not work: in Germany, Catholic prince-bishoprics were the most fearsome witch-hunters, but in Catholic Italy, Portugal and Spain, the number of deaths were comparatively small. Calvinist Scotland suffered a very serious witch hunt and Lutheran Sweden had a very late outbreak of witch-hunting in which many children were involved."

In this study, Roper suggests various ways of making sense of the historical record, saying that she was surprised because she began the study expecting to look at confessions of sex with the Devil, flying to the Sabbath, or Satanic rituals, and while these facets were there, they did not predominate.

"What surprised me most when I began to read the detailed trial records of women who were accused of witchcraft was that they talked not about sex and forbidden desire, but about birth, about breastmilk that dried up, about babies who sickened and died, and about the room where the women spent their 'lying in', the period of six weeks after the birth of a child."

In fact, as she discovered "the fears that surrounded witches were not just about the deaths of infants and the early weeks of motherhood, but featured animals and crops, in short, fertility itself". The society in which these people lived was one at subsistence level, with a precarious economy, and years of poor harvests. "Marriage often had to be postponed, and many could never afford to wed. To be a fertile wife with plenty of children was to be honoured and respected. To be an old woman frequently meant poverty, infirmity, and humiliating dependence on the young." The image of the witch across Europe was remarkably consistent: "she was an old woman, and she attacked young children".

During this period, Europe was recovering from the Little Ice Age, which lasted from the late 16th to the mid 17th century, "a combination of perishingly cold winters and wet summers and autumns which brought bad harvests as the grain rotted". Everywhere there was "hunger, disease and death". Apocalyptic visions of a society "under assault from the devil made sense". The peasants had "fears of sick cows, outbreaks of hail, mysterious insects and various diseases". To try to stem the problem of a greater population than food supply, it was now that governments enacted regulations forbidding marriages unless couples could support themselves, and introducing legislation to control marriage.

How could the old woman support herself, in a society where women's status was closely tied to their reproductive capacity? Invariable, the old women acted as midwives, helped the mothers with the infants, and could also milk cows; in these capacities, they were placed in the worst possible place when children died, and milk dried up; if men were impotent, it was felt that this came from the baleful presence of the infertile woman. And fears of fertility also come into the pictures of the time, where a common theme of the fantasy links the post-menopausal woman with a young man whom she sexually desires even though she cannot give him children; she concludes that the terror about failure in fertility was one of the forces driving the persecution, which merged with the fantastic confessions (under torture) of Satanic rites.

Kathryn Hughes, reviewing the book, noted that Roper's "particular triumph is to find a way of bridging an anthropological analysis rooted in the kith and kin networks of the 17th century and a psycho-analytical one forged in the bourgeois household of the 19th."

One of the most controversial conclusions of her book, but in agreement with modern historical scholarship, is that most witch prosecutions were not initiated by the Church but by the neighbors.

Psychohistory

In her book Oedipus and the Devil (1994), Roper examines the actions of both accusers and accused during the witch hunts, examining the historical actors through the use of psychological and psychoanalytic examination of their actions, an approach known as psychohistory. In the book, Roper asserts that "historical interpretation... nearly always depends at base on the assumption of a measure of resemblance" between ourselves and historical actors and that recognising some enduring universal human qualities of the mind stands to strengthen interpretations of those people's world.

Honours

In 2011, Roper was elected a Fellow of the British Academy (FBA). She is also an elected Fellow of the Royal Historical Society (FRHistS).

Selected works

The contents of this page are sourced from Wikipedia article on 01 Mar 2020. The contents are available under the CC BY-SA 4.0 license.