John Macallan Swan

English painter, sculptor, and etcher, 1847-1910
The basics

Quick Facts

IntroEnglish painter, sculptor, and etcher, 1847-1910
A.K.A.John MacAllan Swan J. M. Swan M. J. M. Swan
A.K.A.John MacAllan Swan J. M. Swan M. J. M. Swan
PlacesUnited Kingdom Great Britain England
wasPainter Artist Sculptor Etcher Graphic artist Architect Printmaker Drawer Visual artist
Work fieldArts Business Creativity Engineering
Gender
Male
Genres:Genre painting Nude Figure History painting Animal art Landscape art Religious art Mythological painting
Birth9 December 1847, Brentford, United Kingdom
Death14 February 1910Isle of Wight, United Kingdom (aged 62 years)
Star signSagittarius
Family
Spouse:Mary Rankin Swan
Education
Royal Academy of Arts
Lambeth School of Art
Notable Works
Tigre 
Tête d'ours blanc 
Tête d'un ours polaire 
The details

Biography

Portrait of John Macallan Swan

John Macallan Swan RA (December 9, 1846 - February 14, 1910) was an English painter and sculptor.

Biography

Swan was born in Brentford, Middlesex on 9 December 1846. He received his art training first in England at the Worcester and Lambeth schools of art and the Royal Academy schools, and subsequently in Paris, in the studios of Jean-Léon Gérôme and Emmanuel Frémiet. He began to exhibit at the Academy in 1878. His picture The Prodigal Son, bought for the Chantrey collection in 1889 (and now in the Tate Britain), established his reputation as an artist. He married artist Mary Rankin Swan in Ireland in 1884 and had two children with her, including sculptor Mary Alice Swan.

He was elected associate in the Royal Academy in 1894 and academician in 1905. He was appointed a member of the Dutch Water-Colour Society in 1885; and associate of the Royal Society of Painters in Water Colours in 1896 and full member in 1899. He was awarded first class gold medals for painting and sculpture in the Paris Exhibition, 1900.

Work

The Prodigal Son, 1888

A master of the oil, water-colour and pastel mediums, an accomplished painter and a skilful draughtsman, he ranks also as a sculptor of distinguished ability, having worked in nearly every material.  He has treated the human figure with notable power, but it is by his representations of the larger wild animals, mainly the felidae, that he chiefly established his reputation; in this branch of practice he has scarcely a rival.

Painting

His subjects in oil include animals, figures, and landscapes, and are distinguished by massive, simple treatment, and a strongly imaginative element. Noted examples include:

  • Ocelot and Fish
  • Tigers
  • Tigers Drinking
  • Ceylon Leopards
  • Lions
  • Lioness Defending Her Cubs
  • Polar Bear Swimming

Sculpture

A Lioness drinking, 1894

The modeling in his sculptured works is broad, flexible, and naturalistic. Here he has been compared with Antoine-Louis Barye. Noted examples include:

  • The Jaguar
  • Puma and Macaw
  • Wounded Leopard
  • Leopard Running
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